More handpicked essays just for you.
What is the importance of character development in literature
Mary shelley literary contributions
Mary shelley literary contributions
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In Frankenstein, Mary Shelley highlights on the experiences her characters undergo through the internal war of passion and responsibility. Victor Frankenstein lets his eagerness of knowledge and creating life get so out of hand that he fails to realize what the outcome of such a creature would affect humankind. Mary Shelley’s novel, Frankenstein, highlights on how Frankenstein’s passion of knowledge is what ultimately causes the decline of his health and the death of him and his loved ones. Frankenstein has been interested in natural science since childhood and has described himself to “always have been imbued with a fervent longing to penetrate the secrets of nature”(Shelley 25), which foreshadows his future aspiration to create life, and …show more content…
Frankenstein only realizes the full ramifications of his actions when the monster first opens its eyes, but by then it is too late and nothing can stop the monster from being alive. Instead of taking responsibility for the monster he has created, Frankenstein flees and does not really question where it went upon his return, celebrated for a bit when he “becomes assured that [his] enemy had indeed fled” (Shelley 46), and it was not on his mind until it was seen when he got to his home town. This shows Frankenstein's true personality when faced with a difficult problem, as far as physiological reactions go he has the “flight” response. Every time a situation comes up that provokes stressful emotions he seeks for solitude in …show more content…
He knows that he is responsible for it’s existence from the line, “a being whom [himself] had formed, and endued with life” (Shelley 60) but does not consider himself a factor when it comes to the deaths of William and Justine. At this point of the story Frankenstein mostly talks about how much he hates the monster instead of the possible danger his family is now put in, while he cannot help but feel guilty because the creature that he created has already killed two people he held dearly he still does not acknowledge his responsibility for the monster’s actions. After hearing the monster’s side of the story Frankenstein started to show some compassion for the being and agreed to it’s desire for a mate. Now that Frankenstein has learned the full story of his creation he feels the need to take responsibility for it now with the line, “did [he] not as his maker owe him all portions of happiness” (Shelley 125), less the monster start to attack humanity out of
Mary Shelley’s Frankenstein is ‘one of the pioneering works of modern science fiction’, and is also a frightening story that speaks to the ‘mysterious fears of our nature’. Mary Shelley mocks the idea of “playing God”, the idea that came from the Greek myth of Prometheus, of the Greek titan who stole Zeus’ gift of life. Both the story of Frankenstein and Prometheus reveal the dark side of human nature and the dangerous effects of creating artificial life. Frankenstein reveals the shocking reality of the consequences to prejudging someone. The creature’s first-person narration reveals to us his humanity, and his want to be accepted by others even though he is different. We are shown that this ‘monster’ is a ‘creature’ and more of a human than we think.
As Frankenstein is enroute to his pursuit of gaining more knowledge, he states, “I wished, as it were, to procrastinate all that related to my feelings of affection until the great object, which swallowed up every habit of my nature, should be completed” (Shelley 41). Frankenstein’s decision in allowing his intellectual ambitions to overpower everything else in his life leads him to be blinded to the dangers of creating life. He isolates himself from his society when creating the monster, letting himself be immersed in his creation while being driven by his passions, allowing nobody to be near him. The fact that he allows this creation of a monster to consume his total being reveals how blinded he is to the immorality of stepping outside the boundaries of science and defying nature. His goal in striving to achieve what wants to in placing man over nature makes him lose his sense of self as all he is focused on is the final product of his creation. He starts to realize his own faults as after he has created the monster, he becomes very ill and states, “The form of the monster on whom I had bestowed existence was forever before my eyes, and I raved incessantly concerning him” (48). His impulsive decision to make the monster leads him to abhorring it as it does not turn out to be what he has expected. Because he chooses to isolate himself in creating the
