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The comparison of gothic and gothic revival architecture
The development of gothic architecture
Influence of gothic architecture
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Revivalism in nineteenth century America was primarily driven by the establishment of churches with the separation of styles denoting religious denominations. In part to the nineteenth century picturesque movement, the gothic revival style soon became a movement of nationalism. Best known for his gothic revival churches, Richard Upjohn quickly became a leader in the picturesque style; particularly seen in his most notable work, the Trinity Church in New York City. Similarly, H.H. Richardson applied his own style toward his Trinity Church located in Boston.
Upjohn and Richardson were both influenced by the architectural styles that originated before them. These styles laid the foundation for their design aesthetics; as well as reasoning, making them influential in religious communities throughout the architectural scene that was taking place in the United States at the time. Upjohn’s essays dealing with the Romanesque style was part of the movement which primed the way for Richardson. Bold and generously serene, his villa-house designs were a premature struggle for functional expression in picturesque; further contributing to the development of, both, H.H. Richardson and Louis Sullivan. Upjohn possessed many of the aspects which were unified by Richardson and further developed in many of the first modernism works.
Upjohn's influence for his Trinity Church design came from the Ecclesiological movement, which supported "authentic" medieval forms. His work incorporated many of the Ecclesiological principles concerning church form, plan, and orientation; which included: emphasis on the chancel and altar; utilization of natural and honest materials; and a general approach to the spirit of medieval English churches. During his work o...
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...se History of American Architecture (Westview Press, 1979), 164-165.
William H. Pierson, Jr., American Buildings and Their Architects: Technology and the Picturesque, (Doubleday & Company, Inc.), 295.
William H. Pierson, Jr., American Buildings and Their Architects: Technology and the Picturesque, (Doubleday & Company, Inc.), 167.
Leland M. Roth, A Concise History of American Architecture (Westview Press, 1979), 164-165.
William H. Pierson, Jr., American Buildings and Their Architects: Technology and the Picturesque, (Doubleday & Company, Inc.), 295.
William H. Pierson, Jr., American Buildings and Their Architects: Technology and the Picturesque, (Doubleday & Company, Inc.), 167.
CBS Boston. "Boston’s Best Buildings Or Works Of Architecture « CBS Boston." Accessed March 13, 2014. http://boston.cbslocal.com/top-lists/bostons-best-buildings-or-works-of-architecture/.
James F. O'Gorman, Dennis E. McGrath. ABC of Architecture. Philadelphia: University of Pennsylvania Press, 1998. Document. October 2013.
The Effects of American Reform Movements in the 1900s Living in the United States of America is all about opportunity. The opportunity to get a good job, make money, and lead a life of good quality; in other words, the opportunity to live, live, and live the Pursuit of Happiness. However, the opportunity for many people was not around throughout the 1800s. Certain groups of people did not hold the basic rights that were guaranteed by the Constitution. In fact, most of the people that had opportunity were the wealthy white men, and few other people ever had any chance to lead a good life.
Queen Anne architecture can not be defined easily. It's architectural style has many different characteristics. In this paper, I will show how the Queen Anne style evolved from the architecture that was common during the reign of Queen Anne herself and also show how it evolved in America in the late 1800's during the Industrial Revolution. I will then show how the Queen Anne style is incorporated into today's architectural design.
Alberti, Leon Battistia. On The Art of Building in Ten Books. Trans. Robert Tavernor, Joseph Rykwert, Neil Leach. Cambridge: MIT Press, 1988. Print.
(Image taken from Tranchtenberg, Marvin, Isabelle Hyman. Architecture: From Prehistory to Postmodernity. Second Edition. Prentice Hall, Inc. New Jersey: 2002.)
17. Howe, Jeffery. "Frank Lloyd Wright". A Digital Archive of American Architecture. 1998. Boston College. 2004. http://www.bc.edu/bc_org/avp/cas/fnart/fa267/FLW.html (accessed 29th April)
Frank Lloyd Wright and Le Corbusier are two very prominent names in the field of architecture. Both architects had different ideas concerning the relationship between humans and the environment. Their architectural styles were a reflection of how each could facilitate the person and the physical environment. Frank Lloyd Wright’s Robie House, is considered one of the most important buildings in the history of American architecture and Le Corbusier s Villa Savoye helped define the progression that modern architecture was to take in the 20th Century. Both men are very fascinating and have strongly influenced my personal taste for modern architecture. Although Wright and Corbusier each had different views on how to design a house, they also had similar beliefs. This paper is a comparison of Frank Lloyd Wright‘s and Le Corbusier ‘s viewpoints exhibited through their two prominent houses, Frank Lloyd Wright’s Robie House and Le Corbusier’s Villa Savoye.
Summerson, John. Heavenly Mansions, and Other Essays on Architecture. New York: W.W. Norton, 1963. Print.
Temko, Allan. (1993). No Way to Build a Ballpark: and Other Irreverent Essays on Architecture. San Francisco: Chronicle Books.
Paul Rudolph was born on October 23, 1918. “The year of Rudolph’s birth, 1918, was a key date in world history” At the end of World War I, the old established conventions of balance of power, Renaissance culture, and surplus-value economy broke down. He was not only a famous American architect, but also the Chair of Yale University's Department of Architecture for six years. Paul Rudolph was known for his complex floor plans and the new approach of concrete. “The work of Paul Rudolph has had a profound effect on the architecture of the second half of the twentieth century, but its potential for further influence has only begun to be explored.” Paul Rudolph brought many influences in his work in Florida. The time is remarkable for his approach to creative and experimental methods of construction, to expanding the structural possibilities of materials to their limits while reviving both static and aesthetic possibilities of materials; for his effort to explore and thrive the spatial copiousness, complexity, and interrelationship of the interiors and exteriors of his architectures, their location, their
Neil Stevenson. (2007). Architecture Explained: 375 Hudson Street, New York, New York 10014: DK Publishing.
Architecture, the practice of building design and its resulting products, customary usage refers only to those designs and structures that are culturally significant. Today the architecture must satisfy its intended uses, must be technically sound, and must convey beautiful meaning. But the best buildings are often so well constructed that they outlast their original use. They then survive not only as beautiful objects, but as documents of history of cultures, achievements in architecture that testify to the nature of the society that produced them. These achievements are never wholly the work of individuals. Architecture is a social art, yet Frank Lloyd Wright single handily changed the history of architecture. How did Frank Lloyd Wright change architecture?
Frank Lloyd Wright has been called “one of the greatest American architect as well as an Art dealer that produced a numerous buildings, including houses, resorts, gardens, office buildings, churches, banks and museums. Wright was the first architect that pursues a philosophy of truly organic architecture that responds to the symphonies and harmonies in human habitats to their natural world. He was the apprentice of “father of Modernism” Louis Sullivan, and he was also one of the most influential architects on 20th century in America, Wright is idealist with the use of elemental theme and nature materials (stone, wood, and water), the use of sky and prairie, as well as the use of geometrical lines in his buildings planning. He also defined a building as ‘being appropriate to place’ if it is in harmony with its natural environment, with the landscape (Larkin and Brooks, 1993).
Curtis, W J. "11. Skyscraper and Suburb: America between the Wars." In Modern architecture since 1900, 144-158. London: Phaidon, 1996.
Louis I. Kahn, 1985, John Lobell, Between Silence and Light: Spirit in the Architecture of Louis I. Kahn, Boston: Shambhala Publications, pp.44.