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The influence of k pop
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Ma. Kimberly Anne V. Poquiz
Professor Motoike
English 1 – Section 1808
20 May 2014
Korean Pop Music Globalization
In October 2009, Wonder Girls, a South Korean girl group, became the first Korean singers to enter the Top 100 of the Billboard’s Chart with their hit song “Nobody” and ranked 76th place. This is a big deal for them since the Billboard Hot 100 is one of the two leading music charts is the United States of America. And recently, Psy’s “Gangnam Style” became the most “liked” and viewed YouTube video of all time currently garnering almost 2 billion views. He also became the first artist from East Asia to top the United Kingdom Charts. This video became so viral that you could search for more than a million dance and song covers from different countries all over the world. These Korean songs became worldwide hit songs because of social media. Korean music industries are focusing on using social media as a medium to reach the global fame that it is enjoying today.
Korean Pop music, also known as K-Pop, has been struggling to enter the global music scene but was able to make it because of social media. Dal Yong Jin explains that K-Pop has undergone a huge shift in late 2007 due to the advancement of social media. Korea has also made innovations in social networking sites (SNS) and smartphones which played a role to the globalization of K-Pop (6). For the past decades, Asian music, including K-Pop, finds it difficult to enter the global scene because it is completely dominated by Western culture. Artists have always viewed United States of America and Europe as the ideal place to promote their music. However, getting to the global market is difficult for artists who don’t have enough money to promote themselves overseas. Be...
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...sharing engine that will disseminate its contents globally, it wouldn’t have reached the popularity that it has attained today. Social media has given people the capability to have more power to choose what they want to hear or watch online. They won’t be any time when updates on their newsfeed about a movie that they’re not interested on will pop out. There will also be no more listening songs to the radio that they don’t like. People are now becoming more responsible of themselves. If they would want to become famous and they have the talent, they could upload up videos online and endorse themselves on social media. Just like the strategies that K-Pop has made by using social media as their main promoting device and by making sure that they are being distinct from other music genre that people are used to listening, success won’t be that far to reach anymore.
Because of this, though, the globalization of a song can be seen as detractor to the value of the song 's original use or purpose as there is an essential loss of identity for the song when it is utilized for purposes that stand in contrast to the personal value that it originally possessed. This article is essential in understanding global pop music and the relationship that it has with various forms of music because of the introduction of this discussion that it poses. Feld illustrates many of the reasons behind this development and the causes as to why this phenomenon
I have been asked to identify and evaluate two important current developments in the music industry. I will be discussing the rise of electronic dance music and also the growing number of musicians gaining success via YouTube.
Quite a huge number of American pop singers has already visited Singapore to have multiple concerts held here. Different people who enjoy American pop music or particular artist, came together as one to again experience and consume the Americanization through music. However, even though these concert activities contribute to the spread of American popular culture through music, technology plays even a bigger part as people grow attention and interest for the artists through listening to their music or watching their music videos through internet or television which will be discussed further towards the end of this
At the end of the catastrophic World War II on October 24, 1945, fifty-one nations gathered to officially form the United Nations, an organization that promoted peace and security for all of its members. Despite the success of establishing a worldwide peace-keeping force, tensions were high between the powers of the Western Bloc (the United States and the North Atlantic Treaty Organization (NATO) and the Eastern Bloc (the Soviet Union and the Warsaw Pact). Ironically, a mere five years after the formation of the UN, the first major outbreak in the Cold War occurred: the Korean War. The effects of the Korean War would not only forever change the state of North and South Korea, but also have a significant effect on all the other nations involved in the Korean War.
In this day and age, pop music dominates the airwaves at every turn. Katy Perry, Lady Gaga, Kanye West, and many others are commonplace names among teenagers and younger demographics not only in the United States, but all around the world. The United States has accepted the position of international, cultural role model long ago, dating back to the 1950’s when rock and roll caught fire as a hybrid of blues, country, and jazz and spread to the rest of the world almost infectiously. Since then, every major artist that comes out of the United States has easily become a global icon, regardless of the language or nationality of their adoring fans. However, one could conceive that this glamorized version of music comes less from the soul of the artist and is merely born of fiscal ambitions and visions of grandeur.
Come here rude boy, boy, can you get it up? Come here rude boy, boy, is you big enough? These are the lyrics that we can find ourselves mindlessly singing to on our way to work. Pop star Robyn Rihanna Fenty, the co-producer of this song, made history at this year’s American Music Awards when she was awarded the first-ever Icon Award, which according to the show’s producer, Larry Klein, was created to honor an artist whose body of work made a profound influence on popular music at a global level. Needless to say, Rihanna’s iconic fashion taste and innovative sound has enabled her to become one of the most influential and best-selling artists of all time. Rihanna however, is not the only woman making history in the music industry; Beyoncé Knowles, Jennifer Lopez, and Katy Perry, just to name a few, are also very empowering women in the industry. Female pop-culture artists, alongside many male rappers in the industry, contribute tremendously in influencing American culture. Their immense contributions to the American culture are engraved in their catchy, explicit music lyri...
