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A literary criticism essay on gender stereotypes
A literary criticism essay on gender stereotypes
How is our identity influenced by society
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Jacqueline Woodson once said, “Diversity is about all of us having to figure out how to walk through this world together”. The quote conveys the fact that humans are able to overcome social and cultural struggles of identity. Social identity defines one’s view of him or herself based on society’s values. On the contrary, cultural identity reveals how one views his or herself based on the culture they were born into. Life experiences also have an effect on the development of one’s identity. My experiences are similar to Esperanza in the poem “Papa Who Wakes Up Tired in the Dark” by Sandra Cisneros, because we share views on the roles of men in society, and our cultures both respect the dead. In addition, I also share similarities with the character …show more content…
Beneatha in the novel A Raisin in the Sun by Lorraine Hansberry, because we both dislike being looked at as weaklings in society, and we do not wish to practice a religion. Finally, I share experiences with the speaker in the poem “Women” by Alice Walker, because we both agree that women have made incredible improvements on how they are viewed in society. In the poem “Papa Who Wakes Up Tired in the Dark”, Sandra Cisneros explores the idea of social and cultural identity through the character of Esperanza as the poem unfolds.
The author illustrates social identity when Esperanza was shocked by the sight of her crying father and stated, “I have never seen my Papa cry and don’t know what to do” (lines 2-3). This displays Esperanza’s view of men—her Papa specifically—in society, as a strong people, both physically and emotionally. When he broke into tears, it was a big shock to her. Similarly, when my father cried while my grandfather was hospitalized from a heart attack, I was frozen in shock because my father, a strong man, was in tears. This proves my similarities with Esperanza’s view of society and social identity. An example showing Esperanza’s cultural identity was when she thought to herself, “I will have to tell them we can’t play. I will have to tell them to be quiet today” (lines 7-8). This quote is significant because it identifies Esperanza’s culture; their respect for the dead. Upon reflection of her experiences, I see similarities and I can relate with how my culture also respects the dead by being peaceful and quiet. These experiences have made me a respectful and polite individual. By comparing Esperanza’s struggles of social and cultural identity with mine, I realize that we are alike in many
ways. A Raisin in the Sun by Lorraine Hansberry also illustrates significant features of both social and cultural identity through the unique and stubborn character, Beneatha. A situation demonstrating social identity was when Beneatha wanted to express herself, and George replied with, “As for myself, I want a nice—simple—sophisticated girl…not a poet—O.K.” (60)? Beneatha is challenged with the conflict of being a fine lady for George, while expressing herself at the same time. In fact, I also have been in a situation similar to this. My father has always wanted me to be lady-like, even though I am a person who messes around a lot. Aside from social identity, Beneatha also struggles with cultural identity when she claims, “There is simply no God—there is only man and it is he who makes miracles” (24)! This quote shows how Beneatha’s views on cultural identity, contrasts her mother’s, a woman with very religious views. Likewise, I was in a similar situation when my mother wanted to take me to the Buddhist temple, even though I chose not to participate in a religion. Beneatha and I both do not believe that miracles can be made by believing in a god. As a result in comparing our experiences, I realized that we are alike in the struggle of expressing our identities and being accepted. In addition to the two works, the poem “Women” by Alice Walker portrays social identity from the speaker’s descriptions of the women in her Mama’s generation, and how they improved their image in society. To show this, the speaker recalls how women, “…ironed starched white shirts” (lines 9-11). The text explains to the readers that in society, women are looked to as “housewives” or weaklings. This reminded me of the story my grandmother told me about her ex-husband whom she got a divorce with. She told me that he always wanted her to work in the house and do all the “women’s work” like ironing shirts, cooking, and laundry, because that was “all that women could do.” The words he spoke really gave a disgusted feeling because in my eyes, women are way better than that. Another quote proving that women should be looked to as strong individuals is when the speaker says, “How they battered down doors…led armies” (lines 7-13). This is a message proving that women are strong, fierce, independent, and fearless. Similarly, other grandmother was teased in her childhood because she aimed to be a doctor. She proved the others wrong, worked very hard, and became a doctor in Vietnam at the age of 42. My grandmother was headstrong and did not care about what others thought; she was brave and driven by her ambitious goals. By comparing similarities with the speaker in “Women”, I realize that many groups are judged stereotypically in society, and it is possible for them to break down that wall and show the world their true identities. Social and cultural identities are unique and dominant traits shaped by our experiences. As has been noted, Esperanza and I share many similarities in our views of society and cultural traditions. Furthermore, Beneatha and I experienced struggles of fitting into society’s expectations, and clashes with our families’ cultures and beliefs. Finally, I can agree with the speaker in “Women” on the idea that women are looked at poorly in society but they still fight and stand up for themselves. To summarize, in “Papa Who Wakes Up Tired in the Dark”, the reader is encouraged to learn that in life, one will encounter difficult and sorrowful obstacles. Even the toughest people may cry, but you have to put yourself in their shoes and feel the emotions they are feeling. In addition, in A Raisin in the Sun, the author unveils the message of not being afraid to show society what you think, what your true identity is, and standing up for what you believe, no matter how others may see differently. Lastly, in the poem “Women”, the reader discovers how women were viewed in society’s values back then, and how they fought for themselves, powered through, and encouraged others to do the same. As a result, diversity is a significant factor in our society because the way one differentiates from another makes them who they are, one of a kind. Life is not all about fitting into society. Being glad that you were born a unique individual, and expressing your inner most identity, is the true definition of being diverse.
