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The evolution of horror movies
Evolution of horror movies
The evolution of horror movies
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The Sixth Sense: Supernatural and Unknown What? Confused, have no clue? Something that one cannot understand unless they experience it. The Sixth Sense, Directed by: M. Night Shyamalan, released in 1999, incorporates this cultural fear of not knowing what is happening, or what will happen next. The 1990’s were the era of the unknown and suspense era. The Sixth Sense true its era incorporates these themes. This era of creating film did not only exist in the genre of horror films, but also many other films. During the 90’s films like: the Titanic, Harry Potter and so on and so forth. Similarly most films of the 90’s have the same underlying plot. The fear of not knowing what is going to happen next. Which suggest that during the 90’s people …show more content…
In The Sixth sense in a like manner, lighting is used to obstruct the viewers thought process. In the scene where Malcom is shot, the angle in which the scene is shot and the lighting in which it is shot differs from the previous scene. The darkness or the “noir” of the scene is used to invoke fear and tension for this specific scene. The lighting directly on the face of Dr. Malcom’s wife’s shows that something is wrong, she has a real fear. The viewer then gets to see the room from Malcom’s perceptive. Malcom’s perceptive is shot from a different angle, the audience now gets a glance at the whole room. The room is in a disarray. During this shot the viewer is seeing things from the prospective of Malcom. Visually the shot is wobbly and uneven. The audience now feels involved in what is taking place. The viewer is now in the position to feel what Malcom is feeling, the emotions and the fear. This camera work stimulates the mind, putting one in the scene with Malcom. Now the the viewer is more involved or feels the anxieties behind what Malcom is going though. The viewer is now anticipating what is going to happen next. The scene is cut now the view is again seeing things from the perspective of Malcom’s wife Anna. Anna is screaming at the top of her lunges. This scene is even darker and has extremely low lighting. Although the screams are used to invoke fear, the screams from Anna also make the audience want to find out what is next to come. As the shot continues, the viewer see that Anna and Malcom are trapped inside of their room. There is also irony behind being trapped inside of one’s own home. The home that one lives in is supposed to be a safe haven. This scene also forms connect directly to the viewer. This scene serves the purpose of connecting reality to the pictorial scenery, this too could happen in an everyday ordinary life
Though complex and brilliantly written for its time, the plot of Alfred Hitchcock’s film, Vertigo, is only half of the genius behind it. Alfred Hitchcock’s unique presence as an auteur is truly what sets his films apart. There is symmetry to his shots that give the film an artistic feel, as if each frame were a painting. Many times, within this symmetry, Hitchcock places the characters in the center of the frame; or if not centered, then balanced by whatever else is adding density to the shot. For example, as Madeline sits and looks at the painting in the museum, there is a balance within the frame. To counter-act her position to the right of the painting, Hitchcock puts a chair and another painting on the left side, which is visually pleasing to the eye of the audience. The use of red and green not only adds a visual effect as well, but later serves as a clue that Madeline is not actually dead, when the women who looks like her is wearing a green dress.
In the very first scene the audience views there is a man shaving and has radio blaring in the background. An alarm clock goes off in a different apartment and the viewer is trying to find out where the noise is coming from which makes them engaged in the film. The setting creates depth because the audience only sees what Jefferies is viewing. At the dinner party, the music playing in the background set a tone to audience making them feel what he is missing out on. There is an alleyway shown from the window and it very crowded. The alleyway represents Jefferies being isolated
...the predominant theme of disorientation and lack of understanding throughout the film. The audience is never clear of if the scene happening is authentic or if there is a false reality.
mise-en-scene in any film, everything we see has a meaning. But the thing about lighting is we see it,
At the beginning, the movie appears to be very dark and gloomy. This is shown from the riot at the bakery and the young revolutionist running away from authorities. There was so much trouble that the family went through to eat, and survive. The tension increases so smoothly yet it drives the nerves of the watcher during the family argument scene (which proves to be very effective).
film. They know that if they go and see this genre of film that they
Scene Analysis of The Sixth Sense In the film the Sixth Sense a young boy named Cole has paranormal contact with the dead. He can see things that other people cannot. namely the ghosts of the dead walking around him. The scene which I have chosen to analyse to answer my title is the scene where he is at school and brings up facts about what used to go there like people being hanged and eventually he erupts at this former pupil now teacher.
