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Analysis of the shakespearean tragic hero king lear
Focus on the individual in Frankenstein
Analysis of the tragedy of King Lear
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How can people’s personal flaws lead to their own destruction? In William Shakespeare's King Lear and Mary Shelley’s Frankenstein, the main characters, Lear and Frankenstein, both as tragic heroes, fall as a result of their own careless actions. Lear and Frankenstein had to die in order to come to epiphanies about their situations and the impact that their own actions have on their lives. Shakespeare and Shelley communicate that one must face a downfall in order to realize his own flaws and the truths of his reality. Lear becomes blinded by his flaws, leading him to make irrational decisions which ultimately cause him to go mad. After Cordelia is unable to state how much she loves her father and outdo her sisters exaggerated professions of …show more content…
love like Lear wants her to, he states, “I disclaim all my paternal care, Propinquity, and property of blood, And as a stranger to my heart and me Hold thee from this forever” (Shakespeare 15). Lear’s pride causes him to be blind to the sincerity of his daughters’ false flattery and love. He cares more about hearing how well they could profess their love to him rather than if the love is real or not, making him unable to see their ingenuine motives. His pride in wanting to be praised led to Lear’s horrible error in judgement, irrationally banishing Cordelia due to her inability to compliment Lear to his expectations. Cordelia’s expectations of inheritance becomes destroyed as Lear displays his value in appearance, basing it on the depth of their love to him, versus reality, in which she could not possibly love her father that grand when she has to be devoted to her husband as well, making her life more difficult as she is left to deal with her unjust banishment. He begins to realize the faults of his own actions after being mistreated by Goneril and states, “O most small fault, How ugly didst thou in Cordelia show...Beat at this gate that let thy folly in And they dear judgement out” (Shakespeare 59). After Goneril acts disrespectfully to her father in demanding that he reduce the number of his knights and threatens him, Lear finally starts to realize how wrong he was to banish Cordelia. He becomes aware of his own flaws as he admits that in letting his foolish pride take over his decisions, it had ultimately caused him to turn a blind eye on his good sense of judgement. His realization comes too late, however, as his daughters’ betrayal in mistreating him drives him out of their care, forcing him to take shelter out in the storm, descending into madness because he is ultimately left with nothing. He had been too prideful to know love and loyalty when he sees them. His subjection to an undefined status had not only been the result of his pride and banishing Cordelia, but also his choice in dividing up his kingdom. After banishing Cordelia, Lear’s irrational and prideful decision to divide up his kingdom results in his destruction.
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with …show more content…
nothing in return. His destruction and undoing results from the loss of his identity as a king. From being a person with ultimate power as a king to suddenly losing everything, Lear not only loses his identity but his mind as his realization of his daughter's betrayal has left him in despair. When both of his daughters reject him and casts him out, leaving him to venture off in the storm by himself, he realizes how he had made the mistake in giving power to evil beings and banishing the daughter who conveyed the truest love to him. Believing that the daughters would love and care for him, he becomes ultimately stripped of his self confidence as he had to experience the horror in confronting the reality of how he was deserted and lost his power in being king by the ones he thought to have love him the most. By stripping him of his power, Lear became exposed to the truths of his reality and how the results of his own actions led him to where his current state is, leaving him weak and powerless. Lear has not been the only character to have experienced the tragic falls as a tragic hero, as Frankenstein undergoes it as well. Driven by his passions, Frankenstein makes an impulsive decision to create a monster which results in his own destruction.