Much of life results from choices we make. How we meet every circumstance, and also how we allow those circumstances to affect us dictates our life. In Marian Minus’s short story, “Girl, Colored," we are given a chance to take a look inside two characters not unlike ourselves. As we are given insight into these two people, their character and environment unfolds, presenting us with people we can relate to and sympathize with. Even if we fail to grasp the fullness of a feeling or circumstance, we are still touched on our own level, evidencing the brilliance of Minus’s writing.
Esperanza tries to be a good friend to Sally, but ends up appearing immature and silly. Esperanza feels shame, as she “wanted to be dead”, to “turn into the rain”, and have “my eyes melt into the ground like black snails” (Cisneros 97). With sensory-rich imagery, the author uses similes and metaphors to describe Esperanza’s feelings of utter mortification as she embarrasses herself in front of Sally. Esperanza becomes confused about her newfound sexuality and her loss of innocence when she begins acting strangely, yet awkwardly around boys. She doesn’t know whether to act like a child or an adult because although she wants to be mature and glamorous like Sally, and she gets exposed to the harsh nature of society. The disillusioned view of becoming mature and having boys notice her is especially realized by Esperanza when she gets raped at a carnival. Through detailed imagery, Cisneros describes the dirtiness of the boy, elaborating on “his dirty fingernails against my skin” and “his sour smell again” (Cisneros 100) and the confusion and anger from Esperanza. After this experience, Esperanza blames Sally instead for covering up the truth about boys and is heartbroken about the real truth of sexuality and men. It is clear that Esperanza vividly remembers this awful experience, and just reflecting on this experience causes her thoughts to
Esperanza, a Chicano with three sisters and one brother, has had a dream of having her own things since she was ten years old. She lived in a one story flat that Esperanza thought was finally a "real house". Esperanza’s family was poor. Her father barely made enough money to make ends meet. Her mother, a homemaker, had no formal education because she had lacked the courage to rise above the shame of her poverty, and her escape was to quit school. Esperanza felt that she had the desire and courage to invent what she would become.
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
Many are confined in a marriage in which they are unhappy with, and are reductant to make a change. Some are committed to make a change for themselves. Esperanza ponders each one of these women's lives. Through each role model Esperanza gains crucial life lessons on how to overcome different life hardships. Through some women like her great-grandmother and Ruthie, Esperanza learns she must take control her fate, to avoid marrying young, and not let a male figure dictate her future. Other women like Alicia, Esperanza learns to keep pursuing goals in life and to take control of her destiny no matter what obstruction may lay ahead. From Esperanza’s role models, the moral lesson that can be taken away is to be proactive about your life and to shape your own future. Everyone is a role model to somebody in their life. Strive to leave a positive message behind for the ones shadowing in your
Junot Diaz's short story “Fiesta, 1980” gives an insight into the everyday life of a lower class family, a family with a troubled young boy, Yunior and a strong, abusive father, Papi. The conflict, man vs. man is one of the central themes of this story. This theme is portrayed through the conflicts between Papi and his son. Papi asserts his dominance in what can be considered unfashionable ways. Unconsciously, every action Papi makes yields negative reactions for his family. Yunior simply yearns for a tighter bond with his father, but knows-just like many other members of his family-Papi’s outlandish ways hurts him. As the story unfolds it becomes obvious that the conflicts between Papi and himself-along with conflicts between Yunior and himself-affect not only them as individuals, but their family as a whole.
