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Gothic and Romanesque architecture
History of ancient and medieval architecture
Gothic and Romanesque architecture
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“Romanesque is an architecture that, retaining elements of Roman, has ceased to be Roman, and anticipating elements of Gothic, is not yet Gothic”. A penetrative summing-up outlined by Quicherat, an archeologist in France, well defines the position and style of Romanesque (Edgell 218). Romanesque means “debased Roman”. Those pre-Gothic buildings between 1050 and 1200, with rounded Roman arch and column were adopted label Romanesque in the early nineteenth century. Romanesque architecture was emerged and evolved due to the influence of politics and religion. The regional and historical variations stimulated the emergence and evolution of various architectural styles. Romanesque architecture was more practical and allegorical rather than beauty. …show more content…
From the fall of Roman Empire in fifth century, Europe generally began the revival of civilization during the reign of Charlemagne, the Holy Roman Emperor. At the time, numerous churches reminiscent of Roman style were erected with an aim to associate the Europe into a single Christian realm while the central spiritual authority of the pope was influential and acted as a unifying force. Undoubtedly, those earlier medieval styles, such as Carolingian and Ottonian architecture do contribute to the later emergence of Romanesque. Churches were built to serve as religious power seats as well as coronation and burial site of emperors and kings. Monasticism, Pilgrimage and Crusade catalyzed the emergence and evolution of Romanesque during the late eleventh and twelfth centuries. A fast-growing religious fervor stimulated the great monasticism and pilgrimage traffic to sacred site. The spread of Benedictine, Cluniac, Cistercians, Carthusians, Augustinian Canons and other monasteries from Italy throughout the entire Europe spurred rapid architectural development in masonry, vaulting and proportions (Janson 296). Moreover, Pilgrimage route and crusades (1) provoked the movement of peoples and relics as well as ideas, techniques and experiences sharing despite regional variations, which culminated the development of Romanesque. Thus, Romanesque architecture was influenced by politics and …show more content…
They were all closely interrelated in a sense. Furthermore, various architectural styles emerged due to the regional and historical variations, inadvertently avoiding a uniform and identical interpretation. The most amazing part of Romanesque architecture was definitely the function and message behind which had inspired many till
Taller than the ancient pyramids in Egypt, large enough to hold the statue of liberty. 100 pounds of weightless stones, heavy enough to hold the Empire state building are the Great Cathedrals (PBS, 2011). Intrigued by the beauty in structure but puzzled by the very construction, without technology for building purposes has researchers mind wondering. In reference to the NOVA program, building of Gothic cathedral begin as a race of height, which over time this plan backfired because of the recent architectural discoveries in the foundation. The NOVA program pointed out that in this race of constructing the tallest building wasn’t the only concern between two rivalry cities in Europe; it purpose was recognized as a scared space for spiritual reasoning to bring ordinary someone closer to God (PBS, 2011).
Q: Use St. Peter’s Basilica and Donato Bramante’s Tempietto in Rome, in opposition to John Balthasar Neumann’s Pilgrimage Church of Vier(7) in Bamburg, Germany, to argue that a rational engagement with architecture is a more effective means to comprehend and understand architectural form. During the period of Renaissance, human’s thought and intelligence has reached its highest and its effect on the architectural form, it became clear and its engagement of rational aspect on the building. Mainly geometrical forms are the characteristics which can be identified. Not so long after the Renaissance period of Baroque architecture was introduced, rather than logic and reasoning they wanted to capture the emotional atmosphere by using the architectural elements such as light, height, crafted art, costly materials and so on as mentioned by(Scotti 2007, 5-10).
