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“Until then I am a red balloon, a balloon tied to an anchor.” (Page 9) In this chapter the author begin to suggest character trait for Esperanza and the younger sister, Nenny. The author uses a simile to capture her current state; without some she can rely on and be close to. The author most likely used the color red to compare the amount of energy and potential she has as well as the fact that she stands out from the rest of the crowd. The balloon symbolizes the amount of potential she has because balloon are often associated with flying away. However, being tied to her anchor limits her from reaching her full potential. In this quote, the anchor represents the current conditions she lives in. The conditions that limit her include her current …show more content…
The speaker uses a simile to compare the laughter of both families to the jiggle of ice cream bells and dishes breaking. This simile is effective in the context of the story because it clarifies the reader’s understanding of the laughter of each family to allow reader to understand that Esperanza has a close relationship with her family. This is shown in this quote because her family is not afraid of being judged, unlike Rachel’s and Lucy’s family; where they bring their laughter to a minimum in order to maintain good manners. The speaker also uses personification of each sound effect to clarify how the simile works by comparing the two laughters. Interestingly, Cisneros does not use complete sentences to convey her ideas. This may have been used to create the effect that Esperanza is young. This technique works because young children generally do not know how to form a proper sentence with both a subject and a predicate. As the story progresses, Cisneros improved Esperanza’s sentence structure to show …show more content…
In this chapter, Esperanza compares herself to the four skinny trees. She grows “down” by adjusting to her new setting, the house on Mango Street. She grows “up” by maturing into a young woman. This particular quote show the motif of “self-identity” it is one of the many times Esperanza uses inanimate objects to describe and reveal her self-identity. The sentence “Their strength is secret.” Suggests that like Esperanza, the trees are underdogs. Furthermore, Cisneros uses strong word choice to describe both the trees and Esperanza. The words “bite”, “violent”, and “anger” show strong word choice from the author. This particular word choice creates a mood tone despite the irony of the trees and Esperanza perceived of being weak, thus further proving the fact that Esperanza is a underdog. Esperanza may be perceived of being weak due to her female gender and her youth. The perception of Esperanza being weak brings up the motif of “gender stereotypes” because females, such as Esperanza, are generally perceived as weak while males are perceived as dominant and
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
Esperanza tries to be a good friend to Sally, but ends up appearing immature and silly. Esperanza feels shame, as she “wanted to be dead”, to “turn into the rain”, and have “my eyes melt into the ground like black snails” (Cisneros 97). With sensory-rich imagery, the author uses similes and metaphors to describe Esperanza’s feelings of utter mortification as she embarrasses herself in front of Sally. Esperanza becomes confused about her newfound sexuality and her loss of innocence when she begins acting strangely, yet awkwardly around boys. She doesn’t know whether to act like a child or an adult because although she wants to be mature and glamorous like Sally, and she gets exposed to the harsh nature of society. The disillusioned view of becoming mature and having boys notice her is especially realized by Esperanza when she gets raped at a carnival. Through detailed imagery, Cisneros describes the dirtiness of the boy, elaborating on “his dirty fingernails against my skin” and “his sour smell again” (Cisneros 100) and the confusion and anger from Esperanza. After this experience, Esperanza blames Sally instead for covering up the truth about boys and is heartbroken about the real truth of sexuality and men. It is clear that Esperanza vividly remembers this awful experience, and just reflecting on this experience causes her thoughts to
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
Cisneros's theme of environment shaping identity is prominent throughout the text. In multiple vignettes, you see how the poverty and how Esperanza sees the confining and troubling community that she lives. Cisneros's writes," They put handcuffs on him and put him the backseat of the cop car, and we all waved as they drove away"(page 25). The indigence the people face on Mango Street really affects their actions and how they perceive things. Therefore, Louie's cousin arrest can be attributed to his poverty and not being able to afford a car. Cisneros's recurring theme of how environment affects identity is also found in people's lives. Similarly, I found that environment shapes identity because being born in one country and immigrating has really affected me as a person. I have traditions and values that you might not find in the United States,
In the House on Mango Street, Esperanza is very close to her neighbors and family members. Throughout Esperanza’s life, she has experienced death of a close friend or family. The first death Esperanza experienced was when one of her neighbors, Angel Vargas, died. Esperanza did not take Angel’s death too serious, but it made her
