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Who is worst goneril or regan in king lear
Loyalty in king lear
Loyalty in king lear
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J.RR Tolkien once wrote, “Faithless is he that says farewell when the road darkens.” Tolkien speaks of the natural human instinct to leave when things get hard. It is easy for people to be loyal until it is no longer convenient for them. However, true loyalty is demonstrated by those who stay through the hard times in someone else’s life. Shakespeare puts a lot of emphasis on loyalty, a central theme in the play. In King Lear, Shakespeare shows that being loyal is admirable because it is more difficult than being treacherous. Cordelia and Kent are the most notably loyal characters. In return for their loyalty, Lear banishes Kent from the country, “Thus Kent, O princes, bids you all adieu; /He’ll shape his old course in a country new” (1.1.187-188) and he disowns Cordelia, “Here I disclaim all my paternal care,” (1.1.114). Yet even though Lear behaves like this they both remain loyal, which is an admirable quality in both Kent and Cordelia. They both face great hardship in their efforts to be loyal. Kent risks everything to disguise …show more content…
Cordelia and Kent are the most loyal to Lear, but they receive punishment instead rewards. Ultimately, they meet satisfying and peaceful ends. Regan and Goneril manipulate their way to power and achieve what they crave until they turn on each other. Their treachery is effortless but they meet their consequences in the end. Edmund needs time to realize that although treachery is easy, it isn’t the admirable thing to do. Loyalty and treachery are what cause the downfall of many characters. Loyalty and treachery are what allow this play to be a tragedy, although the conclusion of certain characters depends on whether or not they were faithful or traitorous. Those that were loyal achieved peace, while the deceitful characters ultimately received their tragic
Family loyalty refers to the feelings of mutual obligation, commitment, and closeness that exist among family members (e.g., parents and children, grandparents and grandchildren and siblings). A loyal per¬son is ready to sacrifice even his own life for the sake of his master, friend, relative or the country. The significance of loyalty in family relationship is an integral part in both Macleod’s novel No Great Mischief and Shakespeare’s play King Lear. However, the characters in No great Mischief have demonstrated true devotion towards every family member whereas Lear’s stubbornness prevents him from being faithful which is shown by the characters.
Shakespeare's King Lear is a play which shows the consequences of one man's decisions. The audience follows the main character, Lear, as he makes decisions that disrupt order in his Kingdom. When Lear surrenders all his power and land to his daughters as a reward for their demonstration of love towards him, the breakdown on order in evident. Lear's first mistake is to divide his Kingdom into three parts. A Kingdom is run best under one ruler as only one decision is made without contradiction. Another indication that order is disrupted is the separation of Lear's family. Lear's inability to control his anger causes him to banish his youngest daughter, Cordelia, and loyal servant, Kent. This foolish act causes Lear to become vulnerable to his other two daughters as they conspire against him. Lastly, the transfer of power from Lear to his eldest and middle daughter, Goneril and Regan, reveals disorder as a result of the division of the Kingdom. A Kingdom without order is a Kingdom in chaos. When order is disrupted in King Lear, the audience witnesses chaotic events that Lear endures, eventually learning who truly loves him.
Two powerful characters in the play, aging King Lear and the gullible Earl of Gloucester, both betrayed their children unintentionally. Firstly, characters are betrayed due to family assumption. Lear banished his youngest daughter Cordelia because he over estimated how much she loved him. When questioned by her father, she responds with, "I love your Majesty / According to my bond, no more nor less." (I,i, 94-95) Lear assumed that since Cordelia was his daughter, she had to love him in a certain way, but he took this new knowledge and banished her without further thought. Secondly, characters were betrayed because of class. Edmund, the first-born son in the Gloucester family, should have been his father's next of kin. He would have been able to take over the position of Earl upon his father's death if he did not hold the title of a legitimate bastard. In his first soliloquy he says, "Why Bastard? Wherefore base? / When my dimensions are as well compact/ my mind as generous, and my shape as true " (I,ii, 6-8) Edmund believes he is at least equal, if not more, to his father in body and in mind, but the title that his father regrettably gave to him still lingers. Lastly, characters were betrayed because of family trust. Gloucester trusted his son Edmund when he was told that his other son was trying to kill him. Upon reading the forged letter written by Edmund, he responded with, "O villain, villain! His very opinion in the letter! Go, sirrah, seek him." (I,ii,75-77) Gloucester inadvertently betrayed Edgar because he held so much trust in his one son that he was easily persuaded to lose all trust in his other one. These blind characters were unfortunately betrayed there children, but they did it unintentionally and will eventually see there wrong doings.
