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Seminar paper on dover beach
Essay on victorian literature
Essay on victorian literature
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Recommended: Seminar paper on dover beach
The Victorian View of Dover Beach
As the narrator of Matthew Arnold's "Dover Beach" looks out his window, he sees a beautiful world of nature: the sea and the cliffs under the glow of the moon. Describing this scene to his lover, he invites her to "[c]ome to the window" so that she might see it too (6). However, it is not just a beautiful beach that the speaker wishes his lover to see. Rather, he wants her to see Dover Beach as an ironic image that is a representation of his whole world. Likewise Matthew Arnold wants his reader to recognize the speaker and scene as a portrait of Arnold's own world and feelings.
What Arnold is writing about is not a poetic fiction: it is a reflection of the changes he sees in his world due to industrialism, science, and a rationalism that opposes traditional religious belief. While Arnold uses Dover Beach to represent this modern world of change, he creates a speaker to represent the tension that the poet and his fellow Victorians feel: while living in a modern world, they long for the great ages of the past. Like Arnold, the speaker feels isolated from the world around him: he looks out the window and "sighs for lost palaces beneath the sea" (Dahl 36).
Initially, the beach that Arnold's speaker describes seems serene, calm, and peaceful. This is the Romantic world that the speaker (and Arnold) wants to live in. However, for Arnold the modern world can be peaceful only if natural order and the authority of social institutions can be maintained. Arnold's recognition of the futile illusion of such stability soon overcomes the sense of tranquility with which the poem opens.
As the speaker begins to contemplate the scene and listens to the pebbles grating with the waves, an "...
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...s the apparent pleasure offered by Dover Beach in the beginning. However, both the calmness and the violence of the beach, both the pleasure and the despair of the speaker, are true to the Victorian consciousness. Arnold and his speaker want the world to be one of peace and tranquility, but they cannot help but see its reality. This duality dramatizes the conflicted temperament of the Victorians. What Dover Beach as a place symbolizes to the narrator of the poem, "Dover Beach" as a poem expresses for Arnold and his Victorian audience.
Works Cited
Arnold, Matthew. "Dover Beach." 1867. A Pocketful of Poems. Ed. David Madden. Fort Worth, TX: Harcourt Brace, 1996. x.
Dahl, Curtis. "The Victorian Wasteland." College English 16 (1955): 341-47. Rpt. in Victorian Literature: Modern Essays in Criticism. Ed. Austin Wright. New York: Oxford UP, 1961. 32-40.
Published in 1944, the poem itself is an elegy, addressing the melancholy and sorrow of wartime death, as indicated by the title ‘Beach Burial’. This title gives clear meaning to the sombre nature of the work, and the enigmatic nature of it holds the attention of the audience. The entirety of the poem is strewn with poetic devices, such as personification of dead sailors as “…they sway and wander in the waters far under”, the words inscribed on their crosses being choked, and the “sob and clubbing of the gunfire” (Slessor). Alliteration is used to great effect in lines such as that describing the soldiers being “bur[ied]…in burrows” and simile in the likening of the epitaph of each seaman to the blue of drowned men’s lips and onomatopoeia is shown in the “purple drips” (Slessor). The predominant mood of the work is ephemeral, with various references to the transient nature of humanity. The ethereal adjectives used to describe and characterise objects within the poem allow a more abstract interpretation of what would normally be concrete in meaning. The rhythm of this piece is markedly similar to the prevalent concept of tidal ebb and flow, with lines falling into an ABCB rhyme scheme and concepts
Although southern beaches in the United States were originally composed of swamp land, sand was added to cover these swamp areas in the 1950s to make them resemble traditional beaches present in other coastal areas of the world, and therefore more appealing for human use and recreation (York). In her poem “Theories of Time and Space,” Trethewey directly references these spaces that have been changed under human influence, giving navigational directions to the reader to “cross over / the man-made beach, 26 miles of sand / dumped on the mangrove swamp – buried / terrain of the past” (11-14). The words “cross over” insinuates a passing by, or traversing of the “man-made beach” without much thought by whoever is traveling over it. The scenario is further illuminated by Trethewey’s use of the word “dumped” when describing the scenery as being “buried terrain of the past,” both holding a negative connotation which hint at something being deliberately concealed under the non-native
One of the ways Fahrenheit 451 can be related to Arnold’s Dover Beach is by connecting the absense of true love in both of them. Throughout the book, Montag slowly realizes that he does not truly love his wife Mildred. In the beginning, Montag believes that he truly loves Mildred. However, as the book goes on, he meets Clarisse, and begins to change his way of thought. He slowly begins to wake up from the dream world that he is living in. As he begins to know Clarisse, he slowly realizes that Mildred does not share the same deep passion for life that he does. At the beginning of the Sieve and the Sand, Montag frantically reads books to gain more knowledge. Mildred complains and kicks the books around, showing that her and her husband are growing apart. At the end of the book, Montag is talking to Granger, and says "... Even if she dies, I realized a moment ago, I don't think I'll feel sad (155)". This shows that Montag does not care for his wife as much as he thought he did before. In the poem, Arnold states "…a land of dreams ...hath really neither joy, nor love, nor light". The world in Arnold’s poem is a land of dreaming. While people are dreaming of true love and joy, there is none in the real world that you live in once you wake up from the dream. Once the “confused alarms of struggle and flight” wake you up, you realize that the world is really void of love and happiness. The world in Arnold's poem is a world parallel to that of Bradbury's: Both are worlds that do not contain love or light, as much as people in them would like to believe otherwise.
