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Transformation of Lear in the play King Lear
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What comes first, family or power? The general population would lean heavily towards family because love for one’s family proves to be one of the strongest bonds between humans. This holds true in most entertainment mediums as well. However, in Shakespeare’s King Lear, Lear’s daughters prize their father’s kingdom and power over their relationship to him. This selfish attitude defines the conflict through the entirety of the play. Shakespeare expresses two major themes in King Lear; love and wisdom. King Lear’s struggle to recognize authentic love, love himself, and acknowledge wisdom imparted on him, due to his weak emotional state, results in needless conflicts and the deaths of many.
In the first scene of King Lear, Lear reveals his plan to split his kingdom between his daughters by asking them how much they love him. The daughter that proves she loves him the most receives the largest portion
Kent intends to calm Lear down, yet Lear’s unstable emotions at the time lead to him thrashing out against Kent, even threatening him. This is interpreted from when King Lear says, “O vassal! Miscreant!” (1.1.159). King Lear’s tone is extremely hostile towards Kent, calling him a villain. Kent replies with, “Kill thy physician and thy fee bestow / Upon the foul disease. Revoke thy gift, / Or whilst I can vent clamor from my throat / I’ll tell thee thou dost evil” (1.1.161-164). It is evident that Lear made an advance toward Kent or threatened him in another way because Kent said killing him would be doing an evil deed. Through King Lear’s prideful, yet fearful and dismissive tone in his conversation with Kent in Act 1, Scene 1, it is noticeable that Lear fears that Cordelia is right about the fabricated love his two daughters express towards him. His pride triumphs in the end, leading him to believe his daughters wouldn’t deceive him for they truly love
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with
I think it is pretty evident that the relationships that King Lear had with each of his daughters were completely different from one another. In the end, although they went through some rough times, Cordelia still remained his favorite daughter. I think this play is not only a good display of different father daughter relationship but also, it can be taken as lesson learned. It can teach people that pretending just to get your way won’t get you far.
Lear: I’m old with older strengths with the burden of rule, legal ownership of territory and all the duties and commands that are thrown upon you regarding cares of state. Restless i have three times as many daughters as one and i have three pieces of a map. The last one being the largest and given to the blood and flesh which loves this old man more than for himself. So unleash your hearts for your words are future jewels, revenue, soil and marble, fuels of the earth and raiment.
Societal and environmental factors, even from the beginning of adolescence, shape people’s interpretation and comprehension of love (Hartup 8-13). This makes it decidedly difficult for people to notice a distinction between the different types of love. Not only do copious types of love exist, but also there are varying definitions of love (Rubin 2-4). Whilst some people may define love as immaturity, others may define it as a positive passionate emotion between two, occasionally multiple, people (1). The primary type of love, defined by the latter statement in the previous sentence, in King Lear is familial love — rather than the romantic love that a multitude of Shakespeare’s other plays revolve around. Bloom mentions
It tainted his familial bonds and gave him a sense of determination to escape society’s value of him. The notion of bastardy drives this aspect of the plot and is the single most important idea when looking into the phenomenon of cruelty between Edmund and Gloucester in King Lear. Edmund’s story is tragic because there is no resolution for his biggest grievance apart from a larger paradigm shift, marking a change in society’s value of the bastard. It is safe to say that Edmund and Gloucester’s relationship was plagued by powers greater than themselves. Shakespeare elevates their relationship to start a dialogue about family and societal values—creating a deeply layered and tragic
Let us first consider King Lear and his relationship with his daughter Cordelia. When King Lear asks Cordelia to profess her love for him she merely answers that she loves him according to her bond, no more. Enraged, the king banishes her without an inheritance or dowry. Cordelia tries to explain that she will not speak of her love for him in order to get fortunes since this would be deceitful. However, Lear refuses to understand and Cordelia leaves imploring her sisters to care for him.
