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Female representation in action films
Fast and furious franchise film analysis
Female representation in action films
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Action movies today seem to lack attractiveness and are built completely on unnecessary explosions. Fast Five changes the tempo of all the movies surrounding it by utilizing adrenaline-pumping action sequences as well sentimental scenes in which the plot of the movie is strengthened. The movie uses a slight bit of craziness alongside a Zen-like calm in order to produce a wholesome film experience. Fast Five delivers viewers with a perfect mix of fast cars and furious men that leads to an ultimate action sequence long lost in action movies. The movie overdoses its audience with testosterone mixed with soap opera drama to provide Hollywood with the optimal action movie. Fast Five is the blockbuster action movie of the year thanks to its high-octane action scenes, star-studded cast, and emotional usage of family themes. Whether watching Nascar on Sunday mornings or drag racing in the streets, racing has always been a favorite of American audiences. The movie starts off as a continuation from its predecessor with Brian O’Connor (Paul Walker) and his girlfriend, Mia Toretto (Jordana Brewster), breaking out their leader and Mia’s brother, Dominic “Dom” Toretto (Vin Diesel), from his impeding jail sentence. The trio then flees America and escapes to Brazil. In Brazil, the trio formulates a plan for “one final heist” that will ensure all of them enough retirement money to live for the rest of their lives. Walker and Diesel call their allies from previous movies to help them finish off the plan that will yield the crew $11,000,000 to share. After devising an extensive plan to steal the money from the richest mobster in Rio de Janeiro, the group goes through a series of ridiculous but, nevertheless, amazing events, and finally decides tha... ... middle of paper ... ...child. With a sentimental touch, Fast Five provides its audience with a little more diversity than the average action movie. On the whole, Fast Five revitalizes the 10-year old Fast and Furious franchise with added flavor. Similar to adding nitrous to an already fast car, the introduction of Dwayne Johnson into the series has drastically increased the overall testosterone level in the movie. Fast Five proves to be the optimal movie experience with superficial items such as flashy cars, extravagant shooting locations, and a cliff-hanger that will actually leave the audience hanging. Add the sentimental touch to Fast Five and it turns out to be the complete action movie. Works Cited "Fast Five (2011) - IMDb." The Internet Movie Database (IMDb). Web. 17 Oct. 2011. Lin, Justin, dir. Fast Five. Universal Pictures, 2011. Film.
I will be analyzing Justin Lin’s Fast & Furious 6: particularly, the Jump scene. Lin uses pathos in this scene by capturing the emotion of love and hope. The famous actor Van Diesel plays the leading role of a retired professional street racer who also happens to be a leader of a hijacking crew. Diesel plays the character Dominic Toretto. Toretto gets in a mission where he is offered to get involved with the police, which is Ironic since they were trying to catch him in the past for his endless crimes such as illegal street races and car hijacking. In fact, they offered him a great deal; if he and his crew decide to help them capture an unstoppable criminal named Shaw and put him and his crew behind bars; they would erase their criminal records and earn them back their freedom. However, one of the criminal members of Shaw’s Crew is Toretto’s girlfriend Letty, who was supposed to be dead since part 4 of the film’s sequence, after going through a major car wreck where she could’ve been burned inside her car if it wasn’t for Shaw who saved her. As a result of the incident, she had sever...
Despite the critical misgivings about Simpson/Bruckheimer productions, audiences still tend to flock to their brand of mayhem, hyper masculinity, thunderous sound effects, and cutting edge special effects. And while they have had their share of bombs (like the dismal “Days of Thunder” or “Gone in 60 Seconds”) more often than not, they make movies the public seems to love.
Juror #1 originally thought that the boy was guilty. He was convinced that the evidence was concrete enough to convict the boy. He continued to think this until the jury voted the first time and saw that one of the jurors thought that the boy was innocent. Then throughout the movie, all of the jurors were slowly convinced that the boy was no guilty.
In Kurt Vonnegut's book Slaughterhouse Five, the protagonist , Billy Pilgrim, the remains of a man who has become a traumatized war struck soldier. In creating and developing Billy Pilgrim, the war, along with family influence, shapes how Billy acts in his two different lives: life in the military and life alone. Billy Pilgrim is surely on a mission, because his excessive time travelling doesn’t seem to happen for no reason. Billy circulates around his life even through the moments of capital importance when he seems hopeless. He’s a mind boggling and confused man who tries to play the game of life the way society expects him to but sometimes has the feeling that he was meant for greater things. Vonnegut portrays our protagonist as an archetype, the epitome of a christ-like messiah who has come to save humanity.
Gina Marchetti, in her essay "Action-Adventure as Ideology," argues that action- adventure films implicitly convey complex cultural messages regarding American values and the "white American status quo." She continues to say that all action-adventure movies have the same basic structure, including plot, theme, characterization, and iconography. As ideology, this film genre tacitly expresses social norms, values, and morals of its time. Marchetti's essay, written in 1989, applies to films such as Raiders of the Lost Ark and Rambo: First Blood II. However, action-adventure films today seem to be straying farther away from her generalizations about structure, reflecting new and different cultural norms in America. This changing ideology is depicted best in Oliver Stone's Natural Born Killers (1994), which defies nearly every concept Marchetti proposes about action-adventure films; and it sets the stage for a whole new viewpoint of action in the '90's.
