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Concept of masculinity and feminism
Feminism and masculinity main argument
Concept of masculinity and feminism
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During an in class discussion of the book 100 Years of Solitude, a fellow student suggested the women characters seem to be much more stable than the male characters. She stated that, “the women are the ones who take care of the house while the men go off and fight their silly wars.” She continued to note that the men seem to constantly immerse themselves in useless projects while the women are forced to take care of the home and dissuade their husbands’ irrational need for adventure and change. She was making the observation that the women behaved as the rational ones in the city of Macondo while the men took interest in shiny trinkets and inventions and left all care taking to the women.
Her point is validated in the literature in Ursula’s response to Jose Arcadio Buendia’s desire “to move Macondo to a better place” (13). Jose Arcadio Buendia feels the insatiable need to relocate to fulfill his craving for exploration, but Ursula will not stand for it and declares “we will not leave…we will stay here, because we have a son here” (14). Jose Arcadio Buendia’s selfish choice to relocate to satisfy his wishes exhibits no regard for others while Ursula’s declaration to remain stationary shows her concern for the women and children’s need for stability.
Upon further reading, however, one begins to observe a complete loss of rationality in the women characters. It looks as if, when a significant male character abandons the female in death or desertion, the woman loses all sense of responsibility and reason and shuts herself off into seclusion. This incident is seen happening, in one form or another, to Rebeca, Amaranta, Fernanda, Meme, and Ursula, to a certain extent, bringing up the possibility that the men may, in actuality, be h...
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...t Jose Arcadio was the provider for the family, Ursula was the nurturer, and they never lost sight of one another. Even with Jose Arcadio Buendia’s passing, while Ursula lost her eyesight, she could still see his spirit. Ursula took care of him, but he gave her the strength she needed. Perhaps that is why Garcia Marquez reveals several times throughout the book that no one had the strength of Ursula.
Personal experience has shown the necessity of gender roles; whether or not there is a belief in God. Naturally, not all Christians uphold this standard and many do not keep these roles throughout the marriage. Also some non-traditional unions have been extremely successful, but as a general rule, people just seem happier when the roles are carried out. Most men like to dominate and most women to nurture just as most women like to be dominated and most men cared for.
It is the small victories along the way that keep pushing Alvarado to not giving up on her dreams. The first is her children and her aspirations to give them a better life. The idea that if she works hard and stands up for what is right, then her children and future generations will prosper from it. Despite it ultimately cutting her off, the church is also a driving force. Once Alvarado got involved with the church, it gave her the ability to surround herself with other motivated individuals. She used the community she gained from the church to continue fighting for what she believed was right. Finally the support she received from lawyers and doctors gave her hope that it was not just the campesinos that were striving for a more equal life, but it was also people from other social classes. In some of Alvarado’s closing words, “I used to think you has to be poor to be part of this struggle. But there are people in Honduras who aren’t poor, yet they’re on out side. They’re well-educated people – doctors, lawyers, teachers, engineers – who identify with the poor (145).” Elvia Alvarado continues to strive for equality for the campesinos because she keeps hope that there are people on her side. There are people in Honduras, there are people in Europe, and there are even people in America, who she believes
The antagonistic nature of man verses woman is illustrated through Allende’s description and reactions of Clara and Esteban. Men and women are at the opposite ends of the spectrum of human nature, women know that men like to think they are in charge, because it gives them power, so women give into this little whim for the peace of mind and happiness that are essential in any relationship. Their instincts make their influence much more threatening and rebellious than the rage of one man who does not get his way. The women of Allende’s world are vibrant, spiritual, sensible and loving, the men are volatile, strong, and passionate, while they may be stereotypical, they help portray the true nature of man verses woman. Women may be physically weaker than men but they can match wits and daring with them any time.
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
? . . . it made no difference if they studied medicine or had the right to vote, because they would not have the strength to do it, but she herself [Nivea] was not brave enough to be among the first to give up the fashion.? (6, Ch 1) The women in this society are dependant on the dominant male figure to handle political and economical duties. This point of view is intended to mimic the older generation of women ad present a foundation for the growth of an enlightened generation. Allende uses this excerpt to present a foundation of structure to the novel by beginning with the extremes of opinion, which are followed in the novel through different generations. Alba for example, become a very outspoken activist by trying to attend the student protests and follow Miguel on his demonstrations, a sharp contrast to the indifference or shallowness found in her great grandmother.
