Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Joseph Conrad and colonialism
Joseph Conrad and imperialism
Joseph Conrad and imperialism
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Joseph Conrad and colonialism
“Going Native” or Not In Joseph Conrad’s book, “Heart of Darkness”, the character Kurtz did not “go native”, but instead got corrupt by his power. For one to “go native”, one must “completely embrace the ways of life, the customs, the languages, and the laws of the natives” (Wintroub 1191) and even siding with the natives (Wintroub 1200). Kurtz shows that he does embrace the ways of life of the natives, but that he chooses to rule over them as a deity and command them to do his bidding. Throughout the book, Kurtz shows no sympathy to the native people nor views himself as one of them, but instead he treats them with such cruelty and views them as lesser beings to himself. The International Society for the Suppression of Savage Customs, an anti-slavery society, asks Kurtz to make a report “for further guidance”, and Kurtz writes that the whites need to appear to the natives as deities as the white man had a superiority over the natives because of their advanced …show more content…
A once remarkable and admirable man, whose “goodness shone in every act he did” (Conrad 1077) twisted into this cruel and ruthless self-proclaim god when place in a position in where he and the others like him views themselves as the superior race as civilized men among “inhuman savages” and where he stands to gain wealth. Along with “the gentlest, quietest creature that ever walked on two legs” had ruthlessly assaulted a native to “assert his self-respect” (Conrad 1022). The power of darkness corrupts and claim someone as it did Kurtz and they would never know this darkness has a hold on their mind (Conrad 1055) whether they do not view their actions as immoral (DeCelles 686) or they focus too much on the gains rather than the loses (Power
Older and modern societies tend to have organized castes and hierarchies designed to encompass everyone in society. This is demonstrated in Richard Wright’s acclaimed novel, Native Son. The novel follows the life of a twenty year old African American man named Bigger Thomas, and his experiences living as a black man in 1930s Chicago, Illinois. Unfortunately, he commits two unlawful killings of women, mostly as a result of the pressure and paranoia that had been following him from a young age. He is tried and convicted of the deaths, and is sentenced to die as a result.
'Colonialism is the policy of occupying political control over another country' (Oxford dictionary). The British had power and considered themselves as civilized. They thought that the non-English people were savages and that they were not civilized. The British thought that they should civilize these savages. This is also called the white mans burden. The mission of civilizing the Indians (natives) was used as a tool to loot, plunder, murder and oppress the natives. A book the heart of darkness is based on how white men treat the natives. The book shows Kurtz, the English dealer and his attitude towards the natives. When Marlow, a worker for the same company as Kurtz goes to visit Kurtz he finds out that the natives worship Kurtz and he also sees that there are heads of natives on display near his house. The entire book shows how these civilized men treated the natives in the most gruesome ways and thought what they did was right. (Conrad, Joseph.
Power this is what kept Kurtz in the jungle for such a long period of time. Determined not to become another causality he becomes allies with the natives through fear. Kurtz is a brilliant man who did not have to adapt to his environment but had it adapt to him. On top of a hill his hut is surrounded by the heads of men who have betrayed in him some sort, this serves as a reminder to anyone who contemplates going against his wish.
Kurtz is introduced as a respectable and powerful man because he is known for his wisdom and his nobility. His mission in the Congo is to save the natives from their barbaric way of life and make it more similar to the European, through colonization. He believes that in order for his plan to work he must present himself as a confident god-like leader “…must necessarily appear to them [savages] in the nature of supernatural beings – we approach them with the might as of a deity.” 1 In order to control the situation, the natives must relate to them, and trust them. However, as Kurtz gains more power over the natives he gets blinded by it, instead of civilizing the natives by stripping away their primitive ways, he dehumanizes them, and himself too. Kurtz does not understand how the natives live, and does not try to, therefore making him seem ignorant, which is ironic to the character he is known to be. He trusts in colonization, where the natives should mimic the European culture. His renowned success in the company; consequently convinces others that his actions are moral, however it creates a shadow that prevents...