In "Speed", a smart cop (played by Keanu Reeves) who works with a bus driver (played by Sandra Bullock) to help keep a bus going at speed so it does not set the bomb that has been placed on board, off. The sequel, only Bullock returns, and the story involves a cruise liner. The reason the movie does not work is that it seems too familiar and has too much weak dialogue and not enough characterization to keep things moving. It also, unlike the original, does not have enough exciting action sequences. The sequel could have been good, but no Keanu made it tough; it might have faired better if they had junked a sequel idea and tried to do something
A Mark IV Toyota Supra and Chevy Camaro SS pull up at a red light on a lonesome stretch of flat road amongst a dimming blue sky; the drivers nod at one another, rev the engines, and jam the accelerator pedals. When two drivers try to outrace each other on public streets, automobile driving makes a turn into the illegal form of motor racing known as street racing. Several possible causes to this aggressive street driving include a recent release of movies that inspire racing by the desire to fulfill the adrenaline rush raging in young people, the overall convenience of street racing, and most importantly, a way for teenagers to achieve nobility status in a short a time.
The Fight Club, directed by David Fincher, constructs an underground world of men fighting with one and other to find the meaning to their lives. Ed Norton and Brad Pitt are the main characters who start the fight club. They make a set of rules in which everyone must follow.
There are movies that make you laugh, that make you cry, that blow you away with jaw-dropping, ever-so-satisfying action sequences. And there is Pulp Fiction, Quentin Tarantino’s masterpiece, an homage to the old Pulp Magazines and crime novels popular in the 1950s. Known for their incredibly dense and complex dialogue and excessive violence, Tarantino adds his trademark nonlinear chronology and thorough character development to create a movie that celebrates the fact that chance governs all of our lives. The film consists of multiple stories that tell of the criminals, gangsters and outliers of Los Angeles, the underbelly of society. It follows Vincent Vega and Jules Winnfield as they embark on their mission to recovering a briefcase that
Quentin Tarantino’s Pulp Fiction is one of the most daring, puzzling, and ultimately exciting pieces of cinema to hit the screen in years. As wholly original as it is a copy of hundreds of films before it about tales of hit-men and criminals, it dares you to step out of the dull and enter a colorful, exhilarating world that could only be Los Angeles. The intensity level of the movie is off the scale. People are laughing like crazy in the theater to the intelligent dialog and other scenes that have the audience gasping for air in shock over what just happened. Although one might say that Pulp Fiction is overly violent and disturbing, it is in fact, one of the greatest movies ever produced. Quentin Tarantino’s incredible screenplay, the intensity of the actors, and music to set the mood, created movie worthy five stars.
powerful in a film like this as it can bring up the rating of the
The Fast and Furious franchise has been going on since 2001. Since then there have been seven movies to come out. Fast and Furious 7 may be the last movie in this series. With the actor Paul Walker, Bryan in the movie dead, there may not be any other way to produce another film. With that said, I thought the movie was very good and well thought of when coming to filming the rest of movie without Paul Walker and digitally having his face put in. In some scenes near the end of the movie you can tell that something is off and seems a little weird when looking at Paul’s character but aside from that it was a brilliant job done by the
In all, Sly has been through the ringer. His career has seen repeated hesitations and setbacks; his personal life also found tragedy and heartbreak but, Stallone could finally find solitude in his life as his family continued to prove as a small but powerful support system. Their fuel fed his fire to continue persevering and finding the “eye of the tiger.” Stallone inspires his fans by embracing his flaws and shining through the movies he has been involved in. The most rewarding honor will not be an Academy Award nor a Star on Hollywood Boulevard, but the loyalty and support of Stallone’s fans.
The Reasons Behind the Popularity of Action Films In this essay I am going to explore the conventions of action films and their popularity. People love action films, and when they go to see one there are conventions you would expect to see in the film All plots of action films are based on the same outline, Hero and villain meet, there's a disruption of order, and mission, then everything is sorted out when the villain dies and everything returns to normal. There are Stock characters that you expect to see in this genre of film, the hero, the villain and two attractive ladies. The main action is around a male hero, however, modern films have featured female heroines for example Angelina Jolie in 'Tomb Raider'. If the hero is male he is always good looking, intelligent, brave, chauvinistic, and manages to escape from life threatening situations, however the hero will always have a weakness, and if the hero is male the weakness is normally women.
The movie that is being reviewed and analyzed is Fight Club, which stars Brad Pitt and Edward Norton. Fight Club is in a genre on its own, but falls into the categories of action and mystery. We will be looking at the subdivisions of plot, character, setting, and focus. By analyzing these points of the movie we can see why Fight Club belongs to the certain genre it is placed in.