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Asian stereotypes in US Hollywood films essay
Racial Discrimination in the Movies
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Hollywood Stereotype I used to remember as a kid when me and my friends watch an American made movies was more that just an entertainment but a great past time and an escaped from reality even for a few hours. Hollywood is so famous and makes tons of money that US Bureau of Economic Analysis released the first ever estimates based on 2011 that Hollywood movie industries add $504 Billion to US Gross Domestic Product (GDP). With all these money on hand, How do they manage to create new movies that doesn’t cross the line to racial inequalities, women rights and religious issues that has been violated because of Hollywood stereotyping that creates negativity to some minorities. I strongly believe that Hollywood writers and directors have social responsibility to avoid stereotyping ethnic characters. First, Hollywood writers and directors need to avoid portraying Asian women as a sex symbol or slave. For example, “The World of Suzie Wong” in 1960, …show more content…
where she works in a bar and white sailors man duct their ship and seeks comfort from Asian women. Another movie with the same stories is “Memoirs of Geisha” where she was sold to a Geisha house when she was ten years old then became a Sayuri as an adult (prostitute). These movies have different feedback among viewers but most of the have a negative rating coming from Zadie Smith, daily telegraph (UK), stated “Memoirs of Geisha hurts the heart and the brain with its crushing monotony, inert, sub-human, dialogue ND Marshalls calculated attempt to sell us another Hollywood fairytale prostitution”. (Rotten Tomatoes.com). I know Asian women are more superior than these but how about to those people who never meet Asian women in their lives then they will look at his women as second to nothing. Filmmakers should also reconsider that this kind of stereotyping creates a negative effect to these women and even loss their morality. Secondly, Hollywood filmmakers should avoid portraying Muslim religion as a form of terrorism because it creates havoc to mankind. We all seen it many times that most terrorist group in movies are coming from middle east/ Arab nation like the movie “True Lies” by Arnold Schwarzeneggar, which Omega Sector (terrorist) are all Arab men and Muslims. These are all movies and should not affect me but it seems like it is becoming more of a political issue to the world we are living. According to CNN News by David mark and Jeremy Diamond, which aired on November 21, 2015; caption—Trump: “I want surveillance of certain mosque” which he rhetorically relates these message during his presidential campaign in Alabama. Such a violation to our Constitution under freedom of religion. Then, on September 25, 2017 by forbes.com that Trump ordered travel ban to seven countries and six of those are Muslim nations. It is a mistake to link Muslim as terrorist because religion doesn’t preach radicalism but only mankind. Lastly, Hollywood writers and directors should avoid whitewashing because it creates racial inequalities.
Whitewashing is a practice here in United States which white actors are the main cast of a non-white character role. Even though a lot of white man are favorable and highly skilled actors capable of portraying a non-white role character, it will loss the essence and originality of the story. One of the most controversial in 2010 when M. Knight Shyamalan recreated the famous Nickelodeon anime “Avatar- The last Airbender”. The fans protested and start writing a letter campaign to Paramount Productions because the main cast are white actors despite the origin of the series was based on Asian characters and cultures. (Yellow face documentary, part 1) These are the same practice as “Blackface” in the 19th century and used make-up predominantly by non-black performers to represent a caricature of a black person. Whitewashing is not about racist, but something more larger and more systemic. (yellowface documentary,
part3). In conclusion, racial inequalities, women rights and religious issues has been violated because of Hollywood writers and directors have been stereotyping ethnic characters. To avoid these stereotyping among minorities is to start more recognizing the good quality and promote equality to all race. Many movies didn’t reach the maximum profit of their movie like “Avatar- The last Airbender” because right from the start fans notice a racial inequality that losses the interest of some moviegoers to watch the movie. One of the latest movie and has many positive remarks is the “Black Panther” because according to critics this is the first black movie that promote positivity and not about gangs, prostitution or corrupt cops. With all these to reconsider, Hollywood will promote good example to the next generation and be more successful financially.