Music has been around since the beginning of civilization. Music was used to tell myths, religious stories, and warrior tales. Since the beginning of civilization music has greatly progressed. Music still tells a story, we know just have many genres to satisfy the cultural and social tastes of our modern society. Hip Hop is a genre of music that has significantly grown the last couple of decades. It's increased popularity has brought it to the forefront of globalization. Technological advances has made it easy for Hip Hop to spread out globally. This occurrence of globalization is a key example that as our cultural borders are broken down by technology, our own cultural and social practices become fluid. Although there are many positive and negative comments about the globalization of Hip Hop, it is a reflection of the growing phenomenon occurring all over the world.
A mixture of western and eastern music, Korean Pop, or Korean Pop, has boomed as fans drool over the idols, their dance moves, and their combination of Asian culture with Western hip-hop verses, Euro-pop choruses, rap, and even some dubstep. Korean Pop hit the waves in Asia quickly becoming popular in China, Japan, Singapore, Taiwan, Vietnam, and many other countries (John Seabrook, 2012). The Korean Wave has continued to spread throughout the East to countries farther west such as Saudi Arabia, Iran, and others, which are quickly getting drawn into the fan base (Clair Weber, 2014).
The K-pop fandom community is an area in the virtual sphere where there exist a collective of K-pop fans with different cultures. These cultures are not limited to the fans’ nationality. The culture of each member of the K-pop fandom community is carried in the virtual sphere, and is manifested in their fan posts. Every fan post found in the K-pop fandom community reflects its member’s cultural identity.
[ ] This kind of international cooperation does not only improve the quality of K-pop music products but also make sure the music will be more acceptable to a wider market
Pop culture is evident in all aspects of American society but one of the greatest influences is seen in music. Music has evolved so much since the time of the great singers like Elvis and the Beatles. This change can be attributed to advancements in technology but, in some cases, what appears to be growth has become nothing but a lack of talent and dependence on machines and a naïve American people. Many of these artists achieve their fame because of their outward appearance-usually after cosmetic surgery-and the machines that generate their voices. In his essay titled “The Soundtracking of America,” J. Bottum agrees that “western pop songs make us ‘forcibly retarded,’ because they’re so shallow and because we’re compelled to hear the same ones over and over again.” Radio stations only play the so-called “pop” songs and, therefore, we, as a culture, are subjected and even forced to like these often obnoxious tunes. The songs rarely have any merit but are supported ...
Social Media influences what music we listen to. In the past people used to listen to songs that had meaning behind them, and it was because they personally enjoyed the music. For example “ Go back in time a few decades, to the 60s, 70s, and 80s… Many of the bands of the past wrote music that had real depth to it. Their lyrics were meaningful.”- states GiannaA. In today’s society
With the music being the highly profitable, capitalist enterprise that it is today, it is no wonder that it is controlled and regulated by a few large conglomerates that exist is today’s world. It is important to make clear that although evidence is being presented of the positive aspects of globalization through music that there is overwhelming evidence that cultural imperialism is more than it seems on the outside. One must keep in mind that cultural imperialism, globalization and the creation of a global village is a business. People are profiting at other people’s loss of cultural identity, they are sold a culture and heritage. With the every growing N’Sync fan clubs and Britney clones, the world is turning into a stage for pop culture and its glamorous unattainable standards.
Korean pop music happens to be very popular in Korea. It is most popular among the youth of Korea. For the purpose of clarity for this one-thousand-word essay, the youth is defined roughly as ages 0 - 22. Now, there is a phenomenon that occurs with Korean pop music and older Koreans. This phenomenon is a distinct characteristic of Korean pop that separates it from the older Korean pop music of the seventies. This phenomenon is that the older Korean people do not understand the words that come out of the mouths of the singers of Korean pop music that pumps out of the music industry of today in the nation of Korea. This phenomenon parallels that of the pop music of the biggest country of North America—also known by many humans as the United States of America—where older people have trouble connecting with the popular trends in music. This might be illustrated by American people who tend to like country music. If it is not obvious, fans of country music like country music because, as the author of this text has heard, "you can understand [the words]". It is also the tendency that fans of pop music dislike country. These two seem to be mutually exclusive musical tastes. In fact, the older pop of Korea, in the opinion of the author of this text, sounds like country just a wee bit. Trends tend to have the effect that older people can’t understand the words that come out of the mouths of the setters of the trends.
Steve Jones in the article "Music and the Internet" suggests that popular music as well as academic articles relating to popular music were created and distributed by people who didn’t completely understand the idea of the "music industry." He ultimately suggests that today compared to the introduction of popular music, a growing number of consumers are using the Internet to attain music. The internet has drastically changed the distribution systems also creating many ethical problems that weren't found in the music industry before the internet. Because the internet started making a presence in almost every single business, it was almost no question that the internet is bringing about some changes in the music industry; a billion dollar industry. Steve Jones ultimately knew the inversion of the internet would create dominant change in the music industry; one that many popular music artists during the early years didn't think was possible. The article was written in a lot information paragraphs that gave insight to the extreme lack of strong distribution during the early times of popular music compared to modern day. Strong and insightful syntax showed the way many musicians felt that about the way their music was performed and distributed during these times, but had nothing to do about it.