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Marxist interpretation of native son
An analysis of native son
Bigger is a product of american society in native son
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Long ago, our economy, government, families, and individuals joined together to create the greatest weapon yet, Biggers. What are “biggers”? Biggers have been around since the beginning of time, they are sinful creatures like yourself that have been outcast from society because their souls have been labeled “unredeemable”. Biggers are native creatures of the United States, but their species can be found scattered around the globe. The term “biggers” was made popular by Richard Wright, author of the novel, Native Son. In the novel, the main character, a young troubled African American boy, named Bigger, was to live a life that was predetermined for him: to die like a rat. Wright claims that Bigger’ predetermined murderous life could be the …show more content…
livelihood of all African Americans, the livelihood of “biggers”. One of the themes of Native Son was the ideology of “ biggers” being born from society. Zora Neale Hurston also understood the dynamic between “biggers” and society. She wrote about a different creator of “biggers” in her novel, Their Eyes Were Watching God. By analyzing Native Son and Their Eyes Were Watching God, the different political systems presented indicated that “biggers” can exist in either society of the United States: one that follows a Marxist structure, one influenced by a capitalist democracy, or one that is self-governed by black people. Communism Wright flatters the idea of the United States being a communist nation with no racial problems, but quickly dismissed this naive fantasy and demonstrated in Native Son that “biggers” would be produced even in a Communist country.
Wright testifies that the principles of Karl Marx seem perfect on paper; yes, it would be ideal if everyone were to be treated equally, but even this supposedly “perfect” society is flawed. Wright’ communist characters in his novel were the fuel that assisted in creating “biggers”. Mary and Jan were friendly, but Bigger did not interpret their behavior that way. Bigger felt that Jan’s friendliness was a joke, “This white man, having helped to put [me] down, having helped to deform [me], helped [me] up now to look at [me] and be amused” (67). Bigger was very uncomfortable around Jan and Mary and may have had these thoughts: How can Jan be a friend? How can I trust a white man? How can Jan expect me to be open with him, when he has the face of my enemy? How do I respond to a communist? Bigger was very fearful of Jan because he was a communist. Bigger remembered seeing many cartoons of communists with flaming torches in their hands, trying to commit murder or set things on fire (66), but those were the images that the media portrayed. Jan was different from the illustration, he was a communist with a
plan. Jan had the idea of joining together the communist and African Americans forces to limit the number of “biggers” in society. But, an obstacle that blinded his vision was the plagued hearts of the black community. Communism cannot be the answer to the black people prayer , until “biggers” are prevented from being punished for something not within their control. Jan began thinking, “If I killed, this thing would go on and on and never stop. I said, I’m going to help that guy, if he lets me” (288). Wright understood that communism was not the savior of “biggers” because the history of the United States is a complex one, one built on stolen land and the blood of the Africans. Instead of flattering his country capitalistic democracy, Wright immediately explains that “biggers” are homegrown from the United States. The way Capitalism works, is that some people haves to be the “haves” while others are the “haves- not”. Wanting social equality in a capitalistic society is optimistic, but cannot be achieved. Wright understood that the blacks in the United States were at mercy under the blade of capitalism. Capitalistic Democracy Capitalism, along with racism has helped confined blacks into a particular role in society; the laborers of the United States. Bigger explains how society had drawn a line and told the blacks to stay on their side of the line, “they don't care if there’s no bread over on your side; they’ll kill you before you die” (351). The line was kryptonite to most “biggers” because they did not dare to cross it, aware that death was their punishment. The line drawn was reinforced with the capitalistic democracy of the United States, keeping Bigger paralyzed in his current oppressed state, “in a rat-infested room in which four people ate and slept” (326). But fear moved Bigger’ paralyzed body and for the first time, he saw the line as a gift that awakened his animalistic instincts for survival. When Bigger was on trial for murder, his lawyer, Max defended him, “He was living, only as he knew how, and what we have forced him to live… It was an act of [society’s] creation” (400). Capitalism