There are many movies that people could label as their “favorite” although, “The Notebook” happens to be an all-time classic for people of all ages. The movie reflects back on a young couple, Allie and Noah’s love story. The movie is told by the older Noah, which he tells of how their love began and how it has changed over time. The movie is split up into times that have passed, when the couple was young, during the 1940’s, during the years when they had grown up and grown apart and during the present times while the couple has aged.
Asian Americans only make up a small percent of the American population. Even more significant is that this percentage live mostly on the west and east coasts of mainland United States and Hawaii; leaving the rest of the American population to most likely get their exposures to Asians through television and movies. However the exposure they have receive throughout the history of cinematography has been hardly flattering. Throughout the course of history Asians in film have been portrayed as evil or the "yellow peril" as described by others. If Asians are not being classified as evil in this picture then they are most likely the comic relief, with their lack of coordination or grasp of the English language. With these common stereotypes in place, it gives a white American viewer a sense or need to destroy this Asian villain or superiority over the comedic character portrayed in the film.
“Bringing Down the House” featuring Steve Martin and Queen Latifah is a clever comedy that creatively showcases the sociolinguistic phenomena covered in this course. The film is about a tax attorney named Peter, played by Martin, who stumbles into an online lawyer chat room and meets Charlene, played by Latifah. The two chat frequently, mostly about court cases, and eventually decide to meet in person. When the day finally comes, Peter is greeted at the door with who he thought would be a middle-aged Caucasian woman, but happened to be Charlene, a black woman who just escaped from prison. Thinking this was a mistake, Peter tries to kick out Charlene but is later convinced she is the one who he was speaking with in the chat room. Charlene was able to successfully impersonate a lawyer through speech, and along with a deceiving picture, able to convince Peter she was a petite blonde. During these chats, the two talked about court cases that happened to relate to Charlene’s predicament with the law. In attempt to clear her name from a crime she did not commit, Charlene researched the judicial system and similar court cases to hers while in prison. Now that she is out, she seeks personal assistance from Peter who has already through the internet, given her support. All throughout the movie the characters contrast in viewpoints, culture, and most importantly for our studies, language. Charlene and Peter represent different language backgrounds which we can analyze as the root of their character development and actions throughout the film.
Woll, Allen L and Randall M Miller. Ethnic and Racial Images in American Film and Television: Historical Essays and Bibliography. n.d. Print.
In Shohat and Stam’s article, Unthinking Eurocentrism: Multiculturalism and the media (2013), they discuss the issue of racism within the media and entertainment industry, such as Hollywood films. More importantly, Shohat and Stam’s discuss the assertion of racial politics in casting within the Hollywood films industry. The interesting idea to their argument is that they suggest that for a film to become financially successful, the casting of the protagonist must consist of a white star as they are seen to be ethnically universal (Shohat & Stam, 190). They further suggest that the ethnic minority have been limited to designated roles which ultimately perpetuate their ethnic stereotype (Shohat & Stam, 190). They concern this issue by critically analysing and contrasting western Hollywood films against other ethnic films.
In addition, due to negative feelings about Asian Americans prevalent in American culture, Hollywood’s attempt to expand its target audiences is constrained, and despite the increasing market values of Asian Americans, Hollywood is possibly unwilling to portray successful Asian characters for fear of provoking its mainstream audiences who hold prejudice against Asians. There is a dominant white preference over the effects certain stereotypes may have on Asians and Asian Americans (Park, 2005).
Global warming, international conflict, nuclear warfare, alien invasions…etc. etc. etc. Seriously? From articles, to novels, and even blockbuster films, it seems we’ve resigned ourselves to the horrid notion, that the future is, amongst everything it could possibly be, a threat, and I’ve had enough!
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...
At the end of the NPR article they discuss the problem between keeping television shows diverse, “without amplifying the problems of stereotyping and prejudice” (Feld). Television shows feel that in order to a successful show with diversity, the people need to be cast-typed or take on every stereotype that is associated with that particular race or gender. The Erigha article discusses how, “many of actors were type-casted, or put in racialized roles, that fit their ethnicity” and some of these people do not necessarily fit that type, “they used Asian Actors as an example, many of the actors that were born in America, were asked to speak in a Chinese accent.”
