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Reflection of history in cinema
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Depicting the story of a military commander leading the country at war against the American troops despite of all the hindrances and circumstances, it has not forgotten itself to prove everyone else that a part of history could become a remarkable movie after all. Being considered as one of the top highest grossing films in the Philippines, the film has proven itself not only here in the country but worldwide as well. In regards to this, the movie “Heneral Luna” is a historical epic film showcasing a history of bravery and loyalty and is starred by the most prominent stars in the Philippines such as John Arcilla who showed a charismatic and action performance in the movie portraying the role of a strategist leading his men against their enemies …show more content…
Whereas effort and hard work could be seen just by the output of the movie itself. The production and editing could take numerous months for it to be accomplished. And in the film Heneral Luna, everything was evident. All their hard work was paid off. Looking just from the costumes of the cast, one can see every detailed designs that should be included to be historically accurate. Yes, historically accurate wherein costumes of the military troops contains badges and more details showing the time frame when the history itself happened. The costume was able to allow the movie to flow in one direction wherein further researched was done to properly execute an outfit that fits the movie and the period. The different locations in the movie allow it to influence the other elements of the film. It is compatible with the mood and the scene that showed completeness and formality in the movie. There were elements in the film that were edited and changed for its authenticity and accuracy to the history. In fact, there has been computer generated graphics used in the movie, however it was not obvious since it looked realistic and fit to the other parts of the movie such as the American ships and roofs. With its editing, the visual strategy of the film helped in fully developing the movie itself. Furthermore, artistic inputs were provided to show the creativity and innovatively of the
The film Jindabyne, is a story about death, marriage, and race in an Australian town in New South Wales called Jindabyne. In the film, four men go fishing, and one of them discovers the dead body of a young indigenous girl. Instead of reporting what they found to the police immediately, they decide to stay and continue fishing. They decide that there is nothing they could do for her, so they tie her legs to a tree and continue with their fishing, reporting the death only when they return home. After they are done with their weekend of fishing and report the incident, conflict starts, as the men are criticized for not respecting the dead. Through the story of the town’s reaction to the four fishermen’s response to the dead girl, the movie shows Australia to be fragmented and divided over white-indigenous relations.
This film absolutely deserves to be recognised as it has a positive impact on both the indigenous and white community and how we can gain
To be a True Blue Aussie you have to have a mate because “You've to have a mate,” as verbalized by poet Dave Butler in 2013. For in Aussie culture, a mate is a person whose actions speak louder than their words. In Australia, being a mate is a value that is held in the highest respect.
Beyond the Lights, is a romantic drama film Directed by Gina Prince-Blythewood. The film premiered in September 2014 at an international film festival held in Toronto, and this followed by its release on November 14th, 2014 in the United States. The film is one of the strangest music industry romance based films, alternating between the entertainment business, wisdom and heartfelt flourishes. Yet, Gina Prince-Blythewood manages to show all the elements of her play into an irrefutably entertaining package.
If the name Serpico sounds familiar, it may be remembered from a movie. Frank Serpico is portrayed in the 1973 movie, “Serpico” starring Al Pacino. This movie may be loved by many but it’s important to realize that its characters are real men and the story line is very real. Although most police officers work very hard to do their jobs within ethical standards of the law, it is often not hard to find some type of corruption within a department.
Chicanos and Chicanas are often stereotyped by people based on crude and unfair assumptions but at the same time, these stereotypes are often based on the truth. Movie directors are no exception as they attempt to understand and give representation to entire Chicano/a and Latino/a culture in society. The trailer of the film, La Mission, Che seems to be happy with his life until he realizes his son, Jes, is gay. Che then finds himself in a struggle to accept the homosexuality of his son while at the same time, Jes is struggling to find his own identity and to fit into society. The trailer has distinct ways in how it represents and shows the intersection and issues of gender and sexuality, race and ethics, as well as class. The trailer represents
The film, Fruitvale Station, is based upon a true story of a young, unarmed African American male, Oscar, who was shot by a Caucasian BART police officer. The film displays the final twenty-fours of Oscar Grant’s lives going through his struggles, triumphs, and eager search to change his life around. There will be an analysis of the sociological aspects displayed throughout the movie that show racism, prejudice, and discrimination.