As Frankenstein is enroute to his pursuit of gaining more knowledge, he states, “I wished, as it were, to procrastinate all that related to my feelings of affection until the great object, which swallowed up every habit of my nature, should be completed” (Shelley 41). Frankenstein’s decision in allowing his intellectual ambitions to overpower everything else in his life leads him to be blinded to the dangers of creating life. He isolates himself from his society when creating the monster, letting himself be immersed in his creation while being driven by his passions, allowing nobody to be near him. The fact that he allows this creation of a monster to consume his total being reveals how blinded he is to the immorality of stepping outside the boundaries of science and defying nature. His goal in striving to achieve what wants to in placing man over nature makes him lose his sense of self as all he is focused on is the final product of his creation. He starts to realize his own faults as after he has created the monster, he becomes very ill and states, “The form of the monster on whom I had bestowed existence was forever before my eyes, and I raved incessantly concerning him” (48). His impulsive decision to make the monster leads him to abhorring it as it does not turn out to be what he has expected. Because he chooses to isolate himself in creating the
monster, he ends up creating a hideous creature that he can not stand to look at. He falls ill as he now becomes haunted by its ugliness, causing him to be conscious of where the monster is in the society as he feels his presence around him everywhere he goes. He becomes engulfed with the feelings of guilt and despair after realizing what he has done is terribly wrong. Frankenstein compounds his first impulsive decision by making a second of abandoning the monster. Frankenstein’s decision to abandon his creation after bringing it to life causes the monster to be the result of his own undoing. After being rejected when he saved someone, Frankenstein expresses his thoughts as, “The feelings of kindness and gentleness which I had entertained but a few moments before gave place to hellish rage and gnashing of teeth. Inflamed by pain, I vowed eternal hatred and vengeance to all mankind” (130). Frankenstein’s abandonment of his own creation causes the monster to become an actual monster despite how he was initially compassionate toward others. Due to his creator's lack of responsibility, he felt rejected from both him and society when he has done nothing wrong to them and resorted to causing misery to those who made him miserable. Frankenstein’s denial in the beginning of his own creation causes the monster to swear vengeance on him and his society by creating destruction to it. Because he did not raise the monster with love and care and did not help the monster conform to his society, but instead chooses to abandon it, he is left to deal with the unjust murders of his loved ones. He does not want to fully accept that he had created such an ugly monster and avoids being the one responsible for it even after being confronted by the monster thus leading to his own fall. After Frankenstein loses everyone he loves, he vows that, “Never will I give up my search until he or I perish; and then with what ecstasy shall I join my Elizabeth and my departed friends” (196). His sole purpose in continuing to live at this point is to destroy the monster and relieve himself and his society from his destructive acts. His realization of how much destruction his creation could produce causes him to fall in his pursuit of vengeance on the monster. He realizes his own faults too late as by this point, the monster has more power over him and continues to live on society, knowing that it is killing Frankenstein with the thought of that. Frankenstein’s unchecked ambitions results in his inability to see how dangerous pursuing knowledge is and how his belief that he could change how nature is beyond his control leads him into his own fall. Through Lear and Frankenstein’s death, Shakespeare and Shelley reveals how, in order for them to realize the truths of their situations in life and the impact of what their own actions have on their lives, that they had to experience a downfall and eventually die to do so; also communicating how one must face a downfall to realize their own flaws and the truths of his reality. Lear and Frankenstein both possessed traits that became their flaws which resulted in their own undoings. Their flaws blinded both to the consequences of their irrational and impulsive actions. The late realization of how destructive their decisions were led to their downfall and death as they could not handle the repercussions of their own faults. By taking responsibility and being mindful of one’s actions, one could easily avoid a situation in which they end up regretting.
We again view his ignorance and irresponsibility when after spending two years of work on his creature he disowns and abandons the creature. He runs out of the room after seeing the creature come to life. He fled the room because he thought the creature was so hideous, even though he had chosen all the best body parts for its creation. When Frankenstein returns to the house when he “became assured that my enemy had indeed fled, I clapped my hands for joy”(55). Even after all his work he is ecstatic that this horrible beast has left him.
In Frankenstein, Frankenstein was preoccupied with the idea of creating life from nothing. On page 50, he expressed his wonderment, “I succeeded in discovering the cause of generation and life; nay, more, I became myself capable of bestowing animation upon lifeless matter.” He had succeeded in understanding the reasons for which life functions but he placed more importance on the discovery that he could cause it on his own. The events that take place in the novel follow as the consequences of Frankenstein’s longing for validation of his own self-worth. That desire filled his mind to a point where it haunted him. Mary Shelley consistently sho...
