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Characters And Characterization In Shakespeares Works
Essay on tragedy in literature
Tragedy in literature
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King Lear, the protagonist of the play, is a truly tragic figure. He is driven by greed and arrogance and is known for his stubbornness and imperious temper, he often acts upon emotions and whims. He values appearances above reality. He wants to be treated as a king and to enjoy the title, but he doesn’t want to fulfill a king’s obligations of governing for the good of his subjects.
Similarly, his test of his daughters demonstrates that he values a flattering public display of love over real love. He doesn’t ask “which of you doth love us most,” but rather,
“which of you shall we say doth love us most?” (I.i.49).
Most readers conclude that Lear is simply blind to the truth. As a result, he grants his inheritance to Goneril and Regan because they flatter him with the words he wants to hear, at the same time, he banishes Cordelia, the only daughter who really loves him. also when his advisor, Kent, warns him that this is a poor idea, Lear throws him out, too. So Lear has to deal with the power struggle his retirement sparked without two of the people who could have smoothed the...
... Lears blessing, and declared his daughter. Lear also realized that Kents speaking out was for Lear’s best and that he too was abused and banished. What stings Lear even more is that he is now completely dependent upon his two shameless daughters, Goneril and Regan. Plus that he must now beg them when he took care of them like a father when they were once children, to drive Lears further into madness he realizes that as king he was so ignorant and blind with power that he never took care of the homeless and let them suffer. All these realization and the fact that Lear is in his second childhood a tender stage drive him into the peak of madness.
The play of "King Lear" is about a search for personal identity. In the historical period in which this play is set, the social structure was set in order of things closest to Heaven. Therefore, on Earth, the king was at the top, followed by his noblemen and going all the way down to the basest of objects such as rocks and dirt. This structure was set up by the people, and by going by the premise that anything that is man made is imperfect, this system cannot exist for long without conflict.
In The Tragedy of King Lear, particularly in the first half of the play, Lear continually swears to the gods. He invokes them for mercies and begs them for destruction; he binds both his oaths and his curses with their names. The older characters—Lear and Gloucester—tend view their world as strictly within the moral framework of the pagan religion. As Lear expresses it, the central core of his religion lies in the idea of earthly justice. In II.4.14-15, Lear expresses his disbelief that Regan and Albany would have put the disguised Kent, his messenger, in stocks. He at first attempts to deny the rather obvious fact in front of him, objecting “No” twice before swearing it. By the time Lear invokes the king of the pagan gods, his refusal to believe has become willful and almost absurd. Kent replies, not without sarcasm, by affixing the name of the queen of the gods to a contradictory statement. The formula is turned into nonsense by its repetition. In contradicting Lear’s oath as well as the assertion with which it is coupled, Kent is subtly challenging Lear’s conception of the universe as controlled by just gods. He is also and perhaps more importantly, challenging Lear’s relationship with the gods. It is Kent who most lucidly and repeatedly opposes the ideas put forth by Lear; his actions as well as his statements undermine Lear’s hypotheses about divine order. Lear does not find his foil in youth but in middle age; not in the opposite excess of his own—Edmund’s calculation, say—but in Kent’s comparative moderation. Likewise the viable alternative to his relationship to divine justice is not shown by Edmund with his ...
King Lear as a Tragedy Caused by Arrogance, Rash Decisions and Poor Judgement of Character
Human nature is a concept that has interested scholars throughout history. Many have debated over what human nature is – that is, the distinguishing characteristics that are unique to humans by nature – while others have mulled over the fact that the answer to the question “what is human nature?” may be unattainable or simply not worth pursuing. Shakespeare explores the issue of human nature in his tragedy King Lear. In his play, he attempts to portray that human nature is either entirely good or entirely evil. He seems to suggest, however, that it is not impossible for one to move from one end of the spectrum of human nature to the other, as multiple characters go through somewhat of a metamorphosis where their nature is changed. In this paper I analyze and present Shakespeare’s account of human nature in King Lear in comparison with other authors that we have read throughout our year in the Aquinas program.
Both Lear and Gloucester make errors in judgement in believing themselves unloved by the children who essentially love them the most. After stepping down from the throne, Lear, the great king of Britain, wishes to divide his kingdom among his three daughters. This leaves Lear in an impossible position of wanting to give up his kinship and still wanting the privilege and power. Lear makes the mistake in believing he can quantitatively measure his daughter's love and distribute the kingdom accordingly. Cordelia, unlike her father, is aware that this method of dividing the kingdom is unreasonable, as she "cannot heave/ My heart into my mouth"(1.1.91-92). After Cordelia refuses her father's request to express her love, Lear disinherits Cordelia and rejects her genuine love. Lear's decisions not only create deterioration within his family,...