Esperanza and her family move into a poor neighborhood in Chicago. “Bricks are crumbling in places, and the front door is swollen you have to push hard to get in. There us no front yeard, only four little elms the city planted by the curb. Our back is a small garage for the car we don’t own yet (Cisneros, 4).” The reader learns that Esperanza and her family are also from Mexico. “Look at that house, I said, it looks like Mexico. Rachel and Lucy look at me like I’m crazy, but before they can let out a laugh, Nenny says: Yes, that’s all Mexico right. That’s what I was thinking exactly (Cisneros, 18).” As an immigrant family, Esperanza’s family is struggling to make ends meet in Chicago. “I could’ve been someone someday, you know? My mother says sighs. She has lived in the city her whole life. She can speak two lanugages. She can sing an opera. She knows how to fix a T.V. But she doesn’t know which subway train to take to get downtown. I hold her hand very tight while we wait for the train to arrive (Cisneros, 90).” This is also a reference of space and time that is associated with the time period of
Esperanza’s mood in this first vignette of the novella “The House on Mango Street” is hopeful. Esperanza comes from a very large family consisting of her, her parents, her two brothers, and her younger sister. They move all of the time and recently moved to a house on Mango Street. Her family dreamed of a house with lots of space, but this house has one room and one bathroom. This would probably be crowded for all six members of Esperanza’s family. Esperanza is hopeful that one day she will have a beautiful house of her own. She lives in a poor neighborhood where everyone is hoping for better things. She doesn’t not like her house on Mango Street, it is not the house her parents were telling her they were going to have. Esperanza is ashamed of where she lives, she wishes she could live in a nice home in a nice neighborhood. Throughout this story, Esperanza
This excerpt shows how Cisneros believes that she should not have gotten married at a young age when she says that Sally is “young and not ready”. The author also reinforces how women too often get married “to escape”. Esperanza tells us that after the women get married they are suppos...
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
Esperanza is a very strong woman in herself. Her goals are not to forget her "reason for being" and "to grow despite the concrete" so as to achieve a freedom that's not separate from togetherness.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.
...House on Mango Street, or the symbol of fire carried inside in The Road. It is interesting to point out that hope is connected to children who are the main bearers of it. They have completely different lives, environment, family and dreams and different are their fates and the manifestations of hope. While Esperanza acts to change her life and to fulfil her dreams and fights for a better position in a society, the little boy, fighting literally for his life, brings hope by his view of life and by the fact his child’s innocence brings light to the cruel world. They both have something inside that helps them to remain hopeful and to maintain the power of belief and the power of dreaming about a better future. So the topic for a further discussion could be whether these children characters are so strong and positive or whether all children carry the fire inside them.
The author illustrates social identity when Esperanza was shocked by the sight of her crying father and stated, “I have never seen my Papa cry and don’t know what to do” (lines 2-3). This displays Esperanza’s view of men—her Papa specifically—in society, as a strong people, both physically and emotionally. When he broke into tears, it was a big shock to her. Similarly, when my father cried while my grandfather was hospitalized from a heart attack, I was frozen in shock because my father, a strong man, was in tears. This proves my similarities with Esperanza’s view of society and social identity. An example showing Esperanza’s cultural identity was when she thought to herself, “I will have to tell them we can’t play. I will have to tell them to be quiet today” (lines 7-8). This quote is significant because it identifies Esperanza’s culture; their respect for the dead. Upon reflection of her experiences, I see similarities and I can relate with how my culture also respects the dead by being peaceful and quiet. These experiences have made me a respectful and polite individual. By comparing Esperanza’s struggles of social and cultural identity with mine, I realize that we are alike in many
The author, Sandra Cisneros, structures her text into a collection of interconnected vignettes. She used poetry and short story to create vignettes to make it easy to read and show Cisneros unique style and structure. The structure is indeed effective because Cisnero explained herself, “I wrote these things and thought of them as “little stories” .” “ I still don’t think of it as a novel.” This shows Sandra Cisneros didn’t want readers to think of this book as a narrative or long, boring novel but instead almost a diary fulled of entries from a girl named Esperanza showing her maturing process and her experiences while doing it.