The tragedy King Lear by William Shakespeare ought to be seen as a lesson on what not to do as a parent. By picking favorites, King Lear and the Earl of Gloucester leave a lasting impact on their children 's psyche, ultimately leading to them committing horrible crimes. The rash judgments, violent reactions, and blindness of both Lear and Gloucester lead to both their and their children 's demise. As a result, all of the father-child relationships in the play begin to collapse.
The tragedy of Shakespeare’s King Lear is made far more tragic and painful by the presence and suffering of the king's youngest daughter, Cordelia. While our sympathy for the king is somewhat restrained by his brutal cruelty towards others, there is nothing to dampen our emotional response to Cordelia's suffering. Nothing, that is, at first glance. Harley Granville-Barker justifies her irreconcilable fate thus: "the tragic truth about life to the Shakespeare that wrote King Lear... includes its capricious cruelty. And what meeter sacrifice to this than Cordelia?"5 Yet in another passage Granville-Barker has come much closer to touching on the real explanation. I quote the passage at length.
In conclusion, the social hierarchy in King Lear is one that values land and royalty by marriage. The desire to obtain either of the two was so great in the characters of Edmund, Goneril, Reagan and Cornwall that they were willing to go against the hierarchy itself and abandon all notions of morality. It was the actions of these four characters combined that brought about the destruction of the royal family and the downfall of Lear’s kingdom.
First, let us consider the premise: "if any tried to buy love with their wealth." Lear poses this question to his three daughters:
Lear's relationship with his three daughters, Goneril, Regan and Cordelia, is, from the beginning, very uncharacteristic of the typical father-daughter relationship. It's clear that the king is more interested in words than true feelings, as he begins by asking which of his daughters loves him most. Goneril and Regan's answers are descriptive and sound somewhat phony, but Lear is flattered by them. Cordelia's response of nothing is honest; but her father misunderstands the plea and banishes her. Lear's basic flaw at the beginning of the play is that he values appearances above reality. He wants to be treated as a king and to enjoy the title, but he doesn't want to fulfill a king's obligations. Similarly, his test of his daughters demonstrates that he values a flattering public display of love over real love. He doesn't ask "which of you doth love us most," but rather, "which of you shall we say doth love us most?" (I.i.49). It would be simple to conclude that Lear is simply blind to the truth, but Cordelia is already his favorite daughter at the beginning of the play, so presumably he knows that she loves him the most. Nevertheless, Lear values Goneril and Regan's fawning over Cordelia's sincere sense of filial duty.
The play begins with Lear, an old king ready for retirement, preparing to divide his kingdom among his three daughters. Lear has his daughters compete for their inheritance by trying to convince him of the degree of their love for him by proclaiming it in the grandest possible fashion. Cordelia finds that she is unable to express her love with mere words: "What shall Cordelia speak? Love, and be silent" (I, i, 63-64). Cordelia's nature is such that she is unable to engage in even so forgivable a deception as to satisfy an old king's vanity and pride, as we see again in the following quotation:
When Kent tries to confront lear about the mistake he is making about his daughters lear refuses to listen to Kent because he is still heated towards Kent while Kent being his devoted follower tries to tell lear that cordelia is the honest of his daughters. Lear still refuses to listen because of his pride as a king he won’t change his mind and is dead sure that he is right and everyone else is wrong about this opinion of his daughters betraying him and only loving him for his land and possessions like Reagan and goneril do.
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...
To begin, King Lear makes the conscious decision to split up his land, but he choses the most egotistical way to decide which of his daughter’s received which piece of land. Near the beginning Lear says, “Which of you shall say we doth love us most,/ that we our largest bounty may extend/ Where nature doth with merit challenge,” (I.i.52-54). This quotation demonstrates how Lear was constantly seeking ways to build his ego, and was looking for reassurance that he was still the best man that he could be. It proves to the reader or viewer that Lear is clearly not in his right mind. Demonstrating that maybe this character cannot be trusted, as a true king would not be likely to enact this type of behaviour. Society has trained most individuals that someone who constantly seeks attention is not an individual that anyone should want to associate with. Lear’s attitudes in regards to giving up his land to his daughter’s show that he ne...