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The cove documentary essay
The cove documentary essay
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Textual Hybridity is a combination of elements from different sources or genres. The documentary, ‘The Cove’, incorporates textual hybridity within the documentary, such as the spy-thriller genre. Hybridity in documentary allows the views to be both entertained and informed by merging both fiction and non-fiction conventions. Textual Hybridity challenges and engages the viewer at a deeper level concerning a central issue focused on within the documentary. The hybridity technique allows the viewer to relate with the characters and cause people to debate about the central issue conveyed. For example, in ‘The Cove’, the team provided an animation of the cove which exposes their plan to the audience. This animation is used to create a sense of
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
The short story, The Veldt is a perfect example of the use of literary elements to manipulate the plot.In the story the author, Rad Bradburry, uses literary elements like Foreshadowing,Climax, Flashbacks, and Plot Twists to manipulate the story. This is mainly shown through text,speech, and action and will be explained through the three elements that I chose. Foreshadowing is the warning or telling of an event and this is seen quite frequently throughout the whole story.
Barry, , Keith, and Grant, ed. Film Genre Reader III. Austin, TX: University of Texas Press,
The television show Lost displays many of the key traits found in postmodernism works. The show follows the lives of survivors of a plane crash on a mysterious island somewhere in the south pacific. There, they must negotiate an unknown monster, an unpredictable group of prior occupants, strange, other worldly inhabitants, polar bears and each other, as they attempt to survive and attract rescue. In this basic synopsis of show it is clear that the show incorporates a large degree of generic hybridity, from the show’s outset it has exhibited elements of science-fiction, mystery, drama and the action-adventure genre. This is even prevalent in the show’s advertising, the varying genres that show exhibits can be found in an early trailer for the show’s first season that originally aired on Channel 4 in 2005, directed by surrealist artist David LaChapelle. The trailer features th...
Friedman, L., Desser, D., Kozloff, S., Nichimson, M., & Prince, S. (2014). An introduction to film genres. New York, London: W.W. Norton & Company.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
People should acknowledge the little things in life more often because when it's gone...it’s gone forever. In the play Our Town by Thornton Wilder, demonstrates life lessons that tend to go an unappreciative from generation to generation. This play takes place in a small fictional town called Grover's Corner, Massachusetts during the 1901-1913 time era. Our Town is a three act play that tells a story about how people live their lives using the same routine everyday. Thornton Wilder uses symbolism, dialogue, and manipulation of time to convey his theme, life is too short, therefore people should appreciate what they have now and people should take action to change lives.
In Browne’s essay, he describes what he calls the “position of the spectator”, and suggests that cinematic techniques can constitute a connection between a given character(s) and the spectator. Browne values less of what David Bordwell believes to be important in narration, the syuzhet (Bordwell 1986). Browne believes the connection between the spectator and the character(s) solidifies less through narrative techniques, the syuzhet, than through cinematic means, for instance, cinematography. The composition of a shot can allow the audience to see over the shoulder of a given character, thus positioning the spectator in the character’s approximate point of view. Likewise, action or dialogue from another character can be shown from the approximate field of vision of the character that is linked with the spectator. (Browne 1986).
Using a media text as a key example, evaluate selected techniques of fictional production which contribute to a sense of realism consistent with genre or format used.
Genres are ways of providing films with the intended associations. It is a convention in which people can refer to initially grasp the notion of a film, “for the vast publicity system that exists around filmmaking, genres are a simple way to characterize film. In fact, reviewers are often central in gathering and crystallizing notions about genres.” (Bordwell & Thompson, 2004: 110).
Postmodernism is a vague term that can describe a variety of disciplines that include, architecture, art, music, film, fashion, literature…etc. (Klages). In the case of “Videotape”, postmodern literature would be the main focus or area of study. This type of literature emerged in the era that succeeded World War II and relies heavily on the use of techniques such as, fragmentation, the creation of paradoxes, and questionable protagonists. Furthermore, postmodern literature also exudes ambiguity and critical thinking where the focus is mainly on the reader and his/her experience of the work rather than the content and form. Building upon that, the selected passag...
The art of storytelling is not a modern invention, neither is adaptation. In spite of their century-old traditions, they both are relevant and evolving. Reading the same stories over and over again would get boring pretty quickly, but transcoding them to different media such as film or video games gives them new meanings, thus keeps them interesting. Adaptation opens up new dimensions for creators and consumers of adaptations alike. However, when the same story – or an element of the story - is used in various different media, it will inevitably spark debates on which one is superior. Adaptations often get frowned upon for appropriating and exploiting their adapted texts. There are many questions and doubts surrounding adaptation, such as what can be adapted and why are certain works easier to adapt.
In documentary studies unpacked political and economic stresses of artistic commentary, and film theory gave me the language and form needed to discuss and review historical and classical structure. Additional classes have allowed opportunities to look at cinematic
Being mimetic is to be practicing mimesis or imitating the real world through art. This is the purest intent of documentaries as they are created with the purpose of documenting the world as it is believed to be. In the process of showing the world, filmmakers encounter barriers of what they cannot show due to technological limitations. In these moments, recreation and imitation are used to mimic what we normally could not see. Examples of this are best seen in documentaries of the human body, outer space, or history where the camera is incapable of capturing the desired image and tools such as animations, reenactments, and camera manipulation are used. Therefore, documentaries are of the mimetic genre for the reasons given above. An example of a documentary that we watched in class whose creator was said to be attributed to the “‘mimetic faculty’, the human ‘gift of seeing resemblances’”(Turvey 29) is Walter Benjamin’s Man with a Movie Camera.
Advances in technology and cultural developments over the last few decades have led to an increased production of multimodal texts (McIntyre and Busse 2010, pg.433). As these multimodal texts have developed, it can be said that the field of stylistics has needed to develop the tools for analysing the effects these texts create (Jeffries and McIntyre 2010, pg.194). Multimodal stylistics is a relatively new branch of stylistics and with the focus of multimodal stylistics being the meaning that is made through multi-semiotic modes the scope can be extended beyond literary texts to include analyses of film and drama (Norgaard et al. 2010, pg.30).