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Never in my life would I justify sympathizing with an evil being or a monster, or so I thought, until I read Frankenstein. I have never stepped into the shoes of a monster until I read this book. I also have never taken into consideration the changes a human can make to essentially fall from grace and become the monster himself. This story forces the reader to sympathize with all characters involved from the creator, Victor Frankenstein, to the monster he creates and all of the people who are affected. Mary Shelley’s Frankenstein is about a man, a scientist, named Victor Frankenstein. Victor was obsessed with the science of natural philosophy alchemy and chemistry. He was obsessed with how life is created and how life is ended. After attending school in
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
Furthermore, the creator has a responsibility for all the consequences that the creation causes. Frankenstein did not fulfill his responsibility. For instance, Frankenstein was in “... horror and disgust…”(Shelley 21) when his creation came to life. Therefore, Frankenstein, at the beginning of his creation new life, did not care for the monster at all because of the fear aroused in him. Frankenstein was also didn’t succeed in his responsibility for the monster because he left him the day after the creation was brought to life. For example, “[Frankenstein] did not dare to return to the apartment which [he] inhabited.” (Shelley 21). In the end, Frankenstein left the monster on his own without any regard on how the world
...Frankenstein and the creature. The situations that each character experience are lessons about how seeking prohibited intelligence comes with extreme consequences. Frankenstein is a Gothic novel which means it involves the supernatural; however, because it contains religious qualities it is more appealing to the common people’s idea of knowledge. Mary Shelley achieves her goal of informing the audience that man should not seek or possess the level of knowledge that God acquires. One should learn from the situations present in the novel because life comes with an enormous amount of knowledge; going after the unknown is an act of rebellion against God.
Frankenstein describes the beginning of his life as a happy time with his family. During his childhood, Frankenstein was passionate about learning, but his emotional connection with Elizabeth kept him from completely engrossing himself in his studies (Shelley 38). When Frankenstein left home to study at the university of Ingolstadt, he became intent on his quest to uncover the mystery of life. He tells of working in the laboratory until sunrise and being indifferent to the beauty of the world around him (Shelley 56-63). These changes in Frankenstein’s way of life represent Shelley’s belief that one’s passions must be controlled or the passions wi...
Mary Wollstonecraft Shelley’s Frankenstein exposes some of the harsh natures of human characteristics in this gothic novel through a genius, Frankenstein, and his hideous creation, Frankenstein’s monster. These two most important characters of the novel try to obtain power over one another and power is one of those harsh natures and is one of the strongest drives of human desire. Doctor Victor Frankenstein and Frankenstein's monster have altering positions of power as the novel progresses and their power is measured through knowledge, hostility, threats, and even death.
Mary Shelley uses Dr. Frankenstein in her book, Frankenstein, to discuss what constitutes humanity as opposed to monstrosity. Through Dr. Frankenstein’s digression from humanity, Shelley illustrates how a consuming pursuit of knowledge leads to the degradation of the quality of life, reducing a person to a monster.
From the very opening of the novel, there is an introduction of a character and his relation to nature, in this case, Robert Walton as he depicts the grandeur of nature through his letters sent to her sister while setting out on his adventure to the North pole; “There, Margaret, the sun is forever visible, its broad disk just skirting the horizon and diffusing a perpetual splendour” (Shelley 10). Through this description, it is evident that Romantic elements are being portrayed through Frankenstein since the love and emotion for nature is emphasized repeatedly. Moreover, Romantic literature regards emotion and imagination as more important entities than reason and formal rules. This characteristic is exemplified throughout the novel and is the main cause of the scientist’s invention which is caused due to his curious nature rather than rational thoughts. Generally, The Romantic Movement was established in the late 18th century by artists across Europe. The concept of Romanticism is that rationality doesn’t provide an explanation to everything. Thus, Romantics were known for their irrational thoughts and deep emotions unlike the Enlightenment Age, where rationality, collective thoughts, science and deductive reason were heavily focused on which eventually led to the birth of the Industrial Revolution (Hug 17 Mar. 2014). Many writers embraced the ideology of Romanticism and often incorporated several characteristics throughout their texts, for instance, Marry Shelley’s Frankenstein. The novel regards a young curious scientist residing in Switzerland named, Victor Frankenstein. Being an inquiring individual, he shifts to the University of Ingolstadt where he develops an interest in alchemy and chemistry. Expanding his knowledge a...