I chose two cathedrals for my post, the Durham Cathedral and the Chartres Cathedral. The Durham Cathedral, my example of Romanesque architecture, was built from local sandstone in 1087-1133 CE (the east wing was replaced in 1242) and is currently located in Nothern England. The Gothic style structure, the Chartres Cathedral (also known as the Cathedral of Notre-Dame), was mostly constructed between 1194 and 1220 CE due to a fire causing it to be rebuilt. Assembled utilizing limestone, this colossal structure is currently located in France and is known for it’s strikingly beautiful stained-glass windows. These structures share a few similarities, like their ribbed groin vaults (the crossing segments on the ceiling of the hallways), the high-placed windows as well as their huge circular window that were added to provide light and a
This carried on in to the 18th century where more and more people dabbled in the gothic style with out a full understanding of how gothic architecture worked as a structural system. They confused stages of the gothic period, which were later defined by Thomas Rickman in is writing, and also used Classical forms such as pilaster and venetian windows. Many interiors were of a classical form a layout and some times other style were thrown in. Some gothic forms were even used on the exterior of building where they didn’t perform the function they were meant to. This shows how little the architects of the 18th century studied the mediaeval and how little they understood it.
The Basilica of St. Denis was originally built in 500-599 AD, but was later reconstructed by Abbot Suger in c.1135-1144. Although its original architect is unknown, it is most famous for its reconstruction that was overseen by Abbot Suger (Panofsky). This basilica is also well known for its representation of Europe’s architectural shift from the Romanesque style to Gothic. The Gothic style brought new designs and was dubbed the “transformat...
In the end of the 12th century and the start of the 13th century the Gothic and Naturalism movement was moving across Europe. Originally a derogatory term Gothic was used to describe the art of Northern Europe. Despite the resistance to the abandonment of traditional architecture the beauty of stained glass and flamboyant architecture of the gothic style quickly gained popularity. The churches were built by the common people and for the common people. Stained glass was used to depict biblical passages in an intriguing way for those who were illiterate which at the time was a large part of the population. Cathedrals were beacons that could be seen for miles with their pointed spires and from the country side they appeared to be the center of
Charlemagne, or Charles the Great, reigned during a time of much turmoil and upheaval in Europe during middle ages. Charlemagne’s background and family history contributed much to his rise to power. The triumphs of his past lineage prepared him to take on the task of governing the Frankish Empire, and defending it from invaders. Charlemagne accomplished much during his supremacy. He not only brought education back into medieval Europe, but also invented an efficient way to govern his people. His conquests against the many adversaries of the Holy Roman Empire expanded his empire across the majority of Europe. His conquests also formed strong ties between the Catholic Church and the State. Charlemagne’s drive to convert Europe’s primitive and pagan tribes to Christianity nearly effaced the Saxons, whom he battled with for the majority of his reign. The crowning of Charlemagne as Holy Roman Emperor created a turning point in history. Within years after his death, however, his once great empire amounted to nothing. Charlemagne’s reign as King of the Franks and as Holy Roman Emperor greatly influenced the course of Europe during the middle ages.
The term “Gothic” was coined by Italian Renaissance writers who blamed what they considered to be the non-classical ugliness of the art and architecture of the time, to the northern tribes of Germanic barbarians known as Goths. Baron Wolfgang van Schreck’s ancestors had invaded the Roman Empire and destroyed what was considered to be the “true” art of the time; walls that were much too high and thick, arches that were too steeply pointed. The Gothic school of architecture, which included flying buttresses, rib vaulting, pointed arches and the presence of gargoyles on the inside and outside of the building. At the end of the 18th century the term Gothic switched meanings, from “medieval” to “macabre”, through the intervention of a man named Horace Walpole (1717-1797). He was the son of the famous politician Sir Robert Walpole, Horace was a well-known writer and dilettante who gradually transformed his villa, Strawberry Hill, into the most famous Gothic building of age. With this the now cliché image of a Gothic castle is now an accurate representation of the non-classical ugliness of the time period itself.