In the vignette titled “Hairs”, the narrator, Esperanza, compares the diverse hair found in her family. For every member, their hair is unique and individual amongst others. Her fathers is wild, her own is untamable, her brother Carlos’s hair is straight, her sisters Nenny’s is smooth, and Kiki’s is furry. However, her mother’s hair is special. To Esperanza, her mother’s hair is comforting, sweet, and soothing. The way Esperanza views her mother’s hair, is similar to the way a child in general views their maternal figure-- a loving, warm, and caring presence. Through this excerpt of the novella, it is seen how much Esperanza loves her mother and how she, and the rest of the family, are associated with pleasant memories. Another side of Esperanza seen in this section, is how she
Imagine being born into a rich, wealthy family, where your last name is respected and well-known by many. To say, living in a big, beautiful house and able to wear fancy silk dresses, so fortunate, that you have servants to cook and clean for you, and every year when it’s your birthday, it’s celebrated big, just as Esperanza Ortega did. Throughout the story of Esperanza Rising the author Pam Munoz Ryan ( 2013) illustrates an image to the reader of a young, rich, Mexican girl who is forced to mature and grow up much faster than expected. Correspondly, at the beginning of the book, Esperanza lives a rich life, to say, she had it “all,” but a sudden tragedy quickly changed her and her family’s life, whereas by the end of the story, Esperanza
Shedding light on the three novels we construe that Cisneros, Naipaul and Morrison have perfectly dealt with the issue of identity crisis and alienation. Esperanza along with other characters, Mr. Biswas and Pecola all suffer from identity crisis because of their societies. They are rejected and ostracized not because they want to, but because people around them undergo an inferiority complex. Their crises originate from their childhood, and though they are different they share one common feeling. On the one hand we have Esperanza and Pecola who are both young girls (coming of age) and racially segregated; one a Chicana and the other is Afro-American. They both suffer from gender and racial division. However Pecola undergoes a “triple” alienation
Despite the current scrutiny that her race faces she asserts to the reader that her race and color define her as a person and does not determine her identity. Despite the mindset that most of her peers keep about the inequality of race, she maintains an open mind and declares to the reader that she finds everyone equal. Thus proving herself as a person ahead of her own time.
The idea of the alienated artist is very common in feminist works. Esperanza, the protagonist, is alienated from the rest of society in many ways. Her Latino neighborhood seems to be excluded from the rest of the world, while Esperanza is also separated from the other members of her community. Members of other cultures are afraid to enter the neighborhood because they believe it is dangerous. Esperanza seems to be the only one who refuses to just accept Mango Street, and she dreams of someday leaving it behind. She is considered an artist because she has an extremely creative imagination which creates a conflict with the type of liberal individuality she seeks. This creative "genius survives even under the most adverse conditions..." (Gagnier 137). To escape the pain of this division, Esperanza turns to writing. She says, "I put it down on paper and then the ghost does not ache so much" (Cisneros 110). Gagnier sees a "distinction of the writer who nonetheless sees herself as somehow different, separate..." (137).
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.
To a certain extend, I can strongly relate to Esperanza. Like her, I also have desire to flee home as soon as possible and find a place of my own. Also, personality-wise, Esperanza and I are both considered “juvenile” or “adolescent”. Even though my family is not as ‘traditional’ as hers, nor as strict, I still feel like I am chained down to one place, which is ironic considering how we travel a
There was no better defining example of the division of main stream views and that of a particular ethnicity as in The Myth of the Latin Woman: I Just Met a Girl Named Maria. Ortiz Cofer provided me with a very clear and a very defining expression of how her Puerto Rican culture could easily be misinterpreted. When discussing the dressing habits of her Puerto Rican culture Ortiz Cofer stated “As young girls it was our mothers who influenced our dec...
The emotional letter that Juan left for his mother might be one of the most emotional scenes in the documentary. The pure emotions that the letter was written by Juan to her mother leaves the audience with the bonds and emotions felt between the kids and families. Juan Carlos’s father abandoned the family years ago and left to New York, consequently Juan believe it is his responsibility to provide for his family. He also wants to find his father in New York and confronts him about why he has forgotten about them. The story of Juan is not just about migration of children, but also the issue of family separation. The documentary does not dehumanize but rather bring the humane and sensitive lens to the story of Juan where the human drama that these young immigrants and their families live. Juan Carlos is not the first of Esmeralda’s sons to leave for the United states, his nine-year-old brother Francisco was smuggled into California one month earlier. Francisco now lives with Gloria, his grandmother, who paid a smuggler $3,500 to bring him to Los Angeles, California. Once Juan Carlos is in the shelter for child migrants his mother eagerly awaits him outside. After she sees him she signs a paper that says if Juan Carlos tries to travel again, he will be sent to a foster home.