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Fairy tales and gender roles
Fairy tales and feminism
An essay on fairy tales
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In the introduction to the The Classic Fairy Tales, Maria Tartar notes that there is no “single, univocal, uncontested meaning” for any particular fairy tale (xiv). This is primarily due to the “kaleidoscopic variations” of fairy tales that have been “reconfigured” to meet the needs of different, distinct audiences (Tartar ix). As Tartar notes, “local color” shape each the telling of each tale (ix). However, the local color shapes more than just the telling, or variation, of a tale. When coupled with the personal experiences and expectations of the listener/reader of a tale, the local color also affects the meaning of a tale. As a result, a singular fairy tale or tale variation can have numerous meanings, each one dependent upon the individual. This is can be clearly seen by looking at several possible interpretations of “Wolfland” by Tanith Lee.
Although many consider “Wolfland” to by a feminist fairy tale, it is not. The female and male characters in the story conform to very traditional fairy tale stereotypes.
Lisel’s parents are traditional fairy tale parents. Her mother died while in childbirth. Her father, while living, is virtually a non-entity. He does not parent her or seem to have any desire to protect her from the dangers of a woman he considers to be “mad” (Lee 123). As a result, Lisel is left to face any danger or cruelty on her own.
“Grandpére,” Anna’s husband, reveled in the “man’s pleasure” and beat his wife whenever he so desired (Lee 131). Traditionally, in patriarchal societies, the man was the head of the household. He was the one with all of the power, his desires and decisions were law. Anna’s husband embodies this traditional, powerful role of head of the family. He viewed both his w...
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...cal relationship discussed in Gilbert and Gubar’s “The Queen’s Looking Glass.” Their relationship is as cyclical as the relationship of Snow White and the Wicked Queen. The two characters represent two sides of the same character. They are the same in both looks and temperament, Anna being “Lisel as she would become” in the future (Lee 141). Throughout the story, Lisel’s struggle with her grandmother represents her “struggle to repress the assertive [witch-woman] in herself” (Gilbert and Gubar 205). She is, however, unsuccessful as Snow White is unsuccessful. Anna, a “transmogrifite,” transforms Lisel in order to save herself (Lee 139). As she does so, she informs Lisel that she, too, will eventually need to transform an innocent female in order to save herself. Thus forcing Lisel to become Anna as Snow White is eventually force to become the Wicked Queen.
In this chapter, the author explains how many stories relate to fairy tales, like a parallel. Themes and storylines from popular fairy tales are often reused and made into newer and sometimes slightly different versions of the tale. A prime example of this would be the 2013 movie production of Jack the Giant Slayer or the 2011 production of Red Riding Hood. One characteristic of fairy tales is that they all have a plot and a solution which makes the story easy to connect to. This characteristic makes it possible for there to always be a way to connect a story to the fairy
This source provided the unique perspective of what was thought to be the perfect household, with a man who worked and a wife who cooked and cleaned. However, it also showed how a woman could also do what a man can do, and in some cases they could do it even better. This work is appropriate to use in this essay because it shows how men talked down to their wives as if they were children. This work shows the gradual progression of woman equality and how a woman is able to make her own decisions without her husband’s input.
Submission is a set of dominant behaviors involving the obedience of one person to another, which can be considered nowadays as an immoral intolerance. Submissiveness, generally directed towards women, has always existed throughout history. Even Sidonie-Gabrielle Colette’s short story “The Hand” brings out this oppressive notion at her times. Through the use of literary devices such as symbolism and characterization (which might also involve imagery), the author portrays this idea of women’s submissiveness to their husband’s dominance in a marriage.
In “The Company of Wolves” Carter employs conventions of gender construction and didacticism, which help establish a fairy tale space (Koske 323). Carter presents a world in which fairy tale notions of gender are upheld. In her paper, “In Olden Times, When Wishing was Having: Classic and Contemporary Fairy Tales”, Joyce Carol Oates explains that the girls and women in fairy tales “are the uncontested property of men”. Carter alludes to this male dominated reality in her tale (99). When the girl, Carter’s Red Riding Hood, insists on venturing into the woods, the narrator says that “[h]er father might forbid her, if he were home, but he is away in the forest, gathering wood, and her mother cannot deny her” (1224). There is perhaps no gendered element to a parent preventing his child from wandering into the wilderness, b...
...n” is a great example of an old myth or tale reconstructed and adapted for a modern audience in a new medium. It is a progression on one hand in its use of modern language, setting, and style but it is also the product of the old myths in that it is essentially the same on the thematic level. In addition, the level of self-awareness on the part of the narrator and, by extension, the author marks it out as an illustration of the very notion of evolutionary changes of myths and fairy tales. Adaptation is the solution to the fairy tale, and fairy tales have been endlessly changing themselves throughout history and, by some strange transforming or enchanting power endlessly staying the same.”