You may think today “Hey, I totally wonder sometimes what the Middle Ages Churches and Gothic Medieval Cathedrals where like. What were they important for? Were they Churches like the ones today? How long did it take to build? “ Well that may be SOME of the questions you may have but you may have more. In this essay you're about to find out why the Medieval Gothic Cathedrals were so important for, and how much rule and and wide range of power they had over the people in the Middle Ages, and last but NOT least, the creative sublime (I’ll delete this comment later on if you see this but “sublime” is my own words not internet word) of the Gothic style windows of the Cathedral. First, the one I like most, the Gothic stain glass windows of the Gothic Cathedral. Stained glass is argued to an opinion or belief, one of the most important aspects of Gothic cathedrals. As its popularity rose, mainly during the mid 12th century, the increased existence of stained glass presented large changes to the way the general residents were learning about the religion. The windows became illuminated optic (“Optic” is my own wording) talk of biblical stories, which may have had an even greater impact than the spoken word of the priest. In this research paper, I will be primarily focusing on the stained glass windows and architectural styles employed in five Gothic buildings in France, each having their own unique and worthy attention and characteristics to the development of stained glass windows. By looking at the architectural improvements shown in these structures built during the Gothic time frame, we are able to see the impact all over the place to itch for increase...
The Medieval period, which occurred in the years 401 until 1500, is a time in European history that fostered the development and widespread use of various architectural styles. Many structures built during this time still survive to this day, including St. Michael’s Church in Germany and Chartres Cathedral in France. Two of the most common and famous types of architecture during this period were the Romanesque and Gothic styles. Romanesque architecture borrows many of the same innovative engineering techniques the Romans used to build the structures of their vast and powerful empire, such as the rounded arch. Jackson writes, “In the eyes and judgment of the great masters of the Renaissance in the 15th and 16th centuries Roman architecture was
There was a greater intensity occurring in piety and literature. The Gothic style embodies this new urban society. Romanesque and Gothic shared similar characteristics, but Gothic architecture was a greater departure from its previous predecessor. The Romanesque architecture style, which occurred during the late 11th century to the middle 12th century, literally means “roman-like” architecture. The Romans, who were inspired by the Etruscans, used barreled and groined vaulting.
The Palace of Westminster, also known as the Houses of Parliament, serves as the meeting place for the House of Commons and the House of Lords. The Old Palace was a medieval building that was destroyed by fire in 1834. After the fire, a competition was held for architects to submit plans for the new building that should be in a Gothic or Elizabethan style hoping to embody the conservative values of England. A Royal commission chose Charles Barry’s designs for a Perpendicular Gothic palace. Barry’s own style was more classical than Gothic which is why Augustus Pugin’s involvement was so crucial in Barry winning the competition. Barry’s plans reflected more of his knowledge of the neo-classical style through its symmetry. Pugin was the leading authority on Gothic architecture at the time. Almost all of the remains of the Old Palace were incorporated into the new design. Their work on the Palace began in 1840 and, while most of the work was finished by 1860, the New Palace of Westminster was not complete until a decade later. One of the most identifiable features of the Palace is the Elizabeth Tower, commonly identified by its main bell, “Big Ben”. The building is also known for two main spaces; the Lord’s Chamber and the Common’s Chamber. It is well identified by its main façade which runs parallel to the River Thames. The Palace, as it stands today, has been conserved very well to best display the designs as Charles Barry and Pugin intended them to be displayed. The Palace was, and remains, the center for political life in the United Kingdom, just as it remains a major iconic landmark of London. Many articles and books have been written discussing and disputing the history and design of the New Palace of Westminster, as well as the...
Another huge influence was Charlemagne, King of the Franks. He was strong in Christianity and ordered for more churches and gothic cathedrals to be built.
Gothic art evolved from Romanesque art and lasted from the mid-12th century AD to the end of the 16th century. It was a particular style of Medieval art and was led by the concurrent development of Gothic architecture, established by the Basilica of St Denis. Through the influence of historical design methods, such as Islamic/Romanesque architecture and the impact the spread of Christianity had on Europe, Abbot Suger was able to develop a new style of architecture through his reconstruction of St Denis. This led to the development of taller buildings with thinner walls and bigger rooms on the inside.
There were two main types of architecture during the middle ages, the Romanesque style and the Gothic style. The Romanesque period took place approximately between 1096 and 1270 (the eleventh and twelfth centuries) and the Gothic period took place approximately between 1150 and 1450 (the thirteenth through the fifteenth centuries) (Bersson 383). Evidence of both styles of architecture emerged throughout Europe. The political landscape had changed and the Christian church provided a measure of unity throughout the centuries of this medieval era (Stalley 13).