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Frankenstein character analysis essays
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Mary Ellen Neely
English 4 Honors
Mrs. Schroder
4 December 2017 Frankenstein As a Gothic Novel Originating in 1754, Gothic novels shaped works of literature for hundreds of years to come. Mary Shelley, author of the well known novel Frankenstein, brought light to the gothic style of literature. Defined as a type of writing characterized by fear and horror, but includes romantic elements such as nature and individuality, gothic literature embodies gloom as well as beauty. Frankenstein captures the aspect of horror through the constantly changing and frightening settings, and the theme of death. The aspect of nature and individuality is captured through Frankenstein himself, being created from nature and unique to any other individual that
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The tale begins in the dangerously cold arctic North Pole aboard Captain Walton’s ship, adding suspense to the growing plot. The setting then travels back in time to Victor Frankenstein’s previous experiences, beginning in his laboratory, a place that would make any human cringe. Frankenstein comes to life in the laboratory on “a dreary night of November”. Victor’s laboratory exemplifies the exact elements of gothic literature: fear, mystery, and individuality. The monster, Frankenstein, is created, and the setting is switched yet again to his tale of life experiences. Individuality and nature are key elements in the monster's’ tale of life. The reader is able to capture the thoughts and sorrows of Frankenstein. As Frankenstein struggles desperately to gain Victor’s affections and forgiveness, Victor plots his plan for destruction of the monster. After failed attempts at destruction of the creature, Victor falls ill and the remainder of the novel is told by Walton. Walton wraps up the story by reporting on Frankenstein’s misery and eventual retreat to death in the Northern Arctic. Gloomy feelings of despair and death characterizes all of the settings, making Frankenstein the ideal piece of gothic …show more content…
Depending on perspective, Frankenstein is characterized as either a monster or a lost creature struggling for light in a situation full of darkness and death. Initially, the creature shows signs of care for humanity, watching over a needy family, while observing their behaviors in order to one day be able to interact with them. He saves a young girl from drowning, exemplifying some care for humanity. As the plot thickens, Frankenstein, in a moment of rage, kills William Frankenstein. Victor Frankenstein becomes infuriated by the murder of William, causing him to attempt to distance himself from the monster as much as possible. After Frankenstein kills Victor’s bride, Elizabeth, Victor vows for revenge. The question then becomes, who is the villain of the novel? Frankenstein took two innocent lives, but Victor created Frankenstein and seeks to kill him off. The gothic literature principles of hero versus villain as well as suspense become evident throughout Victor and Frankenstein’s power
The monster tells Frankenstein of the wretchedness of the world and how it was not meant for a being such as himself. At the end of his insightful tale the creature demands a companion of the same hideous features but of the opposite gender to become his. Victor only has the choice to make the monster or suffer a lifetime of horror his creation would bring upon him. Which the creator ultimately agrees to make the female monster to save the lives of his family but gains a conscious that fills with guilt of all the destruction he has created and creating. When the monster comes to collect the female he tears her apart and the monster vows to destroy all Victor holds dear. The monster’s emotional sense is consumed with rage against Victor, murdering Frankenstein’s best friend. Though when the monster’s framing ways do not work to lead to Victor being executed, he then murders Frankenstein’s wife on their wedding night. This tragedy is the last for Victor’s father who becomes ill with grief and quickly passes within a few days, leaving Victor with nothing but his own regret. Shelley doesn’t give the audience the monsters side of the story but hints that the remainder of his journey consisted of being a shadow to that of his creator. It is at the graves of the Frankenstein family when the creature makes an appearance in the solemn and
Rousseau's ideology of education and nature laid the basic groundwork for many of the Gothic novels. Frankenstein, by Mary Shelley, was able to forge a bridge of thought that was able to span the chasm formed by the age of reason between the supernatural and reason. As a predecessor of the romantic movement, the Gothic novel was a direct reaction against the age of reason. The predominate idea of the age being that the world which is governed by nature is rationally ordered and given man's ability to reason, analyze and understand nature, man possesses the innate ability to use nature to create a rational society based on nature's dominate principles. The Gothic novel allowed the reader to pass from reason and order of the day to a region born of the supernatural which inspired dread and abounds in death and decay as nature's only true end.
Using gothic conventions Frankenstein explores Mary Shelley’s personal views on the scientific developments, moral and economical issues that occurred during the 19th century and Shelley’s personal emotions and questions regarding her life. As an educated person, Mary Shelley had an interest in the development of the world such as political and moral issues and she challenged these issues in the novel.
With the appearance of a monster and the mind of a sociopath, it could be perceived that the true villain of Frankenstein by Mary Shelley is the creature that Victor Frankenstein created. However, despite the creature killing the family members that Frankenstein loved the most in revenge for his abandonment, Victor Frankenstein is the true monster of Frankenstein, mostly because of his narcissism, but also because he believes himself to be the only victim, he is continuously disgusted by and abandons his creation, and the way that Frankenstein treats his creature in the times after he meets the creature again is more evil than anything that the creature has done to Frankenstein. Frankenstein, obsessed with bringing the dead back to life, sets
The literary elements of remote and desolate settings, a metonymy of gloom and horror, and women in distress, clearly show “Frankenstein” to be a Gothic Romantic work. Mary Shelley used this writing style to effectively allow the reader to feel Victor Frankenstein’s regret and wretchedness. In writing “Frankenstein” Mary Shelley wrote one the most popular Gothic Romantic novels of all time.
