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This essay will examine the philosophical questions raised in the movie The Matrix. It will step through how the questions from the movie directly relate to both skepticism and the mind-body problem, and further how similarly those problems look to concepts raised by both Descartes’ and Plato’s philosophies. It will attempt to show that many of the questions raised in the movie are metaphor for concepts from each philosopher’s works, and why those concepts are important in relation to how they are presented in the film. In this analysis, we will examine the questions of skepticism and the mind-body problem separately. Part one will examine how the film broached the subject of skepticism, and in doing so how it ties in to Descartes and Plato. Part two will analyze the mind-body problems as raised by the movie and how those problems hold true or not to Descartes’ and Plato’s ideas.
Part One: Skepticism and the Matrix
This student of Philosophy now sees the movie The Matrix in a whole new way after gaining an understanding of some of the underlying philosophical concepts that the writers of the movie used to develop an intriguing and well thought out plot. Some of the philosophical concepts were clear, while others were only hinted at and most likely overlooked by those unfamiliar with those concepts, as was this student when the movie first came out in theaters all those many years ago. In this part of the essay we will take a look at the obvious and not so obvious concepts of: what exactly is the Matrix and how does it related to both Descartes and Plato, can we trust our own senses once we understand what the Matrix is, and how Neo taking the Red Pill is symbolic of the beginning of the journey out of Pl...
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...nd, this student sees the writers picked and choose what they wanted to use from each philosopher’s works and ultimately like the essence of the Matrix, distorted the ultimate truths each philosopher sought out.
Works Cited
Descartes, Rene. Meditations on First Philosophy (In Focus). Ed. Stanley Tweyman. London & New York: Routledge, 1993. Web. 29 Apr 2011.
Falzon, Christopher. Philosophy goes to the Movies: An Introduction to Philosophy. London & New York: Routledge, 2002. Web. 29 Apr 2011.
Plato. Apology, Crito, and Phaedo of Socrates. Salt Lake City : Project Gutenberg Literary Archive Foundation, 2004. Web. 20 May 2011.
Plato. The Republic. San Diego, CA: Icon International Group, 2005. Web. 30 Apr 2011.
Sanders, Steven M., ed. The Philosophy of Science Fiction Film. Lexington; KY: University Press of Kentucky, 2008. Web. 30 Apr 2011.
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The Matrix series is much more than an action-packed sci-fi thriller. After one view of this film for the second and third time, we start to notice a great deal of symbolism. This symbolism starts to paint a completely different picture than the images of humans battling machines. It is a religious story, with symbols deeply set in the Christian faith. The Matrix contains religious symbolism through its four main characters, Morpheus, Neo, Trinity and Cypher. In that each character personifies the “Father,” the “Son,” “Satan,” and the “Holy Spirit” of the Christian beliefs only shown through the amazing performances of the actors. A critic by the name of Shawn Levy said "The Matrix slams you back in your chair, pops open your eyes and leaves your jaw hanging slack in amazement."(metacritic.com)
This chapter is composed of concepts that try to differentiate between reality and what is actually happening in your mind, and are we living in a matrix? The Vats and Demons idea creates a vivid
The Matrix, directed by the Wachowski brothers, a film about the journey of Neo discovering the real and simulation world, revolves around how he is “The One” destined to save mankind. As critics may say that The Matrix is either an action packed movie containing philosophy or a philosophical movie containing action, critics also miss the fact that it could possibly be considered as a religious themed movie because it contains a plethora of Biblical references, such as symbolic evidence. In Gregory Bassham’s article, “The Religion of The Matrix and Problems of Pluralism”, he discusses how the film contains Christian themes, non-Christian themes, and lastly, religious pluralism. The rhetorical
The movie, "The Matrix," parallels Platos's Allegory Of The Cave in a number of ways. Similar to the prisoners of the cave, the humans trapped in the matrix (the cave) only see what the machines (the modern day puppet-handlers) want them to see. They are tricked into believing that what they hear in the cave and see before them is the true reality that exists. Furthermore, they accept what their senses are telling them and they believe that what they are experiencing is all that really exists--nothing more.
...The Matrix” and Plato’s “The Allegory of the Cave” almost gives the idea that the movies writers may have had a lot of influence from Plato’s allegory. The creation of this movie gives and futuristic prospective of “The Allegory of the Cave” letting the people who have seen the movie think about reality and the truth. In conclusion, Plato’s story of the cave brings up many philosophical points and most significantly, addresses the topic of society’s role in our lives. On some level, we are all influenced by the thoughts and actions of everyone else, but at the same time, we as humans have the ability to question, make our own conclusions, and finally make our own choices.
Let us begin with the comparison of The Matrix with Plato’s Excerpt The Allegory of the Cave and Descartes Excerpt Meditation I. All of these readings seem to have characters that are in a world made of illusions and dreams. Deception is also very prominent in these stories; the characters are being deceived by what they see and by the world around them. In these stories, it is essential for the characters to uncover the truth about what is the true reality. In The Matrix Neo was told that the world he thought was real was actually nothing more than a virtual world made up by a computer program. He was not aware of the real world until he took a red pill, this awoken Neo from his dream state and allowed him to see beyond what he thought was true. Neo experienced different emotions after taking the pill. He experiences denial, confusion, and fear but finally ...
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In arguing for the distinction between mind and body, Descartes seeks to show that the two are independent substances and can exist separately. It will be useful to outline Descartes’ argument based on clear and distinct perception by listing his premises and conclusion. The essay will then analyse each premise in turn, arguing that the argument fails because his premises are faulty. The argument, found in the Sixth Meditation, runs as follows
Descartes’ first two Meditations are arguably the most widely known philosophical works. Because of this, one can make the error of assuming that Descartes’ method of doubt is self-evident and that its philosophical implications are relatively minor. However, to assume this would be a grave mistake. In this paper, I hope to spread light on exactly what Descartes’ method of doubt is, and how, though it furnishes challenges for the acceptance of the reality of the external world, it nonetheless does not lead to external world skepticism.
The extreme skepticism discussed in this essay is a mind-boggling concept, questioning reality and truth as we know them and removing the foundation of all that is ‘known’ to mankind forces people to consider everything in a different light. The conversations Socrates had with Glaucon in Plato’s, The Republic, Book VII, the thoughts that Descartes shared in Meditations on First Philosophy, and how The Matrix portrays a world where perceptions of reality are fed to the population through a computer, allow the reader to receive a well-rounded view of this topic. It also opens them up to question their biases and learn about themselves what they think they want in life, whether it be the ultimate truth or if they are willing
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