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Vernacular architecture past and future
Vernacular architecture past and future
Essay on aesthetic element of vernacular architecture
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Architecture has followed the course of history, it marks triumphs, disasters, marvels in engineering and structure within society. Architecture can be judged through four categories; Physical, Economical, Socio-cultural- political and Technological aspects all having a high influence on the final design. This is also recognised through the two chosen case studies, The Farnsworth House in Illinois, USA designed by Mies Van Der Rohe, and constructed between 1945 and 1951, and Little Moreton Hall in Cheshire, England which began construction 1504 with extensions being added for the next one hundred years. Both pieces of architecture are highly contrasting yet serve the same function, they have both been heavily influenced by the above factors, …show more content…
The house of Tudor was the reining monarch at the time and they introduced the design style seen on Little Moreton Hall. The white background with the crossing of darkened wood beams. At the time much of society, especially those with wealth who could afford to construct large buildings would often construct them to the Tudor style as a sign of loyalty to the House of Tudor and the reigning monarch. The Tudor era was also a violent era, there were many challenges to the firmly held power of the monarch including the Pilgrimage Of Grace 1536-7 which was brutally suppressed. This form of suppression is also reflected within architecture. Many buildings constructed within the Tudor era consisted of limited materials, bland exterior decorations and many churches, tower castles and public buildings often had very loyal pro-monarch messages or statues. Although Little Moreton Hall never included any of these it still showed the following trend with society by following the Tudor design concept. Unlike Farnsworth House Little Moreton Hall didn’t incorporate any new technology or any design concepts like Farnsworth House. Unlike Farnsworth House, Little Moreton Hall is a vernacular example of architecture hence it has restrictions placed upon it. Vernacular architecture is defined as “Vernacular architecture is composed of local materials and derived from local customs, techniques that have been passed on from generation to generation”(February 20, 2018, https://www.archdaily.com/tag/vernacular-architecture)- which applies to Little Moreton Hall. Though in the sixteenth century many of the populace were poverty stricken and had little wealth, hence the need to use vernacular architecture not out of choice but out of necessity. However the Moreton’s chose to
...atham Building in 1910, followed by the Thornton Building. Both face the Lawn, adopting a gorgeous red brick Victorian Elizabethan revival style with classical trim. North Court has some surviving original fabric but is now dominated by Gothic work from Sir Giles Gilbert Scott.
Hitchcock, Henry Russell. Early Victorian Architecture in Britain Volumes I and II. New Haven: Yale University Press, 1954.
William H. Pierson, Jr., American Buildings and Their Architects: Technology and the Picturesque, (Doubleday & Company, Inc.), 167.
It is the new decade after the end of world war two and modernism is a well-established practice. Its pioneers and spearheads are prevalent figures looming over the new architects and designers who are trying to make their mark in the shadows of such historically influential people. With new technologies and materials emerging from the world wars the next era of modernism had started to evolved, bringing with it philosophies and ideas which seemed far removed from those of the pioneers of modernism “What emerged in the late 1940s and 1950s was an expanding synthesis of questions utterly removed from the confident statements of the pioneers.”(Spade 1971,10) Two significant buildings were designed in the 50's, both of them for educational institutes and to house students of architecture, there were both designed in completely different styles and methods. The first is Ludwig Mies van der Rohes' Crown Hall, finished in 1956 and designed as a part of a campus master plan for the Illinois Institute of technology in Chicago. Mies' design for Crown Hall is one of his most realised expressio...
(Image taken from Tranchtenberg, Marvin, Isabelle Hyman. Architecture: From Prehistory to Postmodernity. Second Edition. Prentice Hall, Inc. New Jersey: 2002.)
middle of paper ... ... Bolton, Arthur T. The architecture of Robert & James Adam. London, Country Life. 1922.
Print. The. Mike. The Evolution of Gothic Architecture. Aquinas Multimedia.
“In the Cause of Architecture” is an essay written by Frank Lloyd Wright in 1908. In this work, Wright outlines many of his architectural values. This text goes into great detail about the philosophy behind Frank Lloyd Wright’s architecture, as well as many important milestones in his life, such as working for Adler and Sullivan. This text is useful because it comes straight from Frank Lloyd Wright himself. It talks about many things important to his role as a notable American, such as his influences for his architecture and his architectural
It will discuss the different types of dwellings throughout recorded human history from the perspective of how art and culture influences building design. This will fulfill my own curiosity to understand the different influences on homebuilding and design over the years and how people have dealt with these changes.
