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Aboriginal history culture
Introduction to aboriginal essay
Aboriginal history culture
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Aboriginal philosophy is known as the Dreaming and is based on the inter-relation of all people and all things. The past of the Spirit Ancestors which live on in the legends are handed down through stories, art, ceremony and songs.
The Dreaming explains the origin of the universe and workings of nature and humanity. It shapes and structures life through the regulation and understanding of family life, the relations between the sexes and obligations to people, land and spirits. Aboriginal people disclose their Dreaming stories to pass on imperative knowledge, cultural values, traditions and law to future generations. Their Dreamings are passed on through various customs such as ceremonial body painting, storytelling song and dance.
The Australian Indigenous people have
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When we try to explain in English their philosophy we are perhaps best not to use the term ‘Dreamtime’ but use the word ‘Dreaming’ instead.
It conveys better the timeless concept of moving from ‘dream’ to reality which in itself is an act of creation and the basis of many Aboriginal creation myths.
Aboriginal spirituality does not think about the ‘Dreaming’ as a time past, in fact not as a time at all. Time refers to past, present and future but the ‘Dreaming’ is none of these.
The ‘Dreaming’ “is there with them, it is not a long way away. The Dreaming is the environment that the Aboriginals lived in, and it still do today. It is important to note that the Dreaming always also comprises the significance of place.
The Dreaming, or ‘Tjukurrpa’, also means to ‘see and understand the law’ as it is translated from the Arrernte language (Frank Gillen with Baldwin Spencer, translating an Arrernte word Altyerrenge).
In most stories of the Dreaming, the Ancestor Spirits came to the earth in human form and as they moved through the land, they created the animals, plants, rocks, rivers, mountains and other forms of the land that we know
...icle for maintaining the value of aboriginal culture. The success of the artists and the Jirrawun cooperation can be used to reinforce and contradict aboriginal life and meaning, create a place for equal opportunity, and be visual element all on its own. Then by understanding about being Australian, Aboriginal or Tores Strait puts a hierarchy emphasis on having equal rights and opportunity doesn’t matter where you come from or have been living. The placement of maintaining value and culture allows visual flow and creates pauses for new opportunities and an understanding of aboriginality.
“Art can use the power of visual image to challenge and even change popular opinions about important and universal issues. Art can be a very influential way to give a strong, direct comments and criticisms on things that have happened in society and culture.” (Rehab-Mol J, 1998, p6) Indigenous art is mostly about connecting to their land and their religious belief; however, art has different forms, especially the Indigenous contemporary art as it uses ‘modern materials in a mixed cultural context’. (Aboriginal Art Online, 2000)
The aim of healing was to reconnect social and emotional harmony to the unwell, identifying the importance of interconnectedness amongst all people, animals, and plants Living in harmony with their environment, family and community is a central concept of health and healing for Indigenous Australians. Ill health is recognized as a manifestation of many factors including, spiritual and emotional alienation from the land, family, and community. The Dreamtime expressed by song, rituals, and art communicate the purpose of life, the spiritual connection of all humans, places, animals and plants and the necessity of balance Wholeness of body, mind, spirit and the living in harmony with nature were key concepts behind the Native Northern American healing philosophy.
Dreamings or Dream Time creates access to the ancestral world. Based on research, the Aboriginal lifestyle can be divided into the human or what I think of as the real world, from the sacred world and the physical world. The human world, in which I will just call their “reality,” is the world that consists of the people, their culture in the generic form, and basically their daily lives. The sacred world is where Dreamings take place. It is the ancestral world where the world was created, where ancestors are roaming and creating. This world in not situated only in the past but also in the present (more will be said of this later). Finally, there is the Physical world which connects the previous two realms. The physical world is the landscape, it is nature, it is land formations it is the tangible materializations of the world. During their Dreamings or Dream Time, aboriginals witness and learn the creation stories that formed the physical world. The Myths of these stories goes often something like this: The sky gods where sleeping but then they arose and created the landscape by transforming into different characters along the way. Once the Sky Gods were done with formations they took the shape of different features of the land like rocks or mountains (Eliade 1973:45). The Dream Time then is a time to transcend from their reality to another worldly realm. This is in order to discover the stories of their ancestors and their totems. Here is where they learn the stories of their realities. What is interesting to analyze at this point, which has been done by Alan Rumsey (Rumsey 1994), is acknowledging that “Dreamtime is a sense of dreaming in that it is not taken place in the everyday life of reality. It is in the sense a different ...
In reference to the movie 10 Canoes and other research, discuss the importance of the Dreaming in the life of Aboriginal people.
express the dream through every facet of their life. Dreaming is not just a recollection of the past, it is also the reality of the now and the creator of the future. At the most elementary level, The Dreaming embodies the Aboriginal idea of creation. The symphony of creation. In Aboriginal belief it was the activities of the Ancestral.
