Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Frankenstein literary analysis
How does frankensteins monster change in the book
The power of imagination in Frankenstein
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Frankenstein literary analysis
Frankenstein In Mary Shelley’s Frankenstein, Victor Frankenstein is a static character. Static characters sustain few, if any changes to their personality. Frankenstein is a hypocrite: he breaks promises, never follows his words, and doesn’t fulfil his duty as a creator-- to make the creation’s life the best it can be. The first appearance of Victor Frankenstein in the novel is when he boards Robert Walton’s ship after Victor being stranded on the ice. The story then turns to Frankenstein as he tells his story of how he creates the monster, including in great detail how the monster murdered his brother William, subsequently caused the death of his maid/family friend Justine, murdered his friend Henry Clerval, and killed Victor’s wife Elizabeth, and ended up chasing the monster, which is how he got stranded on the ice. Victor vowed revenge after the death of his brother, promising to tirelessly pursue the monster until one of them dies. At the end of the novel, Victor dies on the ship after he tells the story, and Robert Walton meets the monster as he weeps at Victor’s funeral, begging for Victor to forgive him. …show more content…
Frankenstein says he has an obligation as the creator to allow his creation as much happiness as possible. “...did I not as his maker owe him all the portion of happiness that it was in my power to bestow? (Shelley 178). Afterwards, Victor states, “Let the cursed and hellish monster drink deep of agony; let him feel the despair that now torments me,” (Shelley 246). Frankenstein abandoned the monster, ignored his own word, broke a promise to the monster (that would significantly improve the monster’s life, if it were fulfilled), and lastly ignored the obligation to give the monster “all the portion of happiness it was in [his] power to bestow,” (Shelley
The monster tells Frankenstein of the wretchedness of the world and how it was not meant for a being such as himself. At the end of his insightful tale the creature demands a companion of the same hideous features but of the opposite gender to become his. Victor only has the choice to make the monster or suffer a lifetime of horror his creation would bring upon him. Which the creator ultimately agrees to make the female monster to save the lives of his family but gains a conscious that fills with guilt of all the destruction he has created and creating. When the monster comes to collect the female he tears her apart and the monster vows to destroy all Victor holds dear. The monster’s emotional sense is consumed with rage against Victor, murdering Frankenstein’s best friend. Though when the monster’s framing ways do not work to lead to Victor being executed, he then murders Frankenstein’s wife on their wedding night. This tragedy is the last for Victor’s father who becomes ill with grief and quickly passes within a few days, leaving Victor with nothing but his own regret. Shelley doesn’t give the audience the monsters side of the story but hints that the remainder of his journey consisted of being a shadow to that of his creator. It is at the graves of the Frankenstein family when the creature makes an appearance in the solemn and
In Frankenstein, everyone treats Victor’s creation like a monster, including Frankenstein himself. This leads to the creation accepting that title and going on a murder spree. His creation says “When I reflect on his crimes and malice, my hatred and revenge burst all bounds of moderation” (69). Victor’s creation shows that he did not ask to be created, and his existence is miserable.
Victor Frankenstein to the final stages of finishing this creature becomes shocked and afraid of his first hideous being that he destroys his work. This forces the creature into a rampant fury. (5) In Chapter 20 Victor destroys the second creature, which drives the creature to murder Victor's best friend, Henry Cleveral and his beloved wife Elizabeth. The creature had warned Victor that he will make his life a living hell and that he will be there on his wedding night. Victor is told that the body of Henry Cleveral has been found
As Frankenstein is enroute to his pursuit of gaining more knowledge, he states, “I wished, as it were, to procrastinate all that related to my feelings of affection until the great object, which swallowed up every habit of my nature, should be completed” (Shelley 41). Frankenstein’s decision in allowing his intellectual ambitions to overpower everything else in his life leads him to be blinded to the dangers of creating life. He isolates himself from his society when creating the monster, letting himself be immersed in his creation while being driven by his passions, allowing nobody to be near him. The fact that he allows this creation of a monster to consume his total being reveals how blinded he is to the immorality of stepping outside the boundaries of science and defying nature. His goal in striving to achieve what wants to in placing man over nature makes him lose his sense of self as all he is focused on is the final product of his creation. He starts to realize his own faults as after he has created the monster, he becomes very ill and states, “The form of the monster on whom I had bestowed existence was forever before my eyes, and I raved incessantly concerning him” (48). His impulsive decision to make the monster leads him to abhorring it as it does not turn out to be what he has expected. Because he chooses to isolate himself in creating the
In Mary Shelley’s novel Frankenstein, Victor and his creature share many characteristics although they are opposing forces because of their differences. Even though our perception of Frankenstein is a creature created by a mad scientist during dark stormy day, waiting for a lightning bolt to strike the creature and yelling “It’s Alive!” the actual story in Mary Shelley’s novel, Frankenstein, has more depth and meaning to what Frankenstein and his creature really is. The story takes place during the late 18th century during Robert Wilson voyage through the Arctic Ocean. After many weeks at sea his ship suddenly gets stuck in ice, and becomes stranded as they wait for the ice to thaw out Wilson and his crew see a man on the verge of death on
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
...od; misery made me a fiend. Make me happy and I shall again be virtuous" (Shelley 66). In the novel, Victor has two chances to provide this happiness for the creation. In both cases, all the creation desires was a companion, be it Victor or a new creation. And, in both cases, Victor is influenced by his initial reaction of disgust at the sight of his original creation. This reaction originates from a preconception, a fear caused by the human nature to prejudge based on past experience. This prejudice is indeed the source of the pain and torment in Mary Shelley’s Frankenstein. If a "monster" exists in the novel, it is this aspect of human nature.
