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Importance of mise en scene in films
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The Matrix is a film that uses the five elements of mise-en-scene in order to deliver meaning to the audience and is constantly being seen throughout the entire film. Mise-en-scene is used by filmmakers and directors in order to emphasize what they want the audience to look at as important. The elements of Mise-en-scene are setting, costume and makeup, character and actor, lighting and color, and composition. Costume and lighting and color all play massive roles and are intended to be cues for the audience. For example, whenever a person enters the matrix, there is always a tinted shade of green, as if the scene was filmed with a green filter over the camera. This is intended for the audience to realize when a character is actually in the real …show more content…
For setting, the scene takes place in a completely white room which is known as ‘the construct’, where depth perception is not relevant, it simply never ends. This is intended to represent a different world other than reality. No room on Earth could be like this. This message is successfully delivered. His costume is, of course, a green shirt with a black coat. Morpheus, who is explaining what this ‘construct’ is, is also wearing green. Character and actor expressions and body language also come into play as you can see the confusion and disbelief in his facial expressions and the questioning looks on his face. Composition or the arrangements of elements in a frame are also used in this scene. There are only two chairs, a table, a remote control, and an old television set in the white room. The chairs are symmetrically placed and are exactly identical with red and brown colors. It was ironic that the television set was an older version as well, not an up-to-date one. This scene is a perfect example of how all five of the elements of mise-en-scene can be used to make a huge impact on the viewer. Overall, the film The Matrix has successfully utilized the elements of mise-en-scene. It is a perfect example of how the elements of mise-en-scene can be creatively used to express particular themes across the film and also be symbolic of imagination, such
The Matrix series is much more than an action-packed sci-fi thriller. After one view of this film for the second and third time, we start to notice a great deal of symbolism. This symbolism starts to paint a completely different picture than the images of humans battling machines. It is a religious story, with symbols deeply set in the Christian faith. The Matrix contains religious symbolism through its four main characters, Morpheus, Neo, Trinity and Cypher. In that each character personifies the “Father,” the “Son,” “Satan,” and the “Holy Spirit” of the Christian beliefs only shown through the amazing performances of the actors. A critic by the name of Shawn Levy said "The Matrix slams you back in your chair, pops open your eyes and leaves your jaw hanging slack in amazement."(metacritic.com)
The Matrix relies heavily on the technique of symbolism. It is used frequently throughout the film implying both vital and obscure things. For example, the use of sunglasses. They indicated a characters strength and vulnerability. Or the doors representing the choices in Neo's life, the signs strategically placed throughout the film or even Neo's name being an anagram of the word "one".
This student of Philosophy now sees the movie The Matrix in a whole new way after gaining an understanding of some of the underlying philosophical concepts that the writers of the movie used to develop an intriguing and well thought out plot. Some of the philosophical concepts were clear, while others were only hinted at and most likely overlooked by those unfamiliar with those concepts, as was this student when the movie first came out in theaters all those many years ago. In this part of the essay we will take a look at the obvious and not so obvious concepts of: what exactly is the Matrix and how does it related to both Descartes and Plato, can we trust our own senses once we understand what the Matrix is, and how Neo taking the Red Pill is symbolic of the beginning of the journey out of Pl...
...The Matrix” and Plato’s “The Allegory of the Cave” almost gives the idea that the movies writers may have had a lot of influence from Plato’s allegory. The creation of this movie gives and futuristic prospective of “The Allegory of the Cave” letting the people who have seen the movie think about reality and the truth. In conclusion, Plato’s story of the cave brings up many philosophical points and most significantly, addresses the topic of society’s role in our lives. On some level, we are all influenced by the thoughts and actions of everyone else, but at the same time, we as humans have the ability to question, make our own conclusions, and finally make our own choices.
The Matrix, written and directed by Lary and Andy Wachowski, is a 1999 science-fiction action film that has been regarded as one of the most igneous and highly imaginative films of all time. It depicts the complex story of a dystopian future in which the reality perceived by most human beings is actually a simulated one created by AI machines who use the suppressed humans as energy sources. Though the main characters of the story have freed themselves from the matrix, one character named Cypher (a.k.a. Mr. Reagan) regrets learning the truth and wants to return back to the dream world. Cypher is an example of antagonist Agent Smith's belief that "as a species, human beings define their reality through misery and suffering" as he believes that he will be absent of suffering by retreating into the matrix (Andy and Lary Wachowski). Cypher's betrayal spurred on by his intense opposition of suffering parallels other figures from both history and fiction as well as introduces the philosophy of the problem of evil.
