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Suffering as a theme in the play King Lear
King lear king lear character analysis essay
King lear king lear character analysis essay
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Recommended: Suffering as a theme in the play King Lear
In the novel, King Lear, written by William Shakespeare, we see various characters experience an immense amount of pain and agony due to the sacrifices they make. One of the most remarkable characters from the vast amount s who sacrifice something in the novel is Cordelia. She possessed the strength to keep her integrity during times of temptation unlike her sisters. She also lost her life sacrificing herself for her father, whom she loved.
Cordelia’s first act of sacrifice is presented to us when she decides to take the truthful path instead of giving in to flattery. Cordelia's father, King Lear, was ,at the time, claimed he was giving away his land to the daughter who loved him the most. Subconsciously, though, he was giving away his land
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with
The reason for this might be because Cordelia had always been King Lear's most beloved child and
"Unhappy that I am I cannot heave My heart into my mouth. I love your Majesty According to my bond; nor more nor less. " I.i.87-89 Cordelia's refusal to flatter her father during the love test may suggest to the audience that she is not only disobeying her father, but also committing political sui... ... middle of paper ... ..., is one of great pain and sorrow. It eventually leads Lear to madness and it is only then that he sees the true reasons behind his treatment.
Although the Fool and Cordelia are similarly candid towards their King, they never interact in Shakespeare’s King Lear, because the Fool is a chaotic influence while Cordelia is a stabilizing force. While the Fool and Cordelia both act in the Lear’s best interest, it is not always evident to Lear. The Fool’s actions often anger the King, and lead to an increase in his madness. On the other hand, Cordelia’s actions more often soothe Lear, and coax him back into sanity. Another commonality between the Fool and Cordelia is their honesty. Both the Fool and Cordelia are frank with Lear, though he may not always appreciate that they do so for his own good.
The relationships between characters that we observe in the play are informed in large part by the events of the play's first two scenes. In the first scene, Cordelia is banished after she is not willing to flatter Lear as her sisters were, an...
The tragic hero of Shakespeare's King Lear is brought down, like all tragic heroes, by one fatal flaw, in this case pride, as well as pride's sister, folly. It is the King's egotistical demand for total love and, what's more, protestations of such from the daughter who loves him most, that set the stage for his downfall, as well as calling to the minds of the Elizabethan audience of Shakespeare's day the above-cited biblical edict. This daughter, Cordelia, can be seen as the humble lamb mentioned earlier, and her love and filial devotion go not only beyond that of her sisters (which is nil) but beyond words, thus enraging the proud king whose subsequent petulant rebukes extend to a bit of ironic Freudian projection: "Let pride, which she calls plainness, marry her" (I.i.125). Here, Shakespeare is emphasizing Lear's pride by having him indulge in the common tendency of despising in others (and in this case wrongly) what one is most guilty of oneself. Lear's rash pride ...
Cordelia so kind responds with “no cause, no cause”. Shakespeare uses this scene to reassure us that there is still hope in any situation. Towards the end of act 5 Lear is carrying Cordelia’s dead body in shouting, “a plague upon you, murderers, traitors all!”(5.3.269). Kent in the midst of this says, “ If Fortune brag of two she lov’d and hated, One of them we behold”(5.3.279). Old man Lear now realizing what Kent meant to him says, He’s a good fellow, I can tell you that”(5.3.280). Shakespeare shows us of Lear’s tragic fall from power due to his overbearing ego, yet without this tragic fall, he would not know what truly matters in life. The lesson Shakespeare is portraying in King Lear is never let you pride get in the way of yourself and more importantly family.
Cordelia conforms to male authority, is nurturing to the sick Lear, and appears pristine and sexless, despite being a married woman. However, in the opening scene, when Cordelia refuses to profess her love for Lear, Lear tries to marry her off in a manner that resembles slave trade: Lear puts a “price” (1.1.225) on Cordelia and tells her suitors to “take her or leave her” (1.1.235). The act of him placing a monetary worth on Cordelia, and regarding her as a commodity is dehumanizing, and demonstrates that, even when the angelic Cordelia resists male authority, she is still subject to the same degradation as all women in the play. This emphasizes that the women are placed in a subordinate position in society compared to men, may also be due to the men’s fear of rejection.