In Willa Cather’s My Antonia, immigrants face conflict with their respective communities. The difference between values and norms of the immigrants and society are highly emphasized throughout the novel. In My Antonia, Antonia and Lena suffer the most hardships amongst immigrants because they are judged harshly for their actions. The novel focuses on three immigrant teens: Jim, Antonia and Lena. Cather establishes reverse gender roles within the novel. Jim has the privilege of getting an education and never having to work due to having successful grandparents. In contrast, Lena and Antonia come from poor families in which they must perform physical labor and take care of their families, typically the norms of men. Although Lena is confronted with reverse gender roles and disapproval by her community, she eventually finds
“If women are expected to do the same work as men, we must teach them the same things.” The famous Greek philosopher Plato once said this, and society still has not fully fathomed this idea regarding gender equality. Fahrenheit 451 is a novel written by Ray Bradbury, set in a dystopian society. It touches on censorship, individuality and technology dangers, but the most prevalent recurring theme is based on gender roles and stereotypes. In the story, Guy Montag is a firefighter, whose sole mission is to burn books and any houses that contain them. Everything changes when he meets a young and insightful girl, Clarisse, who changes how he sees the world. Montag’s wife Mildred, is a housewife not only to him, but to an entirely fake family composed
Gender bias is very common in the corporate world. Throughout history, males have been dominant in the workforce, whereas women have been excluded. Currently, only 4.6 percent of the Fortune 500 CEOs are women. In Harper Lee’s To Kill a Mockingbird, women rarely even work outside of the house. In this novel, Harper Lee shows the differences between the roles of males and females, specifically the distinctions between occupations and social values in the 1930s.
Many readers feel the tendency to compare Aphra Behn's Oroonoko to William Shakespeare's Othello. Indeed they have many features in common, such as wives executed by husbands, conflicts between white and black characters, deceived heroes, the absolute vulnerability of women, etc. Both works stage male characters at both ends of their conflicts. In Othello, the tragic hero is Othello, and the villain is Iago. In Oroonoko, the hero is Oroonoko, the vice of the first part is the old king, and the second part white men in the colony. In contrast to their husbands, both heroines—Desdemona and Imoinda—seem more like "function characters" who are merely trapped in their husband's fates, occasionally becoming some motivation of their husbands (like Desdemona is Othello's motivation to rage, Imoinda's pregnancy drives Oroonoko restless to escape). While Shakespeare and Behn put much effort in moulding them, to many readers they are merely "perfect wives". This paper aims to argue that, Desdemona and Imoinda's perfect wifehood may be the product of compliance to male-dominated societies, where women are
Suaréz, Lucia M. “Julia Alvarez And The Anxiety Of Latina Representation.” Meridians: Feminism, Race, Transnationalism 5.1 (2004): 117-145. SocINDEX with Full Text. Web. 25 Mar.2014.
The founder of Macondo, Jose Arcadio Buendia, is the first great solitary. He becomes so obsessed with his own search for truth that he neglects his family and ultimately loses all touch with outer reality. His wife, Ursula, is perhaps the greatest of the antisolitary figures, the person who more than anyone else holds the family and the house together. She takes in a foster child and later insists on rearing the bastard children of her sons and grandsons. Her whole life is devoted to strengthening social bonds.
Women are what bring this story to such cavernous depths. We are not brought into the perspective of the men, we are, however, told about how they are loved, hurt, and manipulated by the women. There is a scale of personality among the ladies which ranges from the pious uncertainty of Gwenyfar to the essence of strength from Morgaine. We are first enthralled with Igraine’s love, repulsed by the sinister Morgause, respectful to the lady Igraine, enchanted by Morgaine’s wisdom and angered by Gwenyfar’s ignorance. The qualities possessed by these woman can be both glorious and destructive.
Portrayal of Women in One Hundred Years of Solitude and The House of the Spirits
...nancial needs or just in the home men held the advantage. "A Doll's House," by Henrik Ibsen portrays the genders role of nineteenth century women and men in society. Torvald's perception of his wife of how she is a helpless creature shows the overall role which women filled. Women were responsible for the purity of the world through their influence in the home and through the upbringing of her children. They had to beg and ask for permission to do certain activities and essential things. Men were the ones in the family who worked and provided for his family's wellbeing. Because of the family's economic dependence on the husband, he had control over all of all his family members. This showed the amount of progress needing to come in the future to allow woman to start receiving some of the many rights they deserved which men had and so frequently took for granted.
“Girls wear jeans and cut their hair short and wear shirts and boots because it is okay to be a boy; for a girl it is like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading” (McEwan 55-56). Throughout the history of literature women have been viewed as inferior to men, but as time has progressed the idealistic views of how women perceive themselves has changed. In earlier literature women took the role of being the “housewife” or the household caretaker for the family while the men provided for the family. Women were hardly mentioned in the workforce and always held a spot under their husband’s wing. Women were viewed as a calm and caring character in many stories, poems, and novels in the early time period of literature. During the early time period of literature, women who opposed the common role were often times put to shame or viewed as rebels. As literature progresses through the decades and centuries, very little, but noticeable change begins to appear in perspective to the common role of women. Women were more often seen as a main character in a story setting as the literary period advanced. Around the nineteenth century women were beginning to break away from the social norms of society. Society had created a subservient role for women, which did not allow women to stand up for what they believe in. As the role of women in literature evolves, so does their views on the workforce environment and their own independence. Throughout the history of the world, British, and American literature, women have evolved to become more independent, self-reliant, and have learned to emphasize their self-worth.
The novel explores gender roles through the characters of Mrs. Ramsay, Mr. Ramsay, and Lily. Each of these characters embodies different views in regards to gender roles. The readers are taken into their minds and thoughts and are allowed to see what each character views is the role of his/her gender.