The movie, “The Perfect Dictatorship” (“La Dictadura Perfecta”), directed and produced by Luis Estrada and released in 2014, is a political, satirical comedy story of two reporters attempting to repair the image of a corrupt governor after he signs a deal with the boss of their television company, Television Mexicana. That’s one way we could describe the plot of the movie. Another would be that the movie depicts the inherent corruption of the Mexican government and the lengths to which they will go to retain (or regain) their reputation. Equally, we could see the movie as a demonstration of the corruption of the Mexican media and the ways in which the media influences and effects politics. In fact, the
In the early 1900’s Georges Melies introduced his film “A Trip To The Moon” to audiences in France. This film, when first seen by viewers at this time, was jawdropping. Melies who happened to be a magician, and illusionist before becoming a filmmaker, made one of the first-ever narratives in motion picture history. Similarily throughout “Trip To The Moon” and many of his later films, Melies, who also worked in theatre, took full advantage of what is known as Mise-en-scene. Mise-en-scene is defined as: All the elements placed in front of the camera to be photographed: the settings and props, lighting, costumes and make-up, and figure behavior. In “Trip to the Moon” Melies created a world to which no one had ever seen on film, and utilized all the characteristics to which mise-en-scene is based upon.
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
The film had stunning scenery and beautiful interior designs of the palace in which Antoinette lived. Coppola used over the top props and furniture’s to show the life of glitz and glamour that Marie Antoinette lived in. The production crew was given unprecedented access to the Palace of Versailles which is where it takes place. This also gave the film authenticity and realism, making it easier for the audience to get a better look into the life of Marie Antoinette and the courtiers of that time. The director used many pastels, bright pinks and blues in its backgrounds in the beginning of the film to show Antoinette’s innocence but as it progressed the colors went darker to show a sign of maturity. Even though the film is set in Versailles, some scenes were taken in various locations around France. This kept the au...
Moonlight is a motion picture with a tender, heartbreaking story of a young man's struggle to find himself, told across three chapters in his life as he experiences ecstasy, pain, and the beauty of falling in love, while grappling with his own sexuality and dealing with his more difficult past. Moonlight describes a touching way of those moments, people and unknown forces that shape our lives and make us the way we are. A major theme of Moonlight is the black male identity and its interactions with sexual identity. The motion picture combines acceptance and love with pain and narrow-mindedness. In it’s simplicity the movie is a chronicle of the childhood, adolescence and burgeoning adulthood of a young black man growing up in a rough neighborhood of Miami.
It is impossible to talk about a Wes Anderson movie without acknowledging its stunning color palettes and quirky storytelling style. In one of his most exemplary works, Moonrise Kingdom, Anderson uses a warm color scheme that blends bright and desaturated colors that ranges from golden yellow, vermillion red, creamy beige, light brown, to even a hint of teal. His color scheme, which is reflected throughout the film’s props, sets, costumes, title design, and camera filters, effectively evokes nostalgia, establishes the summer-like, dreamy mood of the film, and creates a distinct contrast between the different moral values of his characters. However, in the chaotic stormy escape scene and in the costume of Social Services, the visual design deviates greatly from the film’s primarily warm color palette and instead, immerse their visual elements in a deep, dark blue color to show the contrasts in the mood of the story as well as the attitudes of the characters. Overall, Anderson’s visual
Italian cinema is conventionally associated with neorealist films and their contribution to the international art film movement. However, while these films tend to draw on the ideas and artistic creativity of individual directors such as Fellini, Antonioni, and De Sica; there is also a strong tradition of genre cinema evident in more popularized examples of Italian film. Emerging in the post-war era, these filone, or formula films, were inspired by established American models such as the "sword and sandal" hero epic, the western, and the gangster film. Consequently, the international success of the peplum films of the 1950's, the spaghetti westerns of the next decade, and later, the Italian-American gangster film, are a collective testament to the post-war financial success of Italian Cinema as an exportable product.
The world before her is a film of hope and dreams for Indian women. We examine two girls with different paths but one goal in common, empowerment. This term conveys a wide range of interpretations and definitions one of them being power over oneself. Both Prachi and Ruhi manifest a will for female empowerment but both have distinct views on how this is achieved. Prachi believes the way to achieve empowerment is through her mind and strength, while she still confines to tradition views of Indian culture. Ruhi desires to achieve female empowerment by exposing her beauty in a non-conservative way while maintaining her Indian identity.