The film, Vertigo (1958) directed by Alfred Hitchcock, is classified as a genre combination of mystery, romance, suspense and thriller about psychological obsession and murder. Filmed on location in San Francisco and on the Paramount lot in Hollywood, California in 1957, the cultural features of the late 1950’s America were depicted in the films mise en scène by costume and set designs current for that time period. The film was produced at the end of the golden age of Hollywood when the studio system was still in place. At the time Vertigo was produced, Hollywood studios were still very much in control of film production and of actor’s contracts. Hitchcock’s groundbreaking cinematic language and camera techniques has had great impact on film and American popular culture and created a cult following of his films to this day.
For setting, the scene takes place in a completely white room which is known as ‘the construct’, where depth perception is not relevant, it simply never ends. This is intended to represent a different world other than reality. No room on Earth could be like this. This message is successfully delivered. His costume is, of course, a green shirt with a black coat. Morpheus, who is explaining what this ‘construct’ is, is also wearing green. Character and actor expressions and body language also come into play as you can see the confusion and disbelief in his facial expressions and the questioning looks on his face. Composition or the arrangements of elements in a frame are also used in this scene. There are only two chairs, a table, a remote control, and an old television set in the white room. The chairs are symmetrically placed and are exactly identical with red and brown colors. It was ironic that the television set was an older version as well, not an up-to-date one. This scene is a perfect example of how all five of the elements of mise-en-scene can be used to make a huge impact on the viewer.
In the film Eternal Sunshine of the Spotless Mind stresses the importance of memory and how memories shape a person’s identity. Stories such as “In Search of Lost Time” by Proust and a report by the President’s Council on Bioethics called “Beyond Therapy” support the claims made in Eternal Sunshine of the Spotless Mind.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
The producer was aiming to create mystery and fear. The dark of the night and the description of the house as feeling dead in the protagonist’s narration sets a suspenseful scene filled with fear and tension. The young girl is followed by the camera as she explores the mansion. When entering the room suspected to be that of her aunts the camera leaves her side to pan around the room. The darkness doesn’t reveal everything but one becomes aware of a search. The revelation of little secrets leaves the viewer with many questions. The room is familiar to the protagonist as she finds items symbolic to her and familiar photographs. This familiarity however does not retract from suspicions that something sinister has been hidden. The producer has successfully captivated the viewer. The protagonist is being followed throughout the scene and has thus allowed for the viewer to bond with them. They are engaging with the audience through narration and have in return enticed the viewer to follow them along their journey. One feels nervous for the young girl however through tension in the scene one does not want them to discontinue the journey as too many questions have been left unanswered. One has been drawn into the world of which the protagonist dwells and is intrigued as to how the drama is
We see an unknown man in what appears to be 1930’s Los Angeles. He leaves a letter for Hall with a barman, before returning home to his wife. The same man (Fuller) awakens in (for the time) modern day Los Angeles, revealing the previous world to be a simulation, and attempts to contact Hall in the real world, but is murdered by an unknown person before he can. As well as an example of good visual storytelling in order to allow the audience to see events which will be described in dialogue later to our protagonist, consequently meaning that for the most part we do not learn more than he knows, it also adds further to the discourse in various ways. There is no indication given that the opening setting is a simulation, so the audience begins the film with no reason to believe that this is not the “real” world. This is intended to create shock when the man goes to sleep, suddenly wakening in the “real” world. The contrast between the two becomes more apparent moving directly from one scene to the other with the aid of digital editing. Filters have been placed over the scenes of the 1930’s simulation that slightly mute the colours. As this is a common convention of film’s set in an earlier time period this would not be particularly jarring, or even overly noticeable, to the audience, until the move to the 1990’s. This both enforces the idea that this is now the “real” world, the audience
Forth are Lighting and color. In case of Lighting, this film uses High key light that makes this film look like natural light and feel warm. In the case of color, some scene of this film use warm color to express love and warmth to audience such as in the wedding scene or some scene use dark color to express about sad feeling such as funeral scene and in scene that Rosie knows her dad was died. I think in some scene if you watch it in HD, it’s very beautiful such as in scene that Rosie drinks a cup of coffee and thinks about the past in sunset time because Lighting and color of sunset time is very
The Conjuring is a “real” Hollywood horror film based on possession of the human kind by demonic figures. There's a dog that ends up doing the usual thing dogs do in horror films (they act scared and bark constantly or end up dying unknowingly). There's a doll that end up doing what dolls usually do in horror films (taunt the human body). There's some doors banging, some ghost hunters with motion detectors and UV lights, eerie TV static, and some creepy ghosts who appear out of the blue when you expect to least expect them, and to top it off they add creepy music and the spooky makeup that all ghosts wear so you can identify them or recognize them.