The Palace of Westminster, also known as the Houses of Parliament, serves as the meeting place for the House of Commons and the House of Lords. The Old Palace was a medieval building that was destroyed by fire in 1834. After the fire, a competition was held for architects to submit plans for the new building that should be in a Gothic or Elizabethan style hoping to embody the conservative values of England. A Royal commission chose Charles Barry’s designs for a Perpendicular Gothic palace. Barry’s own style was more classical than Gothic which is why Augustus Pugin’s involvement was so crucial in Barry winning the competition. Barry’s plans reflected more of his knowledge of the neo-classical style through its symmetry. Pugin was the leading authority on Gothic architecture at the time. Almost all of the remains of the Old Palace were incorporated into the new design. Their work on the Palace began in 1840 and, while most of the work was finished by 1860, the New Palace of Westminster was not complete until a decade later. One of the most identifiable features of the Palace is the Elizabeth Tower, commonly identified by its main bell, “Big Ben”. The building is also known for two main spaces; the Lord’s Chamber and the Common’s Chamber. It is well identified by its main façade which runs parallel to the River Thames. The Palace, as it stands today, has been conserved very well to best display the designs as Charles Barry and Pugin intended them to be displayed. The Palace was, and remains, the center for political life in the United Kingdom, just as it remains a major iconic landmark of London. Many articles and books have been written discussing and disputing the history and design of the New Palace of Westminster, as well as the...
Frank Lloyd Wright and Le Corbusier are two very prominent names in the field of architecture. Both architects had different ideas concerning the relationship between humans and the environment. Their architectural styles were a reflection of how each could facilitate the person and the physical environment. Frank Lloyd Wright’s Robie House, is considered one of the most important buildings in the history of American architecture and Le Corbusier s Villa Savoye helped define the progression that modern architecture was to take in the 20th Century. Both men are very fascinating and have strongly influenced my personal taste for modern architecture. Although Wright and Corbusier each had different views on how to design a house, they also had similar beliefs. This paper is a comparison of Frank Lloyd Wright‘s and Le Corbusier ‘s viewpoints exhibited through their two prominent houses, Frank Lloyd Wright’s Robie House and Le Corbusier’s Villa Savoye.
The reason for this piece is to attempt a comparison between two architectural examples that employ classical design from different stylistic eras of architectural history. The two styles I've chosen to discuss are the Renaissance and Baroque periods. An understanding of classical architecture needs to be made, as it is the fundamental style of any period that developed architecturally
When the Chateau was first constructed in 1623, it was constructed as a hunting lodge made of brick, stone, and slate (3-1 Internet 3). When the New Chateau was constructed around 1631 and it was decorated in the Baroque style. The style expressed the power and authority of the head of state. Baroque architecture combined in new ways as classical and renaissance elements as columns, arches, and capitals. Sweeping curved areas replace orderly rectangular areas and sculpture and painting played a greater part in building design, helping create an illusion of great space. Interest in the relationship between buildings and their surroundings led to a greater emphasis on city planning and landscape design. This emphasis was used greatly in the construction of the palace at Versailles. Baroque buildings in Austria, Spain, and Latin America were especially ornate and elaborate. The baroque architecture in France was more classical and ordered (pg 85, World...
Vidler, Anthony. The writing of the walls: Architectural theory in the late enlightenment. Princeton: Princeton Architectural Press, 1987.
However, architecture is not just the future, after all, buildings are intended to be viewed, traversed and lived by us, people. Despite this, many architects today rarely think deeply about human nature, disregarding their main subject matter in favour for efficiency and an architecture of spectacle. In this there seems to be a misconception that underlies much of architecture, that is, human’s relationship with the city, the building and nature. In much of today’s architecture, people are treated with as much concern much as we treat cars, purely mechanically. The post-modern search for the ‘new’ and ‘novel’ has come to disregard the profound affect design has on our lives, impacting our senses, shaping our psyche and disposition.