Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Contrast between good and evil in the lord of the rings
Good and evil in the lord of the rings
Contrast between good and evil in the lord of the rings
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Elements of The Lord of the Rings in Final Fantasy VIII
J.R.R. Tolkien's The Lord of the Rings trilogy is arguably the most influential work of fantasy literature in modern times. Its epic tale of good against evil and its surreal world of magical and unusual characters and places have captured and enchanted readers since its publication half a century ago. The story of the struggle to destroy the One Ring still influences numerous tales of adventure in literature, film, and role-playing games