In the film Half the Sky, various filmic elements and cinematic techniques are used to portray the theme women’s oppression, including narratives by the celebrities, the use of close-ups when interviewing the girls in foreign countries, as well as the use of sorrowful background music. In my opinion, overall these filmic elements are not effective to strengthen the film’s message. First of all, one of the filmic elements in the film is interviewing celebrities and also having them narrate the film. In the beginning of the film, celebrities such as Hilary Clinton, the United States Secretary of State, Mary Robinson, the president of Ireland are interviewed. I think this part is effective because they are professionals who have background knowledge to the oppression of women, especially Mary Robinson, who used to be the …show more content…
Hence, their interviews could help audiences better understand the issue, and also elevate the seriousness of the issue of women’s oppression in foreign countries, which could raise the audience’s awareness towards the issue. However, the use of celebrities to narrate the film is ineffective in delivering the main message of the film. In the film, famous actresses or models like Eva Mendes play the role of narratives of the film and there are long parts in the film where the actresses are asked about their feelings towards the oppression. However, The actresses lacked background knowledge of the oppression in the countries. After seeing and hearing the stories from the girls, the actresses are shocked and they even shed tears. This may shift the audience’s focus from the girls who are oppressed to the actresses who sympathize with the girls. Besides, having the actresses narrate the film makes the film subjective as their personal feelings are
On October 14th, 2016 in class we watched “Two Spirits” by Lydia Nibley. Basically the film explored the cultural context behind a tragic and senseless murder of the main character. Fred was part of an honored “Navajo” youth who was killed at the age of sixteen by a man who bragged to his friends that he was nothing but a “fag”. While walking home from a carnival he was chased by one of his friends. Once his friend caught up to Fred, he pulled him down from a mountain and smashed his head with a heavy rock. Fred laid there for five days straight where two young boys found his body lying there. He was labeled as a “two-spirit” who was possessed of balancing masculine and feminine traits. In the film, there are two parts that are put together effortlessly like the people it discusses. Most of the documentary focuses on Fred’s murder, but the real issues in the film were those of the lesbian, gay, and transgender community and how its members were viewed in a
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
Discriminating gender roles throughout the movie leaves one to believe if they are supposed to act a certain way. This film gives women and men roles that don’t exist anymore, during the 60s women were known to care for the family and take care of the house, basically working at home. However, a male was supposed to fight for his family, doing all the hard work so his wife didn’t have too. In today’s world, everyone does what makes them happy. You can’t tell a woman to stay at home, that makes them feel useless. Furthermore, males still play the roles of hard workers, they are powerful compared to a woman. However, in today’s world a male knows it isn’t right to boss a woman around, where in the 60s, it happened, today women have rights to do what they want not what they are
In the book, Half The Sky, author’s Nicholas D. Kristof and Sheryl WuDunn bring to light the oppression of women in the developing world. Anecdotal stories, filled with sadness, anger and hope, collected after years of reporting, depict just a few examples of this global struggle for women. At the end of their book organizations are listed, in alphabetical order, in hopes of creating a starting point for people to further support women in developing countries. With so many organization doing great work to empower women it becomes difficult to decide where money should be distributed. As a grant manager it is important to take a closer look at each of the organizations and their work to better assess where the money should go. However, the
...vie, the actresses that played them actually fit the role. Women usually do not have impacts on things, but in this novel, major things happened as a result of these women. These things include dishonest marriages, love affairs, wealth, power, and jealousy. This goes to show that women are not always the innocent ones in novels, or any other type of literature.
It is impossible to talk about a Wes Anderson movie without acknowledging its stunning color palettes and quirky storytelling style. In one of his most exemplary works, Moonrise Kingdom, Anderson uses a warm color scheme that blends bright and desaturated colors that ranges from golden yellow, vermillion red, creamy beige, light brown, to even a hint of teal. His color scheme, which is reflected throughout the film’s props, sets, costumes, title design, and camera filters, effectively evokes nostalgia, establishes the summer-like, dreamy mood of the film, and creates a distinct contrast between the different moral values of his characters. However, in the chaotic stormy escape scene and in the costume of Social Services, the visual design deviates greatly from the film’s primarily warm color palette and instead, immerse their visual elements in a deep, dark blue color to show the contrasts in the mood of the story as well as the attitudes of the characters. Overall, Anderson’s visual
In today's society there are many stereotypes of women in the media and what they are supposed to represent. This movie effectively portrays what women have to go through to be remembered for their story rather than their face. As a young reporter, Tally Atwater walks into the Miami station ready to do whatever is asked of her. Because her dream is to become a news ancho...