In Heart of Darkness, all of Joseph Conrad’s characters seem to have morally ambiguous tendencies. The most prominently morally ambiguous character is Kurtz, whose distance from society changes his principles, and leads him to lose all sense of decorum. Conrad takes a cynical tone when describing Marlow's journey. Marlow's voyage through the Congo gives him insight to the horrific, dehumanizing acts that his company and Kurtz conduct. Conrad creates a parallel with the tone of his writing and the misanthropic feelings that the main character experiences. Furthermore, Conrad creates a frame story between Kurtz and Marlow, adding to the symbolism and contrast between contextual themes of light and dark, moral and immoral, and civilization and wilderness. After being sent on a horrific journey into the Congo of Africa, as an agent for the Company to collect ivory, Marlow finds the infamous and mysterious Kurtz. Kurtz, who has totally withdrawn from society, and has withdrawn
"Heart of Darkness , which follows closely the actual events of Conrad's Congo journey, tells of the narrator's fascination by a mysterious white man, Kurtz, who, by his eloquence and hypnotic personality, dominates the brutal tribesmen around him. Full of contempt for the greedy traders who exploit the natives, the narrator cannot deny the power of this figure of evil who calls forth from him something approaching reluctant loyalty."[1]
By examining the character of Kurtz, we see that he comes to represent the degenerating institution of colonialism. Jonathan Dollimore remarks that Kurtz “embodies the paradox which degeneration theory tries to explain but only exacerbates, namely that civilization and progress seem to engender their own regression and ruin” (45). We can see this through the fact that Kurtz goes into the Belgian Congo in order to strengthen the European world, yet is ultimately unable to do so as he comes face to face with the realization of what he must do in order to succeed and survive the degeneration of the world he has known. To do this, Kurtz’s monstrosity, or as close as he comes to monstrosity, stems from the fact that the society which he is a part of and represents is dying a slow death. Therefore, his final words of “The horror! The horror!” can be interpr...
Friedrich Nietzsche once provided one of the truest opinions on power that the world has ever heard when he said, “All things are subject to interpretation whichever interpretation prevails at a given time is a function of power and not truth”. The promises and truths that those who gain power spread to their people are not always for the greater good. The worst leaders of people are the ones that put more effort and thought into jerking off their own ego rather than putting any real heartfelt effort into helping their people. These sociopathic evil dictators use their power to try and brainwash the minds of people who have to live under them with their own beliefs and hidden agendas, foolishly believing that they are a “savior”. There has yet to be a situation with a leader of a community who has this type of unchecked power and influence with a happy ending. Perhaps the greatest story ever written about good vs. evil, madness, abuse of power along with influence, and nature just might be Heart of Darkness. Heart of Darkness, written by Joseph Conrad tells the story of an agent named Marlow, who experiences hellish conditions and behaviors whilst trying to rescue a man named Kurtz, who turns out to be quite a handful. Throughout this journey the moral ramifications of both Kurtz and Marlow’s actions are left to be interpreted by the audience after Kurtz goes mad and becomes the catalyst of the events that transpire throughout the plot. Conrad uses his real life events along with themes of greed, power, and obsession to show what causes Kurtz who acts a symbol for the leaders of the real world to go mad and abuse power.