Critic Northrop Frye says, “Tragic heroes tower as the highest points in their human landscape that they seem the inevitable conductors of the power about them, the great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divine lightning”. Mary Shelley’s Frankenstein greatly exhibits the theme of the consequence of knowledge and irresponsibility among others through its tragic hero, Victor Frankenstein. Northrop Frye’s quote is certainly true when looking at Frankenstein’s situation. Victor is a victim of his divine lightning, and ultimately causes much trouble for himself; however, Victor also serves as the tragic hero in the lives of the monster, his family, and his friends.
Mary Shelley’s Frankenstein tells the story of Victor Frankenstein, a scientist who decides to play God and creates his own human unorthodoxly. Unfortunately, Frankenstein rejects his creation and forces it to live in fear and obliviousness of the world. Throughout the book, the reader is able to witness the character development within the Creature; he grows from a benevolent and benign man to a spiteful and ravenous murderer. In spite of this, I have great compassion and sympathy for the Creature. In order to understand this reasoning, we must take three factors into consideration. Firstly, we have the realize the aspects that drove the Creature into becoming an angry person. Second, we must acknowledge how human nature is. Lastly, we must consider who is to be blamed for the Creature’s actions.
... Lears blessing, and declared his daughter. Lear also realized that Kents speaking out was for Lear’s best and that he too was abused and banished. What stings Lear even more is that he is now completely dependent upon his two shameless daughters, Goneril and Regan. Plus that he must now beg them when he took care of them like a father when they were once children, to drive Lears further into madness he realizes that as king he was so ignorant and blind with power that he never took care of the homeless and let them suffer. All these realization and the fact that Lear is in his second childhood a tender stage drive him into the peak of madness.
Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to his other two daughters as they conspire against him. Lastly, the transfer of power from Lear to his eldest and middle daughter, Goneril and Regan, reveals disorder as a result of the division of the Kingdom. A Kingdom without order is a Kingdom in chaos. When order is disrupted in King Lear, the audience witnesses chaotic events that Lear endures, eventually learning who truly loves him.
The plot of King Lear is set in motion by the conversation between Lear and his daughters. In return for their love and honour, he will give them land and power. The fact that they are daughters and not sons is significant because Lear demands their total love, trying to put them into a mother role: something he would not do if they were men. Goneril and Regan are neither noble nor truthful and they have no problem lying to their father for their own personal gain. While Regan claims "I am alone felicitate/ In your dear Highness' love." (I.i.75-76) and later treats her father in the most reprehensible manner, Cordelia denies Lear's unnatural request saying, "Sure, I shall never marry like my sisters/ To love my father all" (I.i.103-104). Her truthful refusal to proclaim total love for her father proves her to be the actual loving daughter but results in her banishment. From this first scene, the characters' alliances and allegiances are forged and all that follows is directly resultant.