He describes how the sand on the beach flows and moves on the shore. For example, in the first line of stanza two, he says, “Slush and sand of the beach until daylight.” This description of the sand really helps you visualize it.
Understanding poetry as a criticism of life, Arnold uses it as his platform to wage a battle against the personal havoc that was wrought by the new age. Thus, Arnold captures the essence of the Victorian Era through his poetry by addressing the intellectual concerns of his time, especially about religion, science, and the inner turmoil that believing in the two caused.
Now it is just a matter of finding the right shoe for you. Today, I hope to show you how to find the right running shoe for you by getting the right fit, determining the type of foot you have, and the type of shoe to look for.
I understand Paul’s argument to be this: Eve, the first woman, was created to be a helper to Adam; therefore, when a woman exercises or usurps authority over a man during worship to God, she is contradicting the Creator’s will. Even though it was Eve who sinned first, it would be through Eve that salvation would come—the Messiah. “The childbirth” is an allusion to the protoevangelium found in Genesis 3:15.
Through metaphors, the speaker proclaims of her longing to be one with the sea. As she notices The mermaids in the basement,(3) and frigates- in the upper floor,(5) it seems as though she is associating these particular daydreams with her house. She becomes entranced with these spectacles and starts to contemplate suicide.
The language used in the first two paragraphs outlines the area to which the book is set, this depicts that it is almost perfect and an. an idyllic place to be. The mood is tranquil and takes the reader to a place “where all life seems to live in harmony”. In the first two paragraphs. Carson uses language of melodrama to inspire the reader’s.
Matthew Arnold begins his poem by describing a calm, beautiful scene. Dover Beach is lying "fair" in the moonlight. It is high tide and he sees the coast of France and "the cliffs of England... / Gleaming and vast, out in the tranquil bay." All seems lovely and quiet. According to Baum's research on the date and circumstances of the poem, Arnold is probably speaking to his new bride (86) as he says, "Come to the window, sweet is the night-air." But gradually the reader senses a shifting of mood and tone. Now he describes the "line of spray... / Where the sea meets" the land as "moon-blanched." And the tide, tossing pebbles as it comes, is a "grating roar" with a "tremulous cadence slow" that "bring[s] / The eternal note of sadness in." This melancholy mood grows deeper as he thinks of man's long span of history-- "The turbid ebb and flow / of human misery."
Jo Vergunst (2010) also draws upon gestures to understand the way humans can walk through the streets and not come into a head on with all the people that are also on their own journey. The demands of city life are upbeat, and our walking has to succumb to this life style, which often it does, as majority of humans do not want to look out of place, or be in the way of others. Personally, I find it hard to hear a rhythm and not walk along to it, or swing my arms in a rhythmic fashion. However, this does not just go for when I am listening to music while walking to work, but also to the sound of cars speeding by, the sound of other people’s shoes on the ground and even the sounds of construction workers on the streets. Jo Vergunst also draws upon gestures and body within his article, which strengthens and supports the idea of rhythm
Freudian theory would call this poem a conflict between the pleasure principle "craves only pleasures...ignoring moral and sexual boundaries established by society" and the reality principle "that part of the psyche that recognizes the need for societal standards and regulations." (Bressler, p. 180) "The Buried Life" adequately portrays this inner struggle between the self and society, between was is felt and what is acceptable. I believe that is what Arnold was attempting, to enlighten his readers of this inner struggle and sense of self in a time when strong moral character was being questioned.
During the poem the speaker does not address his readers. The readers are simply overhearing a man assessing the society in which he lives as he daydreams about what is could be and yet what it is not. It is evident that his goal is to get the readers to look down upon this society which is so caught up in daily routine; prohibiting anyone from having freedom of imagination. This detachment that is created between the speaker and his readers incorporated with the boring monotone at the very beginning of the poem gives the readers a negative impression of the society before they begin to analyze the actual words of the poem.
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