In Joseph Conrad’s short story, “Heart of Darkness,” the narrator has mixed emotions about the man Kurtz. The narrator spends a large portion of the story trying to find Kurtz. During this time the narrator builds a sense of respect and admiration for Kurtz; however when he finally finds Kurtz, he discovers that he is somewhat disgusted by Kurtz’s behavior. The narrators somewhat obsessive behavior regarding Kurtz is quickly changed into disappointment. The narrator sees that the man who Kurtz is, and the man he created Kurtz to be in his mind are two very different people. He finds that Kurtz is not a reasonable man of justice and reason, but an unstable man whose cruelty and deception is awful. In Joseph Conrad’s short story, “Heart of Darkness,”
Nietzsche cringes before the civilization of Europe and seeks a man unencumbered by moral principles, principles that he believes form from the stifling existence of being surrounded by weaker beings. Nietzsche’s cry for a superhero is realized in the quest of Marlow in Joseph Conrad’s novella, Heart of Darkness. Marlow travels up the Congo River in Central Africa, driven by curiosity that morphs into raving monomania to find the premier Belgian ivory trader, Kurtz, a man seemingly distinguished from the hollow men of the Company, a man to make Nietzsche proud. But the average reader is not proud, as through Heart of Darkness Conrad displays for him the horror that lurks within his own soul through the flow of the story ever inward from the mouth of the Congo, to the Belgian ivory stations, to the innermost darkness, Kurtz himself. Conrad’s narration is as smooth as a stream with a barely perceptible current bearing readers along with his story in blissful contentment, only to be jostled suddenly by waves of uncomfortable fact, then let down into lethargy and sweet beautiful language again.
Conrad introduces Kurtz as the archetypal European. French mother, English father, educated all over the continent- he’s strikingly average. By making him so normal Kurtz can serve as a model for all mankind- if it happened to this guy, who’s to say it couldn’t happen to anyone? At first Kurtz runs the inner station with common sense and justice (or what was considered justice during colonization), but before too long his character begins to spiral inward.
...o, while the novella’s archetypal structure glorifies Marlow’s domination of Kurtz. These two analyses taken together provide a much fuller and more comprehensive interpretation of the work. Conrad presents the idea that there is some darkness within each person. The darkness is is inherited and instinctual, but because it is natural does not make it right. He celebrates – and thereby almost advises – the turn from instinct. By telling Marlow’s tale, Joseph Conrad stresses to his audience the importance of self-knowledge and the unnecessity of instinct in civilization.
Throughout Heart of Darkness, Joseph Conrad points to the hypocrisy and horrors associated with colonialism. The half-English, half-French Kurtz is the main vehicle used to convey his theme of European colonialism, as “all [of] Europe contributed to the making of Kurtz” (Conrad 164). It was Kurtz who goes to Africa for the "sake of loot, and thus becomes a great literary symbol for the decadence of colonialism" (Zins 63). With his help, Marlow dissects the reasoning behind colonialism, eventually seeing its evil nature.
This essay will compare and contrast the presentation of Kurtz in an extract from Conrad's "Heart of Darkness" with that of Faustus in Marlowe's play. From the first scene of the play Faustus is a condemned man, signing away his soul to the Devil in return for temporal power, "This night I conjure though I die therefore" Kurtz is also presented to us as a man in the final stages of his life, rapidly approaching death, "Kurtz's life was running swiftly, too, ebbing, ebbing out of his heart into the sea of inexorable time". Faustus is presented as a flawed character whose intellect and ambition seal his own fate. His ambition to achieve God-like omnipotence whilst living on Earth is made possible by his intellectual perception of the world. In the first scene Faustus lists the discoveries and ideas of all the great authors he has studied: theology, philosophy, logic, medicine then law.
By the time Marlow and Kurtz meet, Marlow is already well aware of the similarities they share. Both are imperialists, and while Marlow detests the treatment of the natives by his employers (Belgian colonists), he also makes apparent his abhorrence toward the Africans. On the other hand, Kurtz abandons the pretense of helping the natives achieve civilization, as displayed by the Europeans. Instead, he adopts their customs and becomes their leader in the never-ending quest for ivory. "He began with the argument that we whites, from the point of development we had arrived at, 'must necessarily appear to them [savages] in the nature of the supernatural beings- we approach them with the might as of a deity' (Longman, 2000, p. 2226). Marlow also admired Kurtz' resourcefulness and survival skills, especially his perseverence through jungle fever. "The wilderness had patted him on the head....it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own by the inconceivable ceremonies of some devilish initiation. He was its spoiled and pampered favorite." (Longman, 2000, p. 2225).