democracy is a paradox and Max is convinced that this political institute has helped to create “biggers”, “Multiply Bigger Thomas twelve million times.. they are not simply twelve million people; in reality they are captive within this nation, devoid of political, social, economic, and property rights” (397). Wright argues that Biggers are created because the capitalistic democracy goes by unchecked by the government. Wealthy Mr. Dalton from Native Son, believes that “Negroes are happier when they're together”(327), but Hurson dismissed this argument in her novel, Their Eyes were watching God. Self-Governed Hurston shifts the blame away from the white dominant society in the United States and explains that black people can manufacture “biggers” too. Hurston depicts Jody Starks as one of the creators of “biggers” by having his character start a snowball effect that transformed the people in the community to feel resentful and inferior. Starks was marginalizing his own community, and his home is one of the snowflakes that contributed to the avalanche of “biggers”. “The rest of the town looked like servant's quarters surrounding the big house” (47). The home Starks had built for himself, was a southern plantation house. Starks did not embark and engage with his fellow community, shepherding his town from a distance in his “great big house”. Hurston explains that even a autonomous black community can make “biggers” because because they are an exact copy. Starks was aware of his intentional duplication of the white society, “he brought a desk like Mr. Hill or Mr. Galloway over in Maitland” (47). Starks followed the white people materialistic style in order to depict himself as in sync with the dominant culture. Starks’ livelihood made the community feel taken advantage of, “like things had been kept from them” (48). The town people responded just how Bigger would have, “it was bad enough for white people, but when one of your own color could be so different it put you on a wonder” (48). Bigger had felt the same way when Black leaders hated him, because it make it hard for them to get along with white folks (Native Son 357). Stark's behavior in the novel, Their Eyes were Watching God helped create the people of Eatonville into “biggers”, jealous “biggers” that disliked it when others “biggers” succeeded. Trying to prevent a Bigger from being produced is nearly impossible in any political system in the United States. Wright and Hurston provided examples of Biggers being created in a communist nation, a capitalistic democracy, and a self governed black community. One of the solutions to this crisis is Grassroots and Structural justice to prevent Biggers from occurring.
Language is also pivotal in determining Richard’s social acceptance. For instance, Mr. Olin, a white man tries to probe Richard into fighting another black boy. Richard was disturbed. He uses contrast to show his disturbance, “the eye glasses…were forgotten. My eyes were on Mr. Olin’s face.” A certain dramatic irony exists exists when Richard asks, “Who was my friend, the white man or the black boy?” The reader knows it is the black boy. Wright uses detail such as Mr. Olin’s “low, confidential,” voice to create an apocryphally amiable tone. If Richard complies with Mr. Olin’s deceiving language, he would gain the social acceptance of the white men. If not, he would be ostracized as a pariah. Wright uses a metaphor, “my delicately balanced world had tipped” to show his confusion.
In Richard Wright’s Native Son, Bigger Thomas attempts to gain power over his environment through violence whenever he is in a position to do so.
The simplest method Wright uses to produce sympathy is the portrayal of the hatred and intolerance shown toward Thomas as a black criminal. This first occurs when Bigger is immediately suspected as being involved in Mary Dalton’s disappearance. Mr. Britten suspects that Bigger is guilty and only ceases his attacks when Bigger casts enough suspicion on Jan to convince Mr. Dalton. Britten explains, "To me, a nigger’s a nigger" (Wright 154). Because of Bigger’s blackness, it is immediately assumed that he is responsible in some capacity. This assumption causes the reader to sympathize with Bigger. While only a kidnapping or possible murder are being investigated, once Bigger is fingered as the culprit, the newspapers say the incident is "possibly a sex crime" (228). Eleven pages later, Wright depicts bold black headlines proclaiming a "rapist" (239) on the loose. Wright evokes compassion for Bigger, knowing that he is this time unjustly accused. The reader is greatly moved when Chicago’s citizens direct all their racial hatred directly at Bigger. The shouts "Kill him! Lynch him! That black sonofabitch! Kill that black ape!" (253) immediately after his capture encourage a concern for Bigger’s well-being. Wright intends for the reader to extend this fear for the safety of Bigger toward the entire black community. The reader’s sympathy is further encouraged when the reader remembers that all this hatred has been spurred by an accident.