After Kent delightfully brings the two together and Lear realizes who he is talking to, he begs for forgiveness: “Pray, do not mock me. / I am a very foolish fond old man, / Fourscore and upward, not an hour more nor less /....Do not laugh at me, / For as I am a man, I think this lady / To be my child Cordelia.“ (IV.vii.68-79). Lear has finally achieved self-awareness regarding his mistaken banishment of Cordelia, and proclaims to her in a surprising display of humility that he is just a “foolish fond old man.” Shocking the audience, Lear does not hold back his newfound sense of shame. He goes on: “Be your tears wet? Yes, faith. I pray, weep not. If you have poison for me, I will drink it. I know you do not love me, for your sisters Have, as I do remember, done me wrong. You have some cause; they have not.” (IV.vii.81-85). In another case of both humility and misjudgment, Lear believes that Cordelia no longer loves him due to his mistakes. Lear could not be more wrong because Cordelia 's love for her father is unconditional and still lives. Cordelia virtuously accepts his apology and assures him “No, sir, you must not kneel,” (IV.vii.67). Although the two do not live much longer, Lear intends to live out the rest of their lives being the best a father can
As Shakespeare presents to us a tragic pattern of parental and filial love, in which a prosperous man is devested of power and finally recognises his "folly", empathy is induced in the audience. In "King Lear", it is noted from the beginning of the play that both Lear and Gloucester suffer from self-approbation and will consequently find revelation by enduring "the rack of this tough world". While Lear mistakenly entrusts the shallow professions of love from his "thankless" daughters - Goneril and Regan - instead of the selfless words of Cordelia, Gloucester shadows a similar ignorance by initially entrusting love in the evil Edmund, rather than Edgar, whom we consider to be a "truly" loyal "noble gentlemen".
In the last Act of the play Edmund did not show any remorse to make Cordelia and Lear suffer. Edmund threw Cordelia and Lear in a prison, clearly Edmund felt loyal to Goneril. All Edmund did care about was the power, and wealth that he was going to get. The act of not feeling any remorse to an elderly man that has been brutally mistreated by his two elder daughters was unbelievable. All Edmund did think about was himself how he was going to thrive into the
In his madness, King Lear is hiding from Cordelia in cornfields. He is so, “overwhelmed with shame and remembers how unkind he was to her” (IV.iii. 42-43). King Lear remembers how at the beginning of the play, he disowned his daughter and gave her no part of his kingdom. He did this after she refused to flatter her father and told him that she, “gives back just as she should: I obey you, love you, and honour you” (I.i.95-96). He realizes that his other two daughters, Goneril and Regan, to whom he gave his inheritance, just used fake words to flatter him. He comes to recognize they were disloyal and disrespected him as a father after they disowned him and took away his knights. It is only Cordelia who truly loves him and comes searching for him after she learns of her sisters’ cruel behaviour towards him. This realization shows how he has evolved as a character and how Cordelia had a, “significant role in effecting change in the figure of Lear” (LeBlanc,
..., but the most important thing is how you learn from making that bad decision and using that experience to better yourself as a person. Although they both start off the story seeming very selfish and irresponsible, they turn out to show that they truly do have a good heart and show sympathy towards the people that they initially abandoned. My impressions of them change dramatically during the course of the play. In the beginning of the play I have no remorse for Lear or Gloucester. I am against them in the beginning simply because they were blind to the fact that they were pushing away the people that meant the most to them. When I began seeing how badly Lear and Gloucester were being treated by their “evil” children, I couldn’t help but feel sympathy for them. It made me realize that people do make mistakes and all we can do from that point on is learn from them.