His intentions to create life were purely to become remembered and looked upon as great for having creating life. After he had created the monster, he thought of nothing of what he would do with the monster after he had created it and he took absolutely no responsibility to it. As the book continues, the monster begins to express more and more of his internal thoughts and unconscious. The monster sets out on a conquest to take out revenge on Victor and anyone who may be related. On his journey, the monster stumbles upon William who is related to the Frankenstein’s and he decides to kill him. The monster says, “The child still struggled and looked me with epithets which carried despair to my heart”, “I gazed on my victim, and my heart swelled with exultation”. (Shelley) The monster is consciously aware of his actions towards this child and still continues with his plan. This demonstrates the monsters ego as described by both Freud and Jung. The ego is where our conscious awareness exists. Not only is the concept of the monsters ego portrayed but also the superego. The superego is the morals an individual has and the inner voice that tells an individual that we shouldn’t do something. The monster shows some remorse and knowledge that what he is doing is cruel and wrong by his dialect with William during this tragedy. After the monster has been rejected by society, he goes
When Victor Frankenstein gives life to his monster, Mary Shelley shows the reader how disappointed Frankenstein is with the outcome of the monster, "How can I describe my emotions at this catastrophe"(Shelley 55), these descriptive words show how Frankenstein is disgusted with the monster that he has created. He is disappointed because he wanted his creation to be something beautiful, instead, he creates an ugly monster. The monster enters the world and is immediately unloved by his creator. Frankenstein does not take responsibility for his creation instead he abandons him, leaving him to fend for himself. The monster did not start out more evil than anyone else, “He does acts of evil, yes, but they can be equated to tantrums from a lonely
Mary Shelley's, Frankenstein, tells the story of Victor Frankenstein, a young scientist who created a monster in a scientific experiment. Shortly after discovering he had created a self loathing monster, Victor immediately began to regret his decision. After being denied a companion to love and be loved by, the monster makes it his mission to destroy the life of Victor Frankenstein as he knew it. Going to great lengths, the monster decides to end lives in return of Victor’s sufferings.
Dr. Frankenstein is socially irresponsible, stubborn, and extreme in his actions throughout the novel's plot. His irresponsibility shows through many times in his feelings toward his creation. While he was in the process of shaping his creation, Frankenstein is so caught up in his work and his yearning to be remembered for all time that he does not ponder about what will happen after life is breathed into this being. He is so consumed by his work he does not sleep for days on end, go outside, eat meals, or write to his family with such frequency as he had before he commenced. After his creation comes to life, he refuses to accept his obligation as the creator to his creation. He does not care for it, shelter it, provide it with food or love, nor teaches the creation. Eventually all the monster wants from the doctor is a companion like himself. Frankenstein even refuses to accept the responsibility of providing a source of companionship for the creation since he does not allow for any connection between himself and the monster. The doctor is intensely set in his ways. Even after his creation kills his son and frames Justine, Frankenstein still will not change his attitude and does not want any association between himself and his creation. Frankenstein is so convinced that his creation will kill him next, he does not stop and think about what else he could have meant by, "I will be with you on your wedding night." The thought does not enter his head that the monster is foreshadowing the death of his bride. Then after the monster has taken this action, Frankenstein is wrathful towards his creation for not killing him. Frankenstein again shows his persistence when he tries to kill the creation. The monster leads his creator through all kinds of rough terrain, and then into the snow. Frankenstein does not care that the monster is vastly superior in physique compared to himself, and that he will never be able to seize the monster unless the creation allows the doctor to catch him. His thick skull does not let any of this affect his thirst for revenge.