Gender inequality will always affect the way women are portrayed in society, the weaker, unnecessary, and other sex. It is not just a subject of the past, but still holds a name in society, however in the olden eras the way women were treated and are looked at, in a much more harsh condition. In Shakespeare’s Othello and Shelley’s Frankenstein women’s roles in the books are solely based on the way they are treated in their time period. The way women are portrayed in these books, demonstrate that they can never be in the same standing as men, considered the second option, and therefore will never have the same respect as men. In both Othello and Frankenstein women are treated as property, used to better men’s social standards, and lack a voice,
He was not willing to take responsibility for the monster he created. The monster was his responsibilities, his belongings, but Frankenstein didn’t accept the monster, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room, and continued a long time traversing my bedchamber…” (35). the moment his creation comes to life, Frankenstein abandons it and letting it free into the world. Frankenstein did not know what the monster is even capable of, leaves it unattended. In the article, “The Age of Biological Control”, A.T. Nuyen discusses bioethics as well as Confucianism, which is the religion of ethical, political, and social teachings. The article also goes over Francis Fukuyama’s concepts which examine the transformation human beings will go through. Moral principles don’t seem to matter because scientists are willing to do just about anything to reach their scientific goal, no matter the responsibilities that follow. Shelley reveals how ignoring one’s responsibility will catch up to them and cause havoc on their life. Frankenstein avoided his responsibility of the monster and in return, the monster began killing his loved ones and getting revenge on his creator for abandoning
William Shakespeare's tragedy of King Lear begins with the King's decision to divide his kingdom between his three daughters. He gathers them all together, and tells them he will divide up the kingdom according to whoever has the most love for him. Goneril and Reagan, the two older daughters, make big declarations of love in order to get the shares they want of the kingdom. The youngest daughter, Cordelia, tells Lear that she loves him, as a daughter should love a father. Lear becomes angry and disappointed with Cordelia's response feeling she has shown a lack of devotion so he takes action and banishes her. When Kent, a close friend of Lear, attempts to defend Cordelia, but as well he is banished by Lear. Cordelia marries the King of France and goes to live there. The kingdom is equally divided between Goneril and Regan. These two daughters are evil and decide if Lear becomes too much of a problem then they will take d...
In Mary Shelley’s gothic novel Frankenstein, Victor Frankenstein, a brilliant and passionate scientist, seems to be in constant conflict with his own mind and his own creation. The internal and external struggles he suffers are due to the battle between his five bones—desire (knowledge), fear (failure), strength (persistence), weakness (egotism), and action (hunt for revenge). Frankenstein’s five bones help to define him as a tragic hero; a character (normally a protagonist) who makes errors in judgment that inescapably leads to his own demise. Despite the struggles, Frankenstein seems to persevere as he pursues his creation in an attempt to right his mistakes until his eventual death. Ultimately, through his failed efforts to destroy his own creation (the monster), Frankenstein evolves convincingly into a tragic hero.
Lear's vision is marred by lack of direction in life, poor foresight and his inability to predict the consequences of his actions. He cannot look far enough into the future to see the consequences of his actions. This, in addition to his lack of insight into other people, condemns his relationship with his most beloved daughter, Cordelia. When Lear asks his daughters, who loves him most, he already thinks that Cordelia has the most love for him. However, when Cordelia says: "I love your Majesty according to my bond, no more nor less." (I, i, 94-95) Lear cannot see what these words really mean. Goneril and Regan are only putting on an act. They do not truly love Lear as much as they should. When Cordelia says these words, she has seen her sister's facade, and she does not want to associate her true love with their false love. Lear, however, is fooled by Goneril and Regan into thinking that they love him, while Cordelia does not. This is when Lear first shows a sign of becoming blind to those around him. He snaps and disowns her:
In the beginning of the play the reader learns that Lear is ready to give up his kingdom and retire from a conversation that two noblemen, Gloucester and Kent, are having. He asks his three daughters; Cordelia, Goneril, and Regan to express their love for him to help him make his decision as to who would inherit his kingdom. Cordelia has always been his “favorite” daughter and when asked how much she loved her father she does not lie to him and tells him “I am sure my love’s more ponderous than my tongue” (1363). Rather than being grateful for such love and honesty, Lear banishes her to France and divides his kingdom to his two other daughters. Kent does not agree with Lear’s decision and Lear banishes him too.
Lear's sins as a father are quite unique and therefore difficult to analyse. First he asks his three daughters to announce their great love for him so he can reward them with shares of his kingdom, Cordellia is brutally honest with her reply and states "[I love you] according to my bond; no more no less." Lear subsequently banishes Cordellia, and so starts Lear's suffering. He then splits his kingdom between Regan and Goneril which in itself was a foolish thing to do as the responsibility and power suddenly given to these two sisters could easily corrupt them. Next he arrives at his daughter's houses with a large group of unruly k...
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...