The plot of King Lear is set in motion by the conversation between Lear and his daughters. In return for their love and honour, he will give them land and power. The fact that they are daughters and not sons is significant because Lear demands their total love, trying to put them into a mother role: something he would not do if they were men. Goneril and Regan are neither noble nor truthful and they have no problem lying to their father for their own personal gain. While Regan claims "I am alone felicitate/ In your dear Highness' love." (I.i.75-76) and later treats her father in the most reprehensible manner, Cordelia denies Lear's unnatural request saying, "Sure, I shall never marry like my sisters/ To love my father all" (I.i.103-104). Her truthful refusal to proclaim total love for her father proves her to be the actual loving daughter but results in her banishment. From this first scene, the characters' alliances and allegiances are forged and all that follows is directly resultant.
King Lear had come so accustomed to his praise, that it is the sole thing he lived for, he needed it to survive, his treatment as a king was his Achilles heel in this play. He wanted to step down as king and divide his kingdom into 3 sections, giving them to his daughters to rule. Goneril and Regan were more than willing to accommodate his request to demonstrate their love for their father and king by professing their love to him in dramatic fashion combined with a good bit of exaggeration. While Cordelia on the other hand, found it a struggle to profess what she thought to be known by her father and king, she states, “Unhappy that I am, I cannot heave / My heart into my mouth. I love your majesty / According to my bond; nor more nor less (Scene 1.1, Lines 91-93).
King Lear's test of love to his daughters proves that he values appearance above reality. The result of his impulsiveness is the banishment of Cordelia; whose virtuous nature is shown through her reply to the King. “Good my lord,/You have begot me, bred me, loved me; I/Return those duties back as are right fit,/Obey you, love you, and most honour you/Why have my sisters husbands, if they say/They love you all? Happily, when I shall wed,/That lord
Throughout the play you know what Lears two daughters are up to but there was one daughter who had a different motive, Cordelia. She never took part in trying to win her father over. In the beginning of the play Goneril and Reagen are expressing to their father how much they love and care about him while Cordelia makes it clear that she won’t be doing so. I think her reason for doing that is because that isn’t how she wants to show her father how much she cares and she also didn’t want it to look like she was trying to outdo her sisters either. Unfortunately because Cordelia didn’t participate in the speeches about her father the way he wanted her to, she was banished from the Kingdom. The audience can see Cordelia’s true personality when this happens, how she remains the same and never seeks revenge on her father. She is portrayed as a kind and honest woman. In fact, she is the only kind-hearted one in the play. Goneril and Reagen always knew Cordelia was favored by Lear so when we did such by banishing her they were relieved. Cordelia wasn’t upset with Lear when she was banished. Her concern was more about the lie Goneril and Reagan told Lear. “Time shall unfold what plighted cunning hides, who covers faults at last with shame derides. Well may you prosper.” That was what she said to Goneril and Reagan after she was banished and left to France.
Lear's vision is marred by lack of direction in life, poor foresight and his inability to predict the consequences of his actions. He cannot look far enough into the future to see the consequences of his actions. This, in addition to his lack of insight into other people, condemns his relationship with his most beloved daughter, Cordelia. When Lear asks his daughters, who loves him most, he already thinks that Cordelia has the most love for him. However, when Cordelia says: "I love your Majesty according to my bond, no more nor less." (I, i, 94-95) Lear cannot see what these words really mean. Goneril and Regan are only putting on an act. They do not truly love Lear as much as they should. When Cordelia says these words, she has seen her sister's facade, and she does not want to associate her true love with their false love. Lear, however, is fooled by Goneril and Regan into thinking that they love him, while Cordelia does not. This is when Lear first shows a sign of becoming blind to those around him. He snaps and disowns her:
Cordelia says here that she loves him because it is her duty as his daughter, that she does not love him anymore, or any less. There is a similar relationship between the Gloucester and his sons, and King Lear and his daughters. Although they have different primary goals, they have fundamentally the same underlying structure. Gloucester has two sons, Edmund and Edgar.
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...