Katelyn Matroni Professor Torrence English 102 February 12th, 2014. Meaning of Life According to Bruno Bettelheim, in Introduction: The Struggle for Meaning taken from The Uses of Enchantment, the use of fairy tales in a children’s life allows them to deal with their fears in a symbolic way. In order for a story to hold a child’s attention, it must “help him to develop his intellect and to clarify his emotions”(263). The use of fairy tales in Burn Your Maps, by Robyn Joy Leff, portrays the subtle but important influence of fairy tales on a child.
The article “Spousal Abuse” discusses that Victorian perception of religion, domestic principles, and laws allows men to justify “wife-beating.” Domestic violence during Victorian times is mainly attributed to the idea that the man is the ruler in all worlds. The man’s responsibility of being a protector is the main idea in contributing to domestic violence.
The movement for female right is one of the important social issue and it is ongoing reaction against the traditional male definition of woman. In most civilizations there was very unequal treatment between women and men with the expectation being that women should simply stay in the house and let the men support them. A Doll's House by Henrik Ibsen, and Trifles, by Susan Glaspell, are two well-known plays that give rise to discussions over male-female relationships. In both stories, they illustrate the similar perspectives on how men repress women in their marriages; men consider that women should obey them and their respective on their wives is oppressed showing the problems in two marriages that described in two plays. Therefore, in this essay, I will compare two similar but contrast stories; A Doll's House and Trifles, focusing on how they describe the problems in marriage related to women as victims of suppressed right.
The memoir gives a unique perspective of the noblewoman in this period of Russian society. A male-centered society made it difficult for women to shape and control their lives, however it was possible through means of gaining respect. The society respected woman who had a virtuous demeanor. Especially, those who lived with an immoral spouse and still were able to show virtuous characteristics. Anna is able to gain the respect of people higher in authority than her husband receiving special treatment for various requests. Through her marriage, she recognizes that her husband has rights that she doesn’t have in shaping and controlling her life privately and especially publicly. This society causes for women to depend on men completely.
The parallels that have been presented show that there are not just similarities in the tale and the Wife’s life, the prologue and the tale are the real and the ideal way that the Wife sees her world. She, like many women of her time and ours, wants control over her husbands and will do what it takes to gain it. She tells us how she gained control over her husbands, even when it lead to the oldest trick in the book, withholding “pleasures”. Then she backed up her desire for sovereignty by telling us in her tale that it was not just herself who wanted this dominance, but every woman wants the same, even if they don’t know it. Finally she idealizes what she wants from a husband with the tale of the knight and the hag. If only it were as simple as the tale told.
The Wife prefaces her tale with a rather lengthy prologue, in which she recounts in detail the story of her five different marriages. The prologue might at first glance appear to have very little relevance to the actual tale, but in fact the Wife’s treatment of her husbands (and their responses to her) are echoed later when she begins her tale. The Wife’s husbands fall into two categories: the rich and elderly, or the “goode,” and the young and virile, or the “badde” (203). The older husbands, while wealthy, are unable to satisfy the Wife in the bedroom. However, she takes great pleasure in dominating these men in almost every aspect of each marriage. Sh...
...nges that are used to adapt to the culture they are being told in. The Brother's Grimm and Giambattista Basile each wrote a fairytale that was almost the same as the other, but as previously mentioned they are different in order to adapt to their surroundings. Nevertheless, psychologically speaking, the psyche of the characters besides the father are both the same. They portray different archetypes that contrast and cause tension in the fairy tale. Each character can easily represent a certain personality trait. Regardless, fairy tales appear to people and their is more to why they are passed down time and time again in different versions. This reason falls back to the human psyche. According to Jungian theory, subconsciously we enjoy telling fairy tales because they relate so much to us and are basically showing a closer view of our subconscious on a cultural level.
The biological differences that set apart the male and female gender throughout any culture remain eminent. Men are perceived as the stronger and dominant gender; women play the role of the weaker. In each culture the expectation of the manner in which men and women behave are influenced by the ideals and customs of that culture. In most predominant cultures, the man undertakes the role as a leader, and the woman devotes her life to the husband. Throughout history, traditions and literature provide a template to the identities of various cultures. Sleeping Beauty’s classic tale of a beautiful princess takes a central precept that previous patriarchal archetypes dominated during the 17th Century. The archetypal perceptions of women resulted from conscious and unconscious literature influenced by male-dominated perspectives and social standards.
Bettelheim, Bruno. The Uses of Enchantment: the Meaning and Importance of Fairy Tales. London: Thames and Hudson, 1976. Print.
...r’s household most women in this period had no self-respect and were controlled by their husbands.