By dissecting the film, the director, Jennie Livingston's methodology and the audience's perceived response I believe we can easily ignore a different and more positive way of understanding the film despite the many flaws easy for feminist minds to criticize. This is in no way saying that these critiques are not valid, or that it is not beneficial to look at works of any form through the many and various feminist lenses.
Miss Representation addresses the important issue of how women are presented in the media and how it can badly influence women. This film does a good job on delivering such a powerful message to women. I, myself, was in shock of how the media is portraying women to be represented as the “sexual” and “seductive” figure. The statistic that I found to be very eye opening was how American teenagers spend about 10 hours and 45 minutes a day looking at the media. I was just mind blown how this is in fact true of this day and age because I, myself, spend about close to that amount of time. While there were a lot of things to cover on, I will mainly focus on how women’s bodies are represented through the media.
1. Yes, there is a clearly stated thesis in the introductory paragraph, which said “The documentary uses respected women in a political stance or publicized figure…to draw out emotion from the viewers to side with their stance.” I think if the thesis statement is written in one or two sentences, it would be simpler to get your point.
...ereotypes and patriarchal norms (Annie baking, Helen being a rich step-mom, the wedding itself), it also undermines patriarchy at the same time. At one point or another throughout the film all of the female characters go against the common conception and portrayal of women being proper and passive. They can be raunchy, drink, use vulgar language, and show they aren’t that different from men.
Interstellar, directed by Christopher Nolan, was a very complex and interesting sci-fi movie. This movie in particular has a lot of factors playing into the movie. Everyone is able to find their favorite part about the movie, and various people can watch this movie and connect with it. This movie came out in 2014, and shocked millions of people by its intense ending. Interstellar was awarded for best visual effects, and then nominated for many other things including, best original score, best sound mixing, and best sound effects which played a huge role in making the movie. The image and sound complement each other, but I thought that image dominated over sound because there were so many silent moments throughout the movie. I thought the plot
British Feminist Film theorist Laura Mulvey uses psychoanalysis to show the pre-existing “patterns of fascinations” (Mulvey) with the sexual differences in society that is portrayed through film. She says in her paper “Visual Pleasure and Narrative Cinema”, that there is a structured film form that feeds a patriarchal order because of social patterns based on the fascinated subject-women. Drawing from Freud’s Three Essays on Sexuality, Mulvey states that cinema allows for a lot of pleasures, and one of these pleasures is scopophilia, or the love of looking, because there is pleasure in looking as well as being looked at. Film allows for an amazing outlet for this scopophilia because it gives one the pleasure of looking at something pleasurable on screen as well as scopophilia is a narcissistic aspect because the audience will identify with a character on screen. With the patriarchal structural form in place as well as the scopophilia present in films, it leads to the main idea of Mulvey’s paper; that Hollywood films use women to create a pleasurable experience for men. In the films the Mulvey studied, the women are just objects to be looked at never the main driver of the plot. Budd Boetticher put it best when he said, “What counts is what the heroine provokes, or rather what she represents. She is the one, or rather the love or fear she inspires in the hero, or else the concern he feels for her, who makes him act the way he does. In herself the woman has not the slightest importance.” (Mulvey)
...s her home and that she has to take care of her children. She later reveals that she was embarrassed to tell him the truth, and the real reason for her return was that her husband threatened to divorce her and take her children away if she did not return home. The film allows the audience to see through the perspective of the women and they are able to better understand the truth because of the different perspectives it use in comparison to the single perspective in a song or essay.
The representation of violence exacted upon women in cinema is inextricable from being projected upon all women. To provide a scene that objectifies the female is to reduce the feminine form to its non-dual state, e.g., a sexual object providing a vessel for male gratification (hubris and sexual) rather then being defined by its duality of sentient and physical forms. Those who construct scenes of violence against women are bound to a moral responsibility to subjectify the woman’s perspective, thus reestablishing the female as a victim rather then an object and rendering the act of violence intelligible (deplorable, open to interpretation).