He toils endlessly in alchemy, spending years alone, tinkering. However, once the Creature is brought to life, Frankenstein is no longer proud of his creation. In fact, he’s appalled by what he’s made and as a result, Frankenstein lives in a perpetual state of unease as the Creature kills those that he loves and terrorizes him. Victor has realized the consequences of playing god. There is irony in Frankenstein’s development, as realized in Victor’s desire to destroy his creation. Frankenstein had spent so much effort to be above human, but his efforts caused him immediate regret and a lifetime of suffering. Victor, if he had known the consequences of what he’s done, would have likely not been driven by his desire to become better than
With this passing thought, the monster leaps from the ship into the ice filled sea, and is never seen again. At first it is seen as a story about man and the evils he can do, yet. Frankenstein is actually about the friendship of the soul. Without this basic need, the body either withers away and dies or turns to another source, like murder or drink, to fill the hole. Both fatalities can be seen in the story, with Victor's friendship and the monster's anger.
The creator of the monster, Victor Frankenstein is a man full of knowledge and has a strong passion for science. He pushes the boundary of science and creates a monster. Knowledge can be a threat when used for evil purposes. Though Victor did not intend for the being to be evil, society’s judgement on the monster greatly affects him. As a result he develops hatred for his creator as well as all man-kind. Victor’s anguish for the loss of his family facilitates his plan for revenge to the monster whom is the murderer. While traveling on Robert Walton’s ship he and Victor continue their pursuit of the monster. As Victor’s death nears he says, “…or must I die, and he yet live? If I do, swear to me Walton, that he shall not escape, that you will seek him and satisfy my vengeance in his death…Yet, when I am dead if he should appear, if the ministers of vengeance should conduct him to you, swear that he shall not live-swear that he shall not triumph over my accumulated woes and survive to add to the list of his dark crimes” (pg.199). Victor grieves the death of William, Justine, Clerval, Elizabeth and his father. Throughout the novel he experiences the five stages of grief, denial/ isolation, anger, bargaining, depression and finally acceptance. Victor denies ...
Imagine being brought into the world to be completely thrown away by whoever created you, for being born. Now, this is the perspective of the Monster that Frankenstein created. The Monster was immediately hated as soon as he came to life. His own creator found him to be repulsive: “ I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart.” Pg 59 PP 3. This hatred caused the monster to feel awful and run away in despair. Victor Frankenstein felt that he was justified to give up on his creation because it was ugly. This is completely unfair to the Monster because it has not done anything wrong, yet Victor Frankenstein feels he has the right to immediately turn his back on his creation. This is something that is frowned upon in society, but is sometimes the case. If this betrayal had not have happened, the Monsters nature could have been completely different. The Monster merely acted out because he was so greatly betrayed. In all honesty, the monster had good intentions in his heart, and he had a great soul. This great soul became diminished by the instant rejection as soon as he came to life. Now the Monster tried to keep it's spirits high but then things just seemed to get worse for him. Once the Monster
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
The story starts in 1770 when Victor is born and ends in 1799 when he dies on his boat in the north pole. The novel "Frankenstein" by Mary Shelley, is told almost entirely through flashback. All of the story Frankenstein tells to Walton is told looking back. For instance, towards the beginning of Frankenstein's flash back, he says""I, their oldest child, was born at Naples, and as an infant accompanied them in their rambles" (16). Frankenstein tells his story at the very beginning, his own birth. Frankenstein sometimes goes into a bit too much depth, but he makes up for it in his extreme detail. The way the story is told as a flashback, makes the story a first hand story. Frankenstein is directly relating his experiences with Walton. The way
After hearing the monster’s side of the story Frankenstein started to show some compassion for the being and agreed to it’s desire for a mate. Now that Frankenstein has learned the full story of his creation he feels the need to take responsibility for it now with the line, “did [he] not as his maker owe him all portions of happiness” (Shelley 125), less the monster start to attack humanity out of
The tale begins in the dangerously cold arctic North Pole aboard Captain Walton’s ship, adding suspense to the growing plot. The setting then travels back in time to Victor Frankenstein’s previous experiences, beginning in his laboratory, a place that would make any human cringe. Frankenstein comes to life in the laboratory on “a dreary night of November”. Victor’s laboratory exemplifies the exact elements of gothic literature: fear, mystery, and individuality. The monster, Frankenstein, is created, and the setting is switched yet again to his tale of life experiences. Individuality and nature are key elements in the monster's’ tale of life. The reader is able to capture the thoughts and sorrows of Frankenstein. As Frankenstein struggles desperately to gain Victor’s affections and forgiveness, Victor plots his plan for destruction of the monster. After failed attempts at destruction of the creature, Victor falls ill and the remainder of the novel is told by Walton. Walton wraps up the story by reporting on Frankenstein’s misery and eventual retreat to death in the Northern Arctic. Gloomy feelings of despair and death characterizes all of the settings, making Frankenstein the ideal piece of gothic