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Dramatic significance in antigone
The importance of ethics in decision making
Dramatic significance in antigone
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Ethics of Psychoanalysis - Lacan’s Antigone and the Ethics of Interpretation
My paper examines Lacan’s reading of the Antigone as an allegory of our own textual and ethical obligations as readers and critics. This paper addresses both the ethics and the aesthetics of our encounter with the text.
In 1959, Lacan presented Sophocles’ Antigone as a model of pure desire for his seminar on The Ethics of Psychoanalysis:
Antigone presents herself as autonomos, the pure and simple relationship of a human being to that which it miraculously finds itself carrying, that is the rupture of signification, that which grants a person the insuperable power of being—in spite of and against everything—what he [sic] is. . . . Antigone all but fulfills what can be called pure desire, the pure and simple desire of death as such [i.e., of that which is beyond the pleasure principle]. She incarnates this desire. (1986: 328-29)
Lacan notes that Antigone’s decision to defy Creon consciously seeks death. She makes no effort to defend Polynices’ actions (Lacan 1986: 290, 323-25). Her choice takes her beyond the realm of rational discourse and the collective norms of human satisfaction it implies (Lacan 1986: 78, 281; Zizek 1991: 25). Hers is a position that transcends the comfortable binary oppositions that structure our daily ethical and social lives. Because her choice of death cannot be understood according to strictly rational norms, she cannot be read as representing some simple antithesis of freedom to tyranny, or the individual to the state (Lacan 1986: 281; Zizek 1992: 77-78). In fact, as she acknowledges, she had chosen death before Creon’s decree against the burial of Polynices, and she defines herself to Ismene as one already belonging to the realm of the dead (ll. 559-60; Lacan 1986: 315, 326). Creon is not a tyrant who forces Antigone to make an impossible choice between life and freedom; rather, he embodies the civic norms that her pursuit of a desire beyond the bounds of those desires articulated within the realm of common life both requires as defining foil, and transcends. Her choice thus represents a pure ethical act shaped neither by a self-interested selection among communally recognized goods nor the self-loathing of conforming to a code that is recognized and despised (Zizek 1992: 77).
Such an ethical choice, as Lacan acknowledges, is Kantian in its devotion to a pure concept of duty, but psychoanalytic in its predication on a highly individualized desire whose content cannot be generalized into a universal ethical maxim (Lacan 1986: 68, 365-66).
Antigone, a resolute and heroic female protagonist, pits her individual free will against the intractable forces of fate and against the irrational and unjust laws of tyrannical man like Creon.
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By taking this bold step, Antigone shows the strength that an individual’s actions hold in a democracy. Creon, with his stubborn attitude, shows how a democracy where peoples’ voices are not heard can be dysfunctional, and that laws should be made by taking other people into confidence and not on an individual basis.
Antigone’s two purposes for giving this speech are centered on her two main audiences, Creon and the citizens of Thebes. In reference to Creon, Antigone’s purpose is to convey that even after being caught, she does not fear his power, or her punishment. She desires to show him that she stands by the justness of her actions and the injustice of her conviction. To display this, she refers to her death as unimportant because it is the direct result of what she thinks to be just actions.... ...
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Antigone believes that a woman should be intrepid and strong, even at the risk of challenging men’s authority. When she proposes to bury Polynices, Ismene answers, “we’re not born to contend with men”. (75) Antigone’s response, “that death will be a glory” (86), does not directly address gender issues, but it expresses her fury at Ismene’s passivity. After the burial of Polynices, Antigone defiantly states, “I did it. I don’t deny a thing,” while being interrogated by Creon (492) and later comments that she was “not ashamed for a moment, not to honor my brother”. (572-3) Antigone’s gallant speech and defiance toward traditional gender identities audaciously shows her revolutionary desire for gender equality.
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