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A wornt path related ro the life of eudora welty
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Eudora Welty was born on April 13, 1909 in Jackson, Mississippi. It is very evident in Welty’s writing style that she is from the South. Not only does the setting of the story tell the reader that, but the dialogue confirms it for the reader as well. Eudora Welty is one of America's most distinguished writers; she had a way of painting detailed pictures in ones’ mind with words. It was no surprise to me when I learned that she was also a photographer. All of Welty’s stories were written by herself out of experiences she lived through and was touched by.
Gwendolyn Brooks was born on June 7, 1917 in Topeka, Kansas, to KeziahWims Brooks and David Anderson Brooks. Brooks’ family didn’t have much income. Her father David Brooks was a janitor. Keziah Brooks, Gwendolyn’s mother was a school teacher. Soon after Gwendolyn was born her family moved away from Kansas. The Brooks family relocated to Chicago, Illinois, where Brooks remained the rest of her life. Brooks, as a child, loved to read. She was encouraged by her family and friends to do so. She spent most of her childhood immersed in her writing. Gwendolyn became a published poet at an early age. At age 13, Brooks’ poem Eventide was published. Her poem appeared in “American Childhood.” Brooks’ poems were frequently published in the Chicago Defender. At age 16, Brooks had written over seventy poems (J.Williams 28).In Brooks’ early years of writing she spoke on a lot. She talked about racial discrimination and praised African American heroes. Also, Brooks satirized both blacks and whites (A.williams1). In 1993, Gwendolyn meet poet James Weldon Johnson and writer Langston Hughes. The two influenced Brooks’ writing tremendously. The influence lead her to write over seventy poems (Bloom 12).
Readers unfamiliar with Phillis Wheatley may wonder of her background and who she was in particular to be able to gain rights to be mentioned in early American literature. Wheatley was born in 1753 and was captured by Africans, and sold to an American family known as the Wheatley’s. She quickly became a member of the Wheatley family, living in the home, and being tutored on reading and writing.
Eudora Welty presents the short story “A Worn Path” in a remarkable way, revealing a lot of symbolism. It travels around multiple themes throughout the story about an old aged woman walking through a grueling trail to a town to gather medicine for her grandson in Mississippi. This short story takes places in December on a “bright frozen day” where an old Negro woman arises by the name of Phoenix Jackson. I believe she signifies a struggle, but when looking at her a bit deeper, she mostly signifies willpower (Welty, 502). As she goes towards the town on the path, she appears to have walked numerous times before; she has to overcome many problems. What’s important is that with each move she takes it looks to be pretty sluggish, but yet a steady move in the direction of her goal. The story gives an understanding to the determination and confidence of Phoenix Jackson to point out the belief of people in identical lives of endless struggle. In “A Worn Path,” Eudora Welty reveals the idea that sometimes our lives can be a lot like an obstacles course, which are made up of difficulties that we have to overcome somehow.
Eudora Welty in her short story “The Little Store,” is attempting to portray the simplicity and innocence of her youth prior to her realization that there was a world beyond her own. Welty foreshadows her realization and loss of innocence even before her transition to an adult.
In mythology the Phoenix is a long-lived bird that is reborn by arising from the ashes from its predecessors. A symbol of undying toughness, it is of little doubt why Eudora Welty decided to name the protagonist of her short story “A Worn Path” in its image. Phoenix Jackson shows an incredible toughness to continue through the obstacles on the path she walks, which act as a symbol of the struggles an “old Negro woman” would have faced during the 1930s in the South, an area afflicted with the Great Depression and residual racism and oppression (333). In her short story “A Worn Path” Welty uses the changing settings of the worn path entrance, the deep trail through the forest, and the town at the end of the path to reveal more about Phoenix Jackson’s character.
Noelle M. “Symbolism in Eudora Welty’s “S Worn Path.” StudymodeN.p., Oct 2012. Web. 17 Mar. 2014.
Jennifer Thomas writes in her article about a study of short fiction done by Carol Ann Johnston. The study targets feminist readings of Welty's writings and focuses primarily on female characters of her works. When discussing The Golden Apples, Thomas determines it was the 'tour de force', or exceptional achievement, in Johnston's study of Welty's collections.
Born in Maine, of April, 1802, Dorothea Dix was brought up in a filthy, and poverty-ridden household (Thinkquest, 2). Her father came from a well-to-do Massachusetts family and was sent to Harvard. While there, he dropped out of school, and married a woman twenty years his senior (Thinkquest, 1). Living with two younger brothers, Dix dreamed of being sent off to live with her grandparents in Massachusetts. Her dream came true. After receiving a letter from her grandmother, requesting that she come and live with her, she was sent away at the age of twelve (Thinkquest, 4). She lived with her grandmother and grandfather for two years, until her grandmother realized that she wasn’t physically and mentally able to handle a girl at such a young age. She then moved to Worcester, Massachusetts to live with her aunt and her cousin (Thinkquest, 5).
My first impression of Eudora is that she is a well-off person with a good background and a very good education. Through this she has had the abilities to gain good literary knowledge she had attended university but returned home, she did not start her literary career until years later after several different careers in smaller jobs. However one issues I have found with her work is that she has a small town life designed as a universal reality. While popular media would say it’s all the same as well, anyone from a small town would tell you otherwise. It is always easy to tell that her work shows much of a general idea about small towns and their families, including how siblings think and families react to certain things.
Eudora Welty and Sherman Alexie were born half a century apart, raised in completely different cultures, and had different financial lives. Eudora Welty was born in Mississippi and grew up in a middle-class house while Sherman Alexie was born on a tribal reservation in the state of Washington and grew up “middle-class by reservation standards (Alexie 496)” but was actually poor. Although they almost lived completely different lives, they shared many similarities.
Marrs, Suzanne. Eudora Welty(tm)s Photography: Images into Fiction. Critical Essays on Eudora Welty. W. Craig Turner and Lee Emling Harding. Boston, MA: G.K. Hall, 1989. 288-289.
now to gather in the small harvest they had, and to fit up their houses
Eudora Welty, a famous author once remarked, “Every story would be another story, and unrecognizable if it took up its characters and plot and happened somewhere else. Fiction depends for its life on place. Place is the crossroads of circumstance.” Welty understood the importance of setting. She understood that without a fully developed setting, a story cannot have purpose. In most successful pieces, setting plays a vital role in establishing theme, impacting plot transitions, and predominantly, introducing and developing characters and their roles in the work.
In the short story, “A Worn Path”, Eudora Welty uses normal everyday things and occurences to symbolize the ups and downs of life. Eudora Welty’s story is a web entwined with metaphors and similes that link all the usual southern activities of that time period to deeper meaning. With this complex story, Welty reveals Phoenix Jackson’s quest.
My initial response to having read Editha is that I feel Editha is so blinded by her religiosity towards war that, and so vehement in her defense of said religiosity, that it could be said that she is a zealot. In my view, I feel she represents the humanitarian interventionist/religious imperialist view when, after George tells her that it's come to war after hearing of it, she says to him, “But don't you see, dearest, that it wouldn't have come to this, if it hadn't been in the order of Providence? And I call any war glorious that is for the liberation of people who have been struggling for years against the cruelest oppression” (Howells 127). She suggests