Enchi Fumiko's Skeletons Of Men

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In Enchi Fumiko’s ‘Skeletons of Men’ (1956), the portrayal of women as victims of male dominance interested me. It is clear in her writing that traditional social norms persisted within Japan in spite of the socio-cultural changes that occurred after the Meiji Restoration. Yet, I would argue that while the women remained suppressed within the patriarchal system, they were not entirely passive. This is as they had found ways to circumvent the restrictions placed upon them, creating alternative channels of expression to communicate their feelings. Marriage as a social institution is depicted as one that establishes and cements the male position of power with the practice of polygyny. Enchi described polygynous unions as the ‘forceful exertion of [Yoshimitsu’s] own will’ and ‘a kind of living hell’ for both Ritsu and Shiga who are stuck in a state of psychological stress with the ‘constant contention’. The characterisation of Yoshimitsu as a ‘heartless’ man manipulating the women who ‘went on loving [him] all the while they were being broken’ also highlighted the unequal relationship they had. …show more content…

Contrary to the passivity that they show, the women in ‘Skeletons of Men’ were arguably active in their resistance of their situations and managed to devise strategies to circumvent their lack of freedom of expression. In the instance of Ritsu, the telling of Kato Saemon’s story to her granddaughter allowed her to ‘[include] her own emotions’ in a concealed manner. Additionally, it is important to note that Enchi’s female characters (such as Chise and Shizuko) have underground romantic relations outside of marriage as well. In a way, there is a bypass of the restrictions that marriage imposed on women - both Chise and Shizuko were able to be more assertive in expressing themselves to the men they loved outside of their

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