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Violence in movies
Analysis of Richard Wrights Native Son
Racial and gender stereotypes in movies
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Recommended: Violence in movies
Conditioned to Kill Richard Wright’s novel Native Son and Oliver Stone’s film Natural Born Killers are works that focus on the act of murder. Native Son deals with the large impact that race has on the way society sees both white and black communities. Natural Born Killers shows how one’s past and the media one is exposed to can affect ones view of violence. Throughout both the novel and film killing becomes natural to the characters due to the way society has conditioned them. In Natural Born Killers, Mickey and Mallory’s anger is fueled by the abuse they experienced during childhood. Mallory’s past is shown through the humor in a TV sitcom. In the scene Mallory is the typical rebel child that is always getting heat from her parents. When …show more content…
Bigger is a young black man living in the Southside of Chicago with his mother and two younger siblings. His family lives in a one room apartment, leaving little space for privacy. After being awoken by the sudden clang of an alarm clock, the Thomas’s start their day like every other before it. As the family is getting dressed a large rat runs into the room, causing chaos. Bigger trapped the rat in a box, giving it no way to escape. Looking at Bigger “the rat’s belly pulsed with fear. Bigger advanced a step and the rat emitted a long thin song of defiance, its black beady eyes glittering” (Wright 6). The fear that pulses in the belly of the rat is the same fear that runs through Bigger. Bigger is trapped within the physical walls of his run-down apartment and the city lines that the white society has put around the Chicago Black Belt. Bigger and the black community have no choice or way to escape. The confinement of these areas causes Bigger to feel confusion and anger towards those who have put him …show more content…
As Bigger is trying to dispose of Mary’s body he questions if he should just run away. Bigger knows that “he could not. He must not. He had to burn this girl” (Wright 92). Bigger is aware that he has to get rid of Mary’s body for the same reason he had to kill her. Once Mrs. Dalton walked into Mary’s room, her white presence caused Bigger to act based on how society would react. Bigger knew that if he had been found in a room alone with a white girl he would be killed. From what Bigger knew about white society he would be killed if was caught in the room alone with Mary. He was put in a positon by society that left him no other option but to kill. Bigger knew that no matter the circumstances, the crime would fall on him because “he was black and had been alone in a room where a white girl had been killed; therefore he had killed her” (Wright 106). Whether his crime was accidental or not he knew that because of the image given to black people, especially black men, in the community that the blame would be put on him. In the room that night, both Bigger and Mary were only reacting in the way that society had expected them to. They were not individuals anymore, they represented the more powerful forces of the black and white society, acting as they had been told to. Bigger was unable to defend himself because society had already determined death as his
Mrs. Turner, a woman Janie and Tea Cake met in the Everglades, was racist toward black people, she wanted Janie to meet her brother who had white features. Her plan was for Janie to leave Teacake for her brother. Teacake didn't like Mrs. Turnner because she always made it seem like Janie was wasting her time with him. When teacake overheard Mrs. Turnner telling Janie to leave him for her brother, and calling him a "no good negro," he was enraged. Her comments damaged Teacake self-confidence, plus he already felt like he didn't deserve Janie. Hearing Mrs. Turnner talks about him in such a nasty way made him think Janie was indeed too good for him. Thus, Tea Cake beats Janie to prove to Mrs. Turnner that he is the man in control of her body. Janie was his wife, whether Mrs. Turnner liked it or not. Teacake beat Janie not because she planned to leave him, but because his manhood was attacked. He felt the need to prove to Mrs. Tuner that he was not a little boy and that she couldn’t just come around and instill doubts in his wife's head. Janie, not fighting back and clinging to Teacake after the beating was proof that he had control. This brought back the confidence he lost because of Mrs. Turnner's
Toni Morrison and bell hooks share the same views on how white America envisions blacks. In bell hooks' essays " Seduction and Betrayal" and " Sorrowful Black Death is Not a Hot Ticket" she focuses in on the portrayal of African Americans on the big screen. In "Seduction and Betrayal" hooks uses Spike Lee's Crooklyn to demonstrate how invaluable the life of a black person is. In " Sorrowful Black Death Is Not a Hot Ticket" she claims the Bodyguard and The Crying Game illustrate the notion that blacks, especially black females, are inferior to whites. In Toni Morrison's introduction to Birth of a Nation'hood , she suggests these same views by looking at the O.J. Simpson case. Through the use of these movies and courtcases, hooks and Morrison suggest that blacks are viewed as worthless, violent criminals, who are subordinate to the white race.
