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Theatre elizabethan era
Elizabethan comedy
Theatre elizabethan era
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A.
How [God] hath dealt with some of our countrymen your ancestors, for sundry vices not yet left, this book named A Mirror for Magistrates can shew; which therefore I humbly offer unto your Honors, beseeching you to accept it favorably. For here as in a looking glass, you shall see (if any vice be in you) how the like hath been punished in other heretofore, whereby, admonished, I trust it will be a good occasion to move you to the sooner amendment.
William Baldwin, A Mirror for Magistrates (1559)
B.
In Playes, all cosonages, all cunning drifts ouer guylded with outward holinesse, all strategems of warre, all the cankerwormes that breede on the rust of peace, are most lieuely anatomiz'd: they shew the ill successe of treason, the fall of hastie climbers, the wretched end of vsurpers, the miserie of ciuill dissention, and how iust God is euermore in punishing of murther. And to proue euery one of these allegations, could I propound the circumstances of this play and that play ... they are sower pils of reprehension, wrapt vp in sweete words ... and as for corrupting [prentices] when they come, thats false; for no Play they haue, encourageth any man to tumults or rebellion, but layes before such the halter and the gallowes; or praiseth or approoueth pride, lust, whoredome, prodigalitie, or drunkennes, but beates them downe vtterly.
Thomas Nashe, Pierce Penilesse (1592)
C.
0 London, mayden of the misstresse Ile,
Wrapt in the foldes and swathing cloutes of shame:
In thee more sinnes then Niniuie containes,
Contempt of God, dispight of reuerend age.
Neglect of law, desire to wrong the poore:
Corrpution, whordome, drunkennesse, and pride.
Swolne are thy browes with impudence and shame.
0 proud adulterous glorie of the West,
The neighbors burn, yet doest thou feare no fire
Thy Preachers crie, yet doest thou stop thine eares.
The larum rings, yet sleepest thou secure.
London awake, for feare the Lord do frowne,
I set a looking Glasse before thine eyes.
0 turne, 0 turne, with weeping to the Lord
Repend 0 London
Thomas Lodge and Robert Green, A Looking Glass for London and England (1590), lines 2388-2404
D.
Suit the action to the word, the word to the action; with this special observance, that you overstep not the modesty of nature: for anything so overdone is from the purpose of playing, whose end, both at the first and now, was and is, to hold, as Œtwere, the mirror up to nature; to show virtue her own feature, scorn her own image, and the very age and body of the time his form and pressure.
“The National Archive of the UK HO 42/31/16,” June 6, 1794. The National Archives, Kew.
Winthrop, John. “Winthrop’s Journal “History of New England” 1630-1649. Vol. I. New York: Charles Scribner’s Sons. 1908 http://www.archive.org/details/winthropsjournal00wint. Web. 1 Feb 2014
No, the “English Tragedy” does not relate to the Queen, that is the first fact that should be established. Instead, it is about English, the language itself. George Orwell warned readers of the negative consequences stemming from the degrading quality of English in both 1984 and his essay “Politics and the English Language”. In both pieces of writing, Orwell is able to demonstrate the effects that language can have on the thoughts of those who speak it. In 1984, he is able to emphasize how the lack of language can limit thought, and ultimately society. In “Politics and the English Language”, Orwell demonstrates how bad English will, “construct your sentences for you” (Orwell, 6) and make the language into a meaningless jumble. Although Orwell wrote in the earlier part of the 1900s, the bad English that he wrote about is still relevant today. Dying metaphors, meaningless words, and pretentious diction are still used in writing by the mainstream media despite the warnings of Orwell.
Boston: Bedford Books, 1998. 1467 - 1471.
The Elizabethan era gender roles were much different than they are today. Women were regarded as the weaker sex, and men were always dominant. These “rules” are shown prominently throughout Romeo and Juliet, and paved way for obstacles they went through in their relationship. The gender conventions for women and men were prodigiously stereotypical and unreasonable, as they made men out to be the superior gender. Women should not have been perceived as inferior to men, and these unwritten rules for masculinity and femininity were shown throughout the play. Romeo acted very feminine which contradicted his gender conventions while Juliet did not abide by rules and disobeyed her parents. Romeo and Juliet had many ways in which they followed and
Ann Charters. Boston: Bedford/St. Martin’s, a 2011 book. 1629 - 1631. Print. The.
Butler, John. “James I of England.” Luminarium. N.p., 30 Oct. 2006. Web. 3 Apr. 2012. .
Elizabethan times in the 1600s was a progression for the world of the theater. A period named after Queen Elizabeth I of England, it is from this period that modern day society has its foundation for the entertainment industry. From the violence that was prevalent because of the Black Death, people turned to the theater for its poetry and romance. During this time period, there were two types of theatrical performances that were available for the people’s viewing, comedies or tragedies. These two genres were never really intertwined until the time of William Shakespeare. His play, Romeo and Juliet, is an example of both a comedy and a tragedy. It starts off as a comedy with Romeo weeping like a baby because of his love Rosaline, who did not love him back and ends as a tragedy when Romeo and Juliet, a pair of star crossed lovers, commit suicide because the lost of each other. It was also during Shakespeare’s time that writer were finally acknowledged by the people. Before this time, writers were not considered upper classman. Another group of people that began to rise into a higher social class were the actors. Actresses were not present back then because women were not allowed on stage. It was considered unladylike to have a female actor. Men played all the parts. Theater owners were dependent on actors to make them a profit. Rehearsals for the plays were fairly short, only lasting for about a week. The performances themselves would only show for three to four days.
February 2014. http://faculty.history.wisc.edu/sommerville/361/361-02.htm. Sommerville, J.P. Economy and Society in Early Modern England. The "Social structure" of the. February 2014.
“Shakespeare’s Sister” exemplifies critical elements most essays should possess by making a point in a very effective way. In the essay, “Shakespeare’s Sister,” Virginia Woolf creates a fictional story to persuade her readers. The essay creates a story to exemplify women’s roles in the renaissance era. She creates a what-if situation of Shakespeare having a sister. The story demonstrates women’s inequalities during his time, and examples of these situations. “Shakespeare’s Sister” is an effective essay because of customary word choice, use of hypothetical situations, and vivid story telling.
and Writers. 4th ed. Ed. John Schlib and John Clifford. Bedford. Boston: Bedford, 2009. 1526-1561. Print.
Excellence, from the root excellent, is the achievement of something extremely good in life. These achievements can be of a literary nature, or a cosmic nature, however the excellence that pertains to the coming essay, is that which is found within the female characters of Shakespearean tragedies. Despite the patriarchal ways of life during Shakespeare's age, he constantly conveys the ladies of his plays with nothing short of "excellent ... beauty, wit, and virtue." [Doran 135]
Gascoigne, Bamber. "HISTORY OF GREAT BRITAIN (from 1707)." History World. (2001): n. page. Print. .
Burns, Julia. "Notes MLA 6318". Church and State in Early Modern England. Fall 2013. Dr. D. David.
William Shakespeare, Christopher Marlowe, and Ben Johnson are names that have resonated through the centuries. Not since ancient Athens has there been such gluttony of talent, producing stories for the ages. Might Athens be were these Englishmen found their inspiration? Greece produced its share of legendary playwrights; Sophocles and Euripides are two of the most famous. There are far m Elizabethan England gave birth to some of the most famous names in theatre. ore similarities between Elizabethan and Greek Theatre then there are differences. The influence of both eras is felt even today, stage productions of Shakespeare and Euripides are performed from London too Broadway and everywhere in between. I believe that both eras have influenced modern theatre simply because the Greek so obviously influenced Elizabethan theatre.