Across the Aboriginal territory, you’ll find traditional paintings made by the them and which speak of their understanding of the world and of its creation, The Dreamtime. According to the Aboriginal people and their Dreaming stories, their old ancestors emerged from the earth as supernatural beings, creating every part of nature such as all the existing animals, trees, rocks, rivers, plants, that we know today. In present time, a common belief exists among the Aborigines that the sacred spirit of the ancestors still remains alive in some natural elements and places. Henceforth, the Dreamtime is a period, still existing, with its purpose to connect the past and the present, the people and the land.
Aboriginal spirituality originally derives from the stories of the dreaming. The dreaming is the knowledge and a sense of belonging that the Aboriginals had of the beginning of life and the relationship to the land and sea (Australian Museum, 2011). The dreaming stories are passed on from one generation to the next orally. These stories teach the following generations how to behave towards the land and other people. The dreaming stories give them a sense of duty to protect the land and appreciate it because the dreamtime stories indicate that the spirits have not died but are still alive in different forms as animals or humans, therefore the ancestor’s power is still felt through the landforms (Clark, 1963), (Australian Governement, 2008)
1 The Dreamtime is how the aboriginal view the world and how it was created the Dreamtime is a way for the aboriginal culture not to loose there culture in our modern society. The Dreamtime or dreaming are story passed down though generations of aboriginals these stories show the aboriginal having a very strong connection to the ground and earth. some of these stories include the rainbow serpent and Tiddalik the frog.
Australia’s Indigenous people are thought to have reached the continent between 60 000 and 80 000 years ago. Over the thousands of years since then, a complex customary legal system have developed, strongly linked to the notion of kinship and based on oral tradition. The indigenous people were not seen as have a political culture or system for law. They were denied the access to basic human right e.g., the right to land ownership. Their cultural values of indigenous people became lost. They lost their traditional lifestyle and became disconnected socially. This means that they were unable to pass down their heritage and also were disconnected from the new occupants of the land.
There are many cultural aspects of the poem. In the poem, “the secrets of your dreaming” refers to the Aboriginal belief called the Dreamtime. The three lines, “while waters of tears carry ancient stories down your jagged crevasses”. In these lines, “Ancient stories” and “down your jagged crevasses” refers to the Aboriginals rituals of ancestral spirits that take place near cracks in the stone walls of Uluru, such as crevasses. The first line in the poem, “Isolated rock” refers
The Aborigine peoples of Australia live in tribes, specifically there are around four hundred tribes living in Australia today, because of this there are many variations of their language and religious beliefs. The aborigines are an oratory community; they share their religion through storytelling. The mainstay of their storytelling and religious beliefs is finding the root of creation or how their lands and people came to be. In trying to find their purpose and point of creation, they invent and believe in many deities. No one deity rules all of their lands; they ascribe belief in a deity according to their stories and what the stories tell about the features in their landscape, animals and plants. To quote an article, “Aboriginal people do not believe in animism. This is the belief that all natural objects possess a soul. They do not believe that a rock possesses a soul, but they might believe that a particular rock outcrop was created by a particular deity in the creation period, or that it represents a deity from the Creation Period. They believe that many animals and plants are interchangeable with human life through re-...
All over the world different people, scientists, and civilizations have different dream theories. For instance, the Senoi tribe in Malaysia has a fascinating tradition of dream telling. Every morning the people of the tribe begin their day by discussing and interpreting their dreams with each other. The children, as they grow older, actually learn to control their dreams by simply wishing bad dreams into positive ones. It is observed that, by paying tribute their dreams, the people of the Senoi tribe learn to have faith in themselves. Also, they have very few, if any, mental problems “could working constructively with dreams be part of the answer” to mental issues? (Peirce)
Powell highlights that determining these precise influences is ‘hard to assess because so much of our information comes from the period when European influences were strong in the same areas and because human memory is fallible and prone to interpret the past according to the perceived needs of the present’. One piece of evidence that highlights the long running impacts of the Macassans is that of the dream time stories of the Yolngu people home to the north of Australia. Particularly the story of Djuranydjura, ‘the dingo, who meets Macassans on the beach in a first contact narrative’. The story refers to the Macassans and the goods they bought with them on the journey to North Australia such as matches and rice. In this variation of the dreamtime story the dingo responds by saying if he was to accept the offers of the Macassans goods then ‘he would be the Macassan and Macassans would be Aborigines’.
The Ancient Greeks had surprise dream encounters with their gods. Native Americans turned to their dreams for guidance in life. Shamans dreamed in order to gather information from the spirits. Sleep and dreams define eras, cultures, and individuals. Sigmund Freud’s interpretation of dreams revolutionized twentieth-century thought.