The theme that Native Son author Richard Wright puts in this story is that the white community makes Bigger act the way he does, that through the communities actions, Bigger does all the things he is accused of doing. The theme that I present is that Bigger only acts the way that he did because of the influences that the white community has had on him accepted by everyone. When Bigger gets the acceptance and love he has always wanted, he acts like he does not know what to do, because really, he does not. In Native Son, Bigger uses his instincts and acts like the white people around him have formed him to act. They way that he has been formed to act is to not trust anyone. Bigger gets the acceptance and love he wanted from Mary and Jan, but he still hates them and when they try to really get to know him, he ends up hurting them. He is scared of them simply because he has never experienced these feelings before, and it brings attention to him from himself and others. Once Bigger accidentally kills Mary, he feels for the first time in his life that he is a person and that he has done something that somebody will recognize, but unfortunately it is murder. When Mrs. Dalton walks in and is about to tell Mary good night, Bigger becomes scared stiff with fear that he will be caught committing a crime, let alone rape. If Mrs. Dalton finds out he is in there he will be caught so he tries to cover it up and accidentally kills Mary. The police ask why he did not just tell Mrs. Dalton that he was in the room, Bigger replies and says he was filled with so much fear that he did not know what else to do and that he did not mean to kill Mary. He was so scared of getting caught or doing something wrong that he just tried to cover it up. This is one of the things that white people have been teaching him since he can remember. The white people have been teaching him to just cover things up by how the whites act to the blacks. If a white man does something bad to a black man the white man just covers it up a little and everything goes back to normal.
Emmett came down to Mississippi and was murdered on account of getting “out of his place with a white woman” (132) and a group of white men killed him. “Before Emmett Till’s murder, I had known the fear of hunger, hell, and the Devil. But now there was a new fear known to me-the fear of being killed just because I was black.” (132) Anne learns in this episode how violent whites can really be and just a glimpse of how segregation works. While the people of color in town are growing scared and afraid to leave their homes, Anne responds differently. “I hated the white men who murdered Emmett Till and I hated all the other whites who were responsible for the countless murders Ms. Rice had told me about and those I vaguely remembered from childhood. But I also hated Negroes. I hated them for not standing up and doing something about the murders.”(136) She starts to get angry that black people aren’t standing up for themselves and letting the white people walk all over them and listen and follow their every demand. Black adults are doing the same thing they have been doing for years and that’s to clean white people’s homes and work on plantation farm and act like nothing is happening because they do not want to draw attention to themselves that would put them in the position on Emmett Till. As Anne works every day with probably the most racist woman in all of town, Miss Burke, her mother’s advice to her was “You go on to work before you is late. And don’t you let on like you know nothing about that boy being killed before Miss Burke them. Just do your work like you don’t know nothing. ” (130) Her mother put in these positions where if she said something she would get in some type of way but she also knew that what was happening wasn’t right and should have a end to all of
In the novel Native Son by Richard Wright, the final plea of Mr. Max regarding the trial of Bigger Thomas is very important as it encompasses the main theme of oppression and its importance to the United States on a monumental scale. Mr. Max analyzes the life of Bigger Thomas in the way the author intends it to be seen, as a symbol of the lives of the 12 million African Americans living in the United States at that time. The passionate speech by Mr. Max covers the theme of blindness, and how the white populace uses it to shield themselves from guilt. Also, he uses an extended metaphor to depict how the ghettos merely fuelled the oppression and crime of the city. Similarly to the containment of the blacks in ghettos he mentions the lack of expression and freedom, which connects to important symbols mentioned earlier in the novel. The passionate and urgent tone to the speech also shows promise for the future as Max makes his heartfelt speech in hopes of change for an oppressed people.
Mary was having a conversation with Bigger and asked him several questions. She wants to help out the African-American. After she left the car for a moment, a thought occurs to Bigger. It was “The hard fact that she was white and rich, a part of the world of people who told him what he could and could not do”(Wright, 65). In this quote, Wright conveyed how Bigger was destined to never be equal to the whites or have the same power. He categorized Mary as “a part of the world” which indicates the existence of segregation in society and how his life is influenced by it. It also shows Bigger’s understanding that he knows there is an invisible line that should not be crossed. This line separated the races and placed them into different groups. Those groups represent a place where they should belong based on societal norms and stereotypes. People from that part of the world may tell him something but in his mind, it seems like an order. Bigger stand in a place where he feels like a slave even though he is free. The words spoken by the white people are like rules. Wright used the phrase “hard fact” to symbolize that it is the truth so it cannot be changed. In Bigger’s community, it is a reality that does not want to accept. Racial discrimination put them on a different standard from birth, which contributes to the fact that Bigger is unable to have control over his
After analyzing a few synopses of Richard Wright’s works, it is clear that he used violence to make his political statements. It is not just the actions of Wright’s characters in The Native Son and Uncle Tom’s Children that are violent; in many cases, Wright himself seems very sensitive to any sort of racial provocation. In The Ethics of Living Jim Crow, he details a few of his encounters with racial oppression. Many of them feature violence, and his reflections of his experiences become less and less emotional, almost as of this was all he had come to expect from whites.
