Exploring the Evil of Colonialism in Heart of Darkness
A masterpiece of twentieth-century writing, Heart of Darkness exposes the tenuous fabric that holds "civilization" together and the brutal horror at the center of European colonialism. Joseph Conrad's novella, Heart of Darkness, describes a life-altering journey that the protagonist, Marlow, experiences in the African Congo. The story explores the historical period of colonialism in Africa to exemplify Marlow's struggles. Joseph Conrad's Heart of Darkness is most often read as an attack upon colonialism. Marlow, like other Europeans of his time, is brought up to believe certain things about colonialism, but his views change as he experiences the effects of colonialism first hand. This essay will look at Marlow's negative view of colonialism, which is shaped through his experiences and from his relation to Kurtz. Marlow's understanding of Kurtz's experiences show him the effects colonialism can have on a man's soul.
Most of Marlow's comments about colonization in general seem to defend or even praise the idea. He says "the conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than us is not a pretty thing when you look into it too much," but he says that such action is redeemed by the idea behind it. "Not a sentimental pretence but an idea, and an unselfish belief in the idea- something you can set up and bow down before, and offer a sacrifice to" justifies colonization. The idea is civilization, and Marlow's speech indicates that civilizing the rest of the world is worth the sacrifice of the freedom of the uncivilized peoples of the earth. Marlow further describes colonization in gl...
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... to a man's soul. Marlow's journey was not only into the heart of Africa, but also into the heart of Kurtz where he realizes the truth of colonialism and the potential evil it entails.
Works Cited and Consulted:
Conrad, Joseph. Heart of Darkness 3rd Ed. Ed. Robert Kimbrough. New York: Norton Critical, 1988.
Edward W. Said, The World, the Text, and the Critic. (Cambridge, Massachusetts: Harvard University Press, 1983) 13.
Hillman, James. "Notes on White Supremacy: Essaying an Archetypal Account of Historical Events," Spring (1986): 29-57.
McLynn, Frank. Hearts of Darkness: The European Exploration of Africa. New York: Carol & Gey, 1992.
Meyers, Jeffrey. Joseph Conrad. New York: Charles Scribner's Sons, 1991.
Patrick Brantlinger, "Heart of Darkness: Anti-Imperialism, Racism, or Impressionism?" Criticism (Fall, 1985) 364.
served in the First World War and was in a German gas attack. By the
Men and Women in The Withered Arm and Other Stories by Thomas Hardy and Men and Women in Turned by Charlotte Perkins Gilman
upon him that lead to him deciding to kill Duncan; who is his king. I
All the company men that Marlow came in contact with was there for the means of financial prosperity and no other reason. Marlow described the lot as “faithless pilgrims” who’s only prayers are to ivory and “to get appointed to a trading-post … so that they could earn percentages.” The economic potential describes the motivation many European men needed to risk disease and death to come to Africa on behalf of companies. Moreover, throughout the book the accountant, the manager, and others speak of Kurtz’ importance. Marlow assumes it is for Kurtz’ humane qualities, but in actuality, they are envious of Kurtz’ station that “Sends in as much ivory as all the others put together.” The need for Marlow to seek out Kurtz was because he had turned ill and severed communication with the company and they would not allow such a valuable station to be left
Marlow reinforces that Kurtz represents “ ‘all [of] Europe’ ” and that his immense wealth in ivory and including his role as a figurehead upon the natives serves as a representation of the European society as well. This representation of Kurtz by Marlow helps unravel his mystery by describing Kurtz as an emissary for Europe that will hopefully also unravel the problematic nuances of Europe in the future. Marlow arrives in the inner station and meets the Russian before Kurtz, the narrator on the Nellie with Marlow claims that the Russian “nodded with a nod full of mystery and wisdom” when he had told Marlow about his experiences with Kurtz (52). The Russian supports the mystery behind Kurtz as well by explaining impact he leaves upon him. This claim by the narrator elucidates that some of Kurtz’s “charm” rubs off on those who are fortunate enough to meet him, therefore describing Kurtz as a some kind of enrichment to life
start, but in real life he was apparently not as good a king as is
The Heart of Darkness, a complex text was written by Joseph Conrad around the 19th century, when Europeans were colonizing Africa for wealth and power and were attempting to spread their culture and religion in Africa. It was also a period in which women were not allowed to participate in worldly affairs. Therefore, the text deals with issues such as racism, European imperialism, and misogyny. This essay will look at the different themes in the novel and argue whether or not The Heart of Darkness is a work of art.
As one can well imagine, letting another act in one’s stead had a detrimental effect on the king’s power....
be a great king, but a journey within himself to find who he truly was
“ The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much.” (Conrad 65) So stated Marlow as though this was his justification for ravaging the Congo in his search for ivory. Joseph Conrad’s Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it as is evidenced by the domination, torture, exploitation and dehumanization of the African population. Heart of Darkness is indicative of the evil and greed in humanity as personified by Kurtz and Marlow.
What I did I only did for you. For you to be king, how could I for see
When read at face value, Joseph Conrad’s novella, Heart of Darkness, is a portrayal of white, imperial, oppression of the African natives of the Congo. However, when we view the writing through the lenses of psychoanalysis and feminism, a story focused on one character, Marlow, emerges. Each theory presents a new way of interpreting and understanding the character development and imagery within the story. Psychoanalysis provides a look into the mind and dreamlike setting of Marlow. Feminism examines the binary gender roles of the characters, Marlow and Kurtz. Both theories examine how these two characters are in some way the same person.
A. The Heart of Darkness. New York: Knopf, 1993. Print.
On one hand, Marlow is saved by his self-discipline while on the other hand Kurtz is doomed by his lack of it. Before Marlow embarked on his voyage to Africa, he had a different view. Due to propaganda, he believed that the colonization of the Congo was for the greater good. In his head, he judged that the people of Africa were savages and that colonization would bring them the elation and riches of civilization. Despite an apparent uneasiness, he assumed that restraint would function there.
By the time Marlow and Kurtz meet, Marlow is already well aware of the similarities they share. Both are imperialists, and while Marlow detests the treatment of the natives by his employers (Belgian colonists), he also makes apparent his abhorrence toward the Africans. On the other hand, Kurtz abandons the pretense of helping the natives achieve civilization, as displayed by the Europeans. Instead, he adopts their customs and becomes their leader in the never-ending quest for ivory. "He began with the argument that we whites, from the point of development we had arrived at, 'must necessarily appear to them [savages] in the nature of the supernatural beings- we approach them with the might as of a deity' (Longman, 2000, p. 2226). Marlow also admired Kurtz' resourcefulness and survival skills, especially his perseverence through jungle fever. "The wilderness had patted him on the head....it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own by the inconceivable ceremonies of some devilish initiation. He was its spoiled and pampered favorite." (Longman, 2000, p. 2225).