The foul actions of individuals inevitably catch up to them, in terms of dealing with the proper consequence warranted by the unique choices that individuals make in order to achieve their respective ambitions. Edmund is facing an unlikely demise in his former brother, Edgar, he wants to get back at Edmund for causing his “name” to be lost” in a manner that constitutes “treason”. The audience can sympathize with Edmund due to him being treated unfairly by the public, however his actions warrant serious consequences. Edmund realizes his mistakes after Edger’s “speech” tends to “move” him from having an alienated opinion to a more subdued and responsible individual. Although Edmund wants to do “some good”, it is too late for him to survive although, he will die a noble man due to his repentance and realization of his abhorred crimes. Shakespeare portrays to the audience that, Edmunds quest for recognition was an unnatural ambition thus he was subject to harsh consequences for his ill-advised tactics against his relatives. The quest for power has maligned both Regan and Goneril, they turned against their father all the while developing immoral feelings towards Edmund. The outcome of the non-genuine nature of both sisters cause Goneril to “poison” her sister, while
Although King Lear, by William Shakespeare, is a tragic tale; the main character, King Lear, does not posses all the required qualities of a tragic hero. Lear fails to face his death with courage or honor, which causes the audience to feel apathetic to him. This makes Lear a tragic character but not a tragic hero. Shakespeare makes Lear’s lacking qualities more apparent by Cordelia, a true tragic hero. In comparison with tragic heroes found in Shakespeare’s plays, Shakespeare makes King Lear’s death brief. After Lear rambles his last line, Shakespeare ends his life with the line “(He dies)” (5. 3. 375) without an explanation. Even in his death, Lear never accepts his responsibility in his own trady. Instead, he blames his misfortunes on his
Loyalty and faithfulness are necessary in a marriage. If a person is not faithful to their spouses, in the relationship, then there is a very high percent that the marriage will work. According to the Dr. Becky Whetstone, the percentage that a marriage will work after a spouse has been unfaithful to the other is 75%, because they feel like life would be more complicated if they were to get a divorce (Dr. Becky Whetstone, “Marriage Crisis, Separation, Infidelity.”) In this remarkable play Othello, loyalty and faithfulness is the major storyline throughout this play. Othello starts off giving Desdemona a handkerchief as a gift that was part of Othello’s family heirloom. This handkerchief that Othello gave Desdemona was to symbolize her loyalty and faithfulness to the
Kent intends to calm Lear down, yet Lear’s unstable emotions at the time lead to him thrashing out against Kent, even threatening him. This is interpreted from when King Lear says, “O vassal! Miscreant!” (1.1.159). King Lear’s tone is extremely hostile towards Kent, calling him a villain. Kent replies with, “Kill thy physician and thy fee bestow / Upon the foul disease. Revoke thy gift, / Or whilst I can vent clamor from my throat / I’ll tell thee thou dost evil” (1.1.161-164). It is evident that Lear made an advance toward Kent or threatened him in another way because Kent said killing him would be doing an evil deed. Through King Lear’s prideful, yet fearful and dismissive tone in his conversation with Kent in Act 1, Scene 1, it is noticeable that Lear fears that Cordelia is right about the fabricated love his two daughters express towards him. His pride triumphs in the end, leading him to believe his daughters wouldn’t deceive him for they truly love
As Shakespeare presents to us a tragic pattern of parental and filial love, in which a prosperous man is devested of power and finally recognises his "folly", empathy is induced in the audience. In "King Lear", it is noted from the beginning of the play that both Lear and Gloucester suffer from self-approbation and will consequently find revelation by enduring "the rack of this tough world". While Lear mistakenly entrusts the shallow professions of love from his "thankless" daughters - Goneril and Regan - instead of the selfless words of Cordelia, Gloucester shadows a similar ignorance by initially entrusting love in the evil Edmund, rather than Edgar, whom we consider to be a "truly" loyal "noble gentlemen".
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...
The King Lear play resonates a clear distinction between good and evil. Within the structures of these antagonistic forces lies the personal schema of the individual. Through the circumstances of their harsh environment the characters of the play move toward a survival-of-the-fittest-type approach. The existence of a dog-eat-dog society forces this position. In such a world, to consider the collective good of the group or the well being of another is potentially hazardous to the individual - the virtue of selflessness perhaps harmful.