In Native Son, Richard Wright introduces Bigger Thomas, a liar and a thief. Wright evokes sympathy for this man despite the fact that he commits two murders. Through the reactions of others to his actions and through his own reactions to what he has done, the author creates compassion in the reader towards Bigger to help convey the desperate state of Black Americans in the 1930’s.
Gina Marchetti, in her essay "Action-Adventure as Ideology," argues that action- adventure films implicitly convey complex cultural messages regarding American values and the "white American status quo." She continues to say that all action-adventure movies have the same basic structure, including plot, theme, characterization, and iconography. As ideology, this film genre tacitly expresses social norms, values, and morals of its time. Marchetti's essay, written in 1989, applies to films such as Raiders of the Lost Ark and Rambo: First Blood II. However, action-adventure films today seem to be straying farther away from her generalizations about structure, reflecting new and different cultural norms in America. This changing ideology is depicted best in Oliver Stone's Natural Born Killers (1994), which defies nearly every concept Marchetti proposes about action-adventure films; and it sets the stage for a whole new viewpoint of action in the '90's.
The book Native Son is about the segregation of blacks and whites in the 1940's. Bigger, the main character of this book, killed a white girl and was sentenced to the death penalty for it. The white prosecutors in the book tried to pin many other crimes on him such as rape, burglary, and other murders.
He is a angry young African American man who grew up in south-side Chicago, surrounded by the harsh reality of poverty: in spirit, in education, and of truth. Thus, Bigger is an example of a boy deprived of a father (figure), a boy with an underprivileged education, and the product of a lower and unemployed class. Granted, Bigger got a job through a relationship but there is an obstacle. He is envious of the color of the skin and the privilege that his employer has. Being that, his character of anger transformed into Animosity; that Animosity was released. As a result, Bigger’s story ends in prison like the majority of people placed in his situation. His obstacle of anger prevented what could have been opportunity, of no longer being the employee but working hard enough to become the
...ed. He had to cover his eyes and his mother and sister dress out of respect. To understand Bigger is to understand his mindset, and I agree with the critic when he goes to explain there is nothing to do with the environment but the way that you react with being in that environment. Biggers hardship truly made it easier to understand the way that a black male thinks while not have a male role model or support from your mother in these times encouraging him to be the best man that he can but being hard on him to be the man that she believed that men of Biggers race she be, act and the thing that Bigger does. Everything has a reason but once you’re pushed to the edge there is nothing left to do but jump of move aside and let the other person fall. In this case Bigger fell because his mind wasn’t strong enough to understand that he could go about things differently.
Native Son written by Richard Wright, is a novel that is set in the 1930’s around the time that racism was most prominent. Richard Wright focuses on the mistreatment and the ugly stereotypes that label the black man in America. Bigger Thomas, the main character is a troubled young man trying to live up the expectations of his household and also maintain his reputation in his neighborhood. Wright’s character is the plagued with low self esteem and his lack of self worth is reflected in his behavior and surroundings. Bigger appears to have dreams of doing better and making something of his future but is torn because he is constantly being pulled into his dangerous and troublesome lifestyle. Bigger is consumed with fear and anger for whites because racism has limited his options in life and has subjected him and his family into poverty stricken communities with little hope for change. The protagonist is ashamed of his families’ dark situation and is afraid of the control whites have over his life. His lack of control over his life makes him violent and depressed, which makes Bigger further play into the negative stereotypes that put him into the box of his expected role in a racist society. Wright beautifully displays the struggle that blacks had for identity and the anger blacks have felt because of their exclusion from society. Richard Wright's Native Son displays the main character's struggle of being invisible and alienated in an ignorant and blatantly racist American society negatively influenced by the "white man".
Bigger is definitely aware of his position in society as, “He committed rape every time he looked into a white face,” (Wright 228). There was a sentiment in segregated America that every single black man was predatory towards white women, and even though Bigger didn’t know exactly what rape was, he knew that he would be convicted of it. Jan, a friend of Bigger’s employer’s daughter, Mary, notifies Bigger of the Scottsboro case. Bigger brushes it off as nonsense, as he thinks, in his position, that it's useless to worry about such things. Bigger and his friends routinely play a game where they “act white, “...referring, to a ame of play-acting in which he and his friends imitated the ways and manners of white folks,” (17). They mock the people above them, all the while, “minding” their place in society, “Did not white people despise a black skin,”
The novel is loaded with a plethora of imageries of a hostile white world. Wright shows how white racism affects the behavior, feelings, and thoughts of Bigger.