When it comes to films most people think that the filmmakers just draft up the script, hires some actors, films and edits some scenes, then releases the next number one movie in America to the world (or select theaters near you). In actuality, there are a lot more details that go into film than that. Filmmakers are constantly making decisions in regards to a films narrative and cinematic style and making sure a film comes out as well as it can. One of those decisions fall under cinematic style and is called mise-en-scene. Mise-en-scene has four elements: lighting, costume/makeup, sets/props, and figure expression and movement. The three that will be focused on when analyzing the film Modern Times are costume/makeup, sets/props, and figure expression
A style of film making that developed as part of the German expressionism movement during the 1920’s, which produced numerous movies now considered to be classics could be seen to have done so only through the stylings of mise-en-scène. Such films as The Cabinet of Dr. Caligari could be seen to convey the benefits in this style of film making; as described by (Phaidon, p.483, 1999) There is no conventional scenery: the sets are painted on canvas, creating an eerie world of distorted perspectives entirely fitting a film who's title character rules over a lunatic asylum.’ This style of film making is still used to this day. One film in particular that features strong aspects of mise-en-scène is The Others, a 2001 feature written and directed
Wartenberg addressed the question: “Can philosophy be screened?” (pg. 272) He then used thought experiment as a way that a film can represent philosophy. So what is “thought experiment”? Thought examinations include nonexistent situations in which the audience are asked to envision what things might be similar to if such-and-such were the situation. The individuals who feel that movies can really do philosophy show that fiction films can work as philosophical thought experiments and consequently qualify as philosophical. Wartenberg argues that it some fiction films as working in ways that thought experiments do, and thus they may be seen as doing philosophy. (pg. 276)
Mise-en-scene is used in many different parts of the movie to help the viewers feel as if they are a part of what is going on. An example of the use of mise-en-scene and also lighting used throughout the movie is when the characters are inside the matrix. The camera has a slight shade of green on everything during the scene. This could be identified as mise-en-scene. The green lighting is used to inform the viewers that the scene is taking place inside the matrix and it could also be a form of a lighting technique. The computer code is green, also which links it to the matrix. Then it changes to a blue light when they are back in the real world. Another technique of mise-en-scene is used when Neo first enters the matrix. He is in a room that is completely solid white and appears to be never-ending. This technique is used to show that
In the film The Matrix (1999) the scene “The Two Pills” helps characters and relationships develop and continuation of the films narrative through various components of cinematography and mise-en-scène. Most notable in The Matrix is the use of costuming, sound effects, props, setting and camera movement. Through the use of these techniques, the audience becomes more involved in the narrative as Neo meets Morpheus for the first time and is given the opportunity to learn the secrets of the matrix. Mise-en-scène according to Dix (2008) is the visual element that makes up a scene. Costume in this scene is an important component of mise-en-scène, as it displays the contrast between Morpheus and Neo’s characters.
Mise-en-scѐne has a major significance to the overall experience of film itself. Bordwell & Thompsons Film Art: An Introduction (2013), breaks up the significance into four meanings. referential, implicit, symptomatic and explicit, the referential meaning
Another significant element of mise-en-scene is wardrobe. Neo is dressed in black while Morpheus is wearing a luxurious pitch black suit with a green tie. The color green is a piece of a theme in the film. The color green is used vigorously as a part of early scenes to speak to the imitation of the world; the binary code is composed in green. Morpheus tie is an indication of the guile of their reality. Morpheus is likewise wearing a couple of shades with reflected focal points. Whenever Morpheus and Neo are talking, Neo’s reflection can be found in Morpheus shades. The black outfits, similar to the props, remain interestingly with the white foundation. Both colors mix in when they are dropped in present-day earth, albeit like the props, they
The mise-en-scène is a key element in The Grand Budapest Hotel. The mise-en-scène is the arrangement of everything within the frame: the setting, actors, lighting, coloring,
First, the lighting is very bleak and dim. The scene takes place after the characters are done working and they are undoubtedly tired and the lighting is used in this way to showcase how the characters are feeling. Second, the props around the actors also contribute to telling the story by showing the audience that this is their workplace, the truck, the brooms, the trash can, and cleaning supplies all around them are what achieves this. The costumes also contribute to the mise en scene by telling the audience clearly that the three girls are the employees and that Luther is the boss of them. The composition of the actors is also a part of the mise en scene and important to telling the story. The actors are positioned in ways to reaffirm that Luther is the boss, and also to let the audience know the girls are tired from working. The way they are slouched and resting against props is what achieves the mood of the scene (Set It
The Wachowskis’ film, The Matrix, is a great example of the science-fiction genre because it incorporates very futuristic elements such as travel through dimensions and artificial intelligence (AI) advanced enough to project almost completely real human life by using the brain’s complex mechanisms. In the movie, the AI is able to simulate every day human life. The film takes place in two different dimensions and travel to the different dimensions is first accomplished through swallowing a pill and later it is through the Matrix itself. As is common in scientific-fiction films, The Matrix takes place in the future. The combination of mesmerizing fight scenes that defy both dimension and gravity along with the overarching theme that the perceived