Bigger is a young black man living in the Southside of Chicago with his mother and two younger siblings. His family lives in a one room apartment, leaving little space for privacy. After being awoken by the sudden clang of an alarm clock, the Thomas’s start their day like every other before it. As the family is getting dressed a large rat runs into the room, causing chaos. Bigger trapped the rat in a box, giving it no way to escape. Looking at Bigger “the rat’s belly pulsed with fear. Bigger advanced a step and the rat emitted a long thin song of defiance, its black beady eyes glittering” (Wright 6). The fear that pulses in the belly of the rat is the same fear that runs through Bigger. Bigger is trapped within the physical walls of his run-down apartment and the city lines that the white society has put around the Chicago Black Belt. Bigger and the black community have no choice or way to escape. The confinement of these areas causes Bigger to feel confusion and anger towards those who have put him
Karl Marx 's writing of ‘The Communist Manifesto’ in 1848 has been documented by a vast number of academics as one of the most influential pieces of political texts written in the modern era. Its ideologically driven ideas formed the solid foundation of the Communist movement throughout the 20th century, offering a greater alternative for those who were rapidly becoming disillusioned and frustrated with the growing wealth and social divisions created by capitalism. A feeling not just felt in by a couple of individuals in one society, but a feeling that was spreading throughout various societies worldwide. As Toma highlights in his work, Marx felt that ‘capitalism would produce a crisis-ridden, polarized society destined to be taken over by
Socialism as defined by the parameters of the post revolution into the pre industrial period was the nearly universally marked by the race to empower the working class. Yet, within this broad definition of socialism, Karl Marx, Gracchus Babeuf, and Robert Owen differ in their views of a utopian society and how it should be formed. It was to be their difference in tradition that caused their break from it to manifest in different forms. Although they had their differences in procedure and motive, these three thinkers formed a paradigm shift that would ignite class struggle and set in motion historical revolutions into the present. Within their views of a utopian community, these men grappled with the very virtues of humanity: greed versus optimism.
In Marx's ideal communist world, the entire populace is equal, and shares everything. There is no competition, and no one is rewarded more or less based on his or her individual achievement. Yet with this newfound sense of a worldwide sharing, there, in theory, is no poverty or hunger.
Due to the way Bigger views whites, his motivation for killing Mary is that it serves him a higher purpose. The fact that Mary is white, is mainly what triggers Bigger to feel shame and fear. You’ve got to remember, Bigger views whites people as a great big natural white force. Considering that Bigger killed Mary and gets away with it, gives him gives him a sense of pride because he can act one way while still doing what he pleases. He believes that killing Mary accounts for all things that the white force has done to him and that is his key to motivation.
In Native Son Book One Fear: We can infer that Bigger Thomas has suppressed many feeling and feels uneasiness about his own thoughts. Bigger was just afraid of his own thoughts to not be able to express and physically do what he wished to do creating fear within himself. So now that Bigger has let go of that fear by murdering someone he feels like he has power to do whatever he wants since black people are overlooked he believes that no one will suspect him.
The alienation of Bigger Thomas leads to his character development. He is primitive, fearful, and quick tempered because of the isolation and racism he faces. He is created by the society that he lives in; the environment surrounding him leads to his downfall. Bigger knows that he was dead from the day he was born, the “blind” people around him are either too fearful or ignorant to see it. He knows that what he has accidentally done can never be justified to whites; he wants to die knowing he is equal to his counterparts.
Karl Marx noted that society was highly stratified in that most of the individuals in society, those who worked the hardest, were also the ones who received the least from the benefits of their labor. In reaction to this observation, Karl Marx wrote The Communist Manifesto where he described a new society, a more perfect society, a communist society. Marx envisioned a society, in which all property is held in common, that is a society in which one individual did not receive more than another, but in which all individuals shared in the benefits of collective labor (Marx #11, p. 262). In order to accomplish such a task Marx needed to find a relationship between the individual and society that accounted for social change. For Marx such relationship was from the historical mode of production, through the exploits of wage labor, and thus the individual’s relationship to the mode of production (Marx #11, p. 256).
Bigger embodies one of humankind’s greatest tragedies of how mass oppression permeates all aspects of the lives of the oppressed and the oppressor, creating a world of misunderstanding, ignorance, and suffering. The novel is loaded with a plethora of images of a hostile white world. Wright shows how white racism affects the behavior, feelings, and thoughts of Bigger. “Everytime I think about it, I feel like somebody’s poking a red-hot iron down my throat. We live here and they live there.
In his Manifesto of the Communist Party Karl Marx created a radical theory revolving not around the man made institution of government itself, but around the ever present guiding vice of man that is materialism and the economic classes that stemmed from it. By unfolding the relat...
Marx’s critique of capitalism was written more than a hundred and fifty years ago; however, its value and insight are still extremely relevant to the twenty-first century. In order for us to maintain mixed-market capitalism, ensuring ethics in businesses and stability in growth, all of us need to read and understand Marx’s critique.
His pain and shamefulness Bigger has put himself in a situation where he couldn't think straight out of fear. Bigger lives in a small rat infested apartment of 4. Being a failure in his mother's eyes and the way he sees his family struggle he has a pent up anger and rage. Only to not be able to do anything about it,society won't let let a black man be a pilot those were the laws. Bigger's actions for killing Mary was justified because he didn't want to make his life worse by being put in jail for rape and or just possibly killed ,not even just him maybe his whole family could suffer from his actions.