Frankenstein chases the monster to the North Pole, in an attempt to kill it. Weakened by the cold and long chase, a dying Victor is taken aboard a ship, where he relates his tale to the captain and dies soon after. The next night the monster visits the ship and looks upon Victor's body, ashamed by all of the killing he has done the monster flees into the Arctic Ocean, never to be seen again. Frankenstein appears to be a novel about the evil ways of man, but it is truly about the human soul and how it needs friendship and love to survive.
Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein, is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise. Throughout the novel, Shelley investigates the idea of monstrosity. She makes the point that a monster does not have to be genuinely evil in order to be considered monstrous.
Gothic literature was developed during the eighteenth and nineteenth century of the Gothic era when war and controversy was too common. It received its name after the Gothic architecture that was becoming a popular trend in the construction of buildings. As the buildings of daunting castles and labyrinths began, so did the beginning foundation of Gothic literature. The construction of these buildings will later become an obsession with Gothic authors. For about 300 years before the Renaissance period, the construction of these castles and labyrinths continued, not only in England, but also in Gothic stories (Landau 2014). Many wars and controversies, such as the Industrial Revolution and Revolutionary War, were happening at this time, causing the Gothic literature to thrive (“Gothic Literature” 2011). People were looking for an escape from the real world and the thrill that Gothic literature offered was exactly what they needed. Gothic literature focuses on the horrors and the dark sides to the human brain, such as in Mary Shelley’s book Frankenstein. Gothic literature today, as well as in the past, has been able to separate itself apart from other types of literature with its unique literary devices used to create fear and terror within the reader.
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
In Frankenstein, Shelley creates two very complex characters. They embody the moral dilemmas that arise from the corruption and disturbance of the natural order of the world. When Victor Frankenstein is attending school, he becomes infatuated with creating a living being and starts stealing body parts from morgues around the university. After many months of hard work, he finishes one stormy night bringing his creation to life. However, “now that [Victor] had finished, the beauty of the dream vanished, and breathless horror and disgust filled [his] heart” (Chambers). Right after Victor realizes what he has done, he falls into deep depression and must be nursed back to health by his friend. Victor spends the rest of the story facing consequences and moral problems from creating unnatural life. When he realizes that the ‘monster’ has killed his brother, even though no one believes him, he feels responsible for his brother’s murder because he was responsible for the existence of the ‘monster’. Also feeling responsible, Victor...
The monster of the novel is often misattributed with the name, “Frankenstein.” However, Victor Frankenstein can ultimately be considered the true monster of this tale. His obsession would lead to the corruption of his soul and the creation of two monsters—one himself, and the other, the creature. In attempting to take on the role of God, nature would become a monster to Victor and destroy his life. These elements of monstrosity in Frankenstein drive the meaning of its story.
Mary Shelley, the author of Frankenstein, is a writer who was greatly influenced by the Romantic era in which she lived. In fact, she moved among the greatest talents of the English Romantic writers including her poet/husband Percy Shelley and their poet/friend Lord Byron. Her writing was also influenced by the other great Romantic poets Wordsworth and Coleridge, whose ideas she either directly quotes or paraphrases in Frankenstein. Since Mary Shelley was so intimate with these great talents of the Romantic movement, it is quite natural that her most famous work Frankenstein reflects many of the Romantic trends and devices.
The main plotline of Frankenstein involves the lives of two major characters, Victor Frankenstein and the Monster. Their relationship is a tumultuous one, mainly due to the fact that Frankenstein created the Monster out of a wish to be some sort of god and be able to play with the balance of life and death. Afterwards, he comes to deeply regret his action and abandons the Monster by throwing him out into the world without any education or guidance. Because of this, throughout the book, the Monster harbors resentment towards Frankenstein and dedicates his life to make Frankenstein’s a living hell. Out of the many horrible things that the Monster did to achieve this goal, the main evil action I will be focusing on is the murder of William, Frankenstein’s younger brother and the framing of his nanny for the murder.
At first glance, the monster in Frankenstein is a symbol of evil, whose only desire is to ruin lives. He has been called "A creature that wreaks havoc by destroying innocent lives often without remorse. He can be viewed as the antagonist, the element Victor must overcome to restore balance and tranquility to the world." But after the novel is looked at on different levels, one becomes aware that the creature wasn't responsible for his actions, and was just a victim of circumstance. The real villain of Frankenstein isn't the creature, but rather his creator, Victor.
Mary Shelleys Frankenstein ( 1818 ) is considered by many literary critics to be the quintessential gothic novel despite the fact that most of the more conventions of the genre are either absent or employed sparingly. As many of the literary techniques and themes of Mary Shelleys Frankenstein adhere to the conventions of the gothic genre it can be considered, primarily, a gothic novel with important links to the Romantic movement.