Bengtsson, Frederick. “King Lear by William Shakespeare.” Columbia College. N.p., n.d. Web. 19 Apr. 2015.
Lear's relationship with his three daughters, Goneril, Regan and Cordelia, is, from the beginning, very uncharacteristic of the typical father-daughter relationship. It's clear that the king is more interested in words than true feelings, as he begins by asking which of his daughters loves him most. Goneril and Regan's answers are descriptive and sound somewhat phony, but Lear is flattered by them. Cordelia's response of nothing is honest; but her father misunderstands the plea and banishes her. Lear's basic flaw at the beginning of the play is that he values appearances above reality. He wants to be treated as a king and to enjoy the title, but he doesn't want to fulfill a king's obligations. Similarly, his test of his daughters demonstrates that he values a flattering public display of love over real love. He doesn't ask "which of you doth love us most," but rather, "which of you shall we say doth love us most?" (I.i.49). It would be simple to conclude that Lear is simply blind to the truth, but Cordelia is already his favorite daughter at the beginning of the play, so presumably he knows that she loves him the most. Nevertheless, Lear values Goneril and Regan's fawning over Cordelia's sincere sense of filial duty.
Literature is an art form, it is entertainment, history, and a medium of self-expression. There is something magical about the creative power that is within literature. With words alone, literature illustrates the rise of nations, the fall of tyranny, the power of true love, and the tragedy of unescapable fate. When discussing timeless literature, it is almost impossible to not bring up the works of William Shakespeare. However, while some are enthusiastic about discussing Shakespeare, many can’t help but sigh. Some find his work outdated, his language cumbersome, and question: for what purpose is society so fixated on his work? Despite complaints from a few contemporary readers, Shakespeare’s work exhibits quality and thoughtfulness that is
In the beginning of the play the reader learns that Lear is ready to give up his kingdom and retire from a conversation that two noblemen, Gloucester and Kent, are having. He asks his three daughters; Cordelia, Goneril, and Regan to express their love for him to help him make his decision as to who would inherit his kingdom. Cordelia has always been his “favorite” daughter and when asked how much she loved her father she does not lie to him and tells him “I am sure my love’s more ponderous than my tongue” (1363). Rather than being grateful for such love and honesty, Lear banishes her to France and divides his kingdom to his two other daughters. Kent does not agree with Lear’s decision and Lear banishes him too.
Lear is an old retired king who certainly doesn’t deserve to treated in the manner his two ungrateful daughters have done so. Lear might have lacked personal insight in banishing his two most beloved people around him, and lacked self-control and discipline in controlling his temper, but there could be no reason to justify the immoral actions that Goneril and Regan had casted upon them. They dejected, abandonned, hurted and even wanted to kill their own father. To Lear, maybe the thing that hurts him the most is the fact that his two evil daughters are his own flesh and blood. Not only has he been stripped of love, pride and honour, he has also been driven crazy by them. Lear might not have been sinless, yet the faults casted upon him is far greater than what he had wronged.
King Lear is one of Shakespeare's more complex plays and within it many different themes are addressed and explored. King Lear is the somewhat unfortunate vehicle that Shakespeare uses to explore many of these themes creating a complex character including the roles of a father, king, friend and adversary.
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...
King Lear’s play was something that I had never read before. It was so confusing to me, the way they talked with such big words. The characters in the play were so competitive, and selfish. Lear’s daughters were so cruel, except for Cordelia. She actually wanted to take care of her father unlike the other two girls that were just into Lear’s materials. The way Goneril and Regan rather he stays outside in the crazy thunderstorm, instead of him staying with them. The girls were already so envious and competitive with each other; the situation didn’t make it any better. Lear just wanted to love on them, and them love and give him attention, but he couldn’t get that from them. The women in the play controlled the men, while the men listened to them while they demanded orders.
" King Lear was egotistic in the first act where he asked his daughters who loved him most. When he found out his favorite daughter Cordelia did not have much to say about his love for him he disowned her and divided his land to his two evil daughters Regan and Goneril, "From whom we do exist, and cease to be; Here I disclaim all my paternal care, Propinquity and property of blood, And as a stranger to my heart and me Hold thee, from this, for ever. " This was also the error in King Lear's judgement.