Racial discrimination takes many forms in many different countries. People can experience racial discrimination in a variety of different ways. In its most overt form, racial discrimination can occur as a result of stereotyping, prejudice, bias, and in this case whitewashing. Whitewashing is the casting practice in which white actors are cast in non-white character roles. The American film industry has a history of frequently casting white actors for roles involving people of color. This practice doesn 't only apply to African Americans, it applies to all races. Stemming from Othello (1965) to Aloha (2015), it seems that producers within Hollywood are willing to throw away accuracy in exchange for keeping Hollywood “white”. It begs the question
While Disney animated films are the ideal family movies, it is undisclosed to many that such racism is being portrayed. "Rarely do we ask about the origins and intentions of the messages we encounter through mass media; sometimes we forget that [producers] have origins or intentions at all" (Lipsitz 5). The social inequality found in such popular culture can be due to several reasons. According to David Croteau and William Hoynes in Racial Crossroads, media content can be the reflection of producers, audience preference, or society in general (Croteau and Hoynes 352). In their films or other such media, producers often reflect on personal experiences. In other words, they may "draw on their own family lives for story inspiration" (Croteau and Hoynes 352). With the majority of producers being White males, especially when films were first being made and even up to this day, films reflect how they view life. "The creators of popular culture see themselves merely creating signs and symbols appropriate to their audiences and to themselves" (Lipsitz 13). Disney producers simply reflect their own views on life in some manner or the views of the majority which so happens to be the White race. The white supremacy we find in the media is not reality, nor is the portrayal of various races. For the bulk of Disney's animated films, if minorities are not the villains or those of lower class and perhaps less importance, there are none being represented in the movie at all.
Whitewashing is considered a part of cultural appropriation. The term defined by New Webster’s Dictionary is “a term that now has also come to refer to the entertainment industry 's attempt at making ethnic characters more appealing to the white, money-spending masses by making exotic characters less ethnic and more “white.” It’s been happening for over 77 years and at this pace of major white movies stars taking minority roles, it doesn’t seem it’s going to stop any time soon. In February, the Academy Awards took place where the nominees for Best Male Lead and Best Female Lead are all white, even when the Academy Awards committee promised to be more “open to all races” in the past few years. People were outraged, including celebrities
Stereotypes In the Media Stereotypes play an important role in today's society and particularly in propaganda. According to the Webster's Dictionary, stereotyping is defined as a fixed conventional notion or conception of an individual or group of people, held by a number of people. Stereotypes can be basic or complex generalizations which people apply to individuals or groups based on their appearance, behaviour and beliefs. Stereotypes are found everywhere in the world. Though our world seems to be improving in many ways, it seems almost impossible to liberate it from stereotypes.
The stereotypes about different people have been there since a long time ago. In the society we live in now the skin color you were born in, gender and social status represent a lot about who you will be in the future and how people will see you. In Dangerous Minds there is a great message that is that everyone has the potential to succeed but they need the support. In most movies the Latinos and Black people are the low income, gang members, crazy, do not care about school and other stereotypes that media shows. The media labels the individuals by how they think they are even if they do not know the culture. The video of Danger Of A Single Story is similar to the movie Dangerous Minds because the teachers of the school have a story in mind about how the students have to act and who has the authority there.
While political correctness continues to be prevalent in our culture it will continue to affect certain aspects of it. A large aspect of our culture is the entertainment industry in general. A large problem on how political correctness is affecting the entertainment industry is the idea that studio decide to simply insert a random diverse actor in a role and expect that to be okay. A few examples of this trend are the recent Ghostbuster film where all the male roles were replaced by females, Idris Elba, an African-American, being cast as the main character of Stephen King’s the Dark Tower movie adaptation when the character is originally white, and the casting of minorities in lead roles for the recent Star Wars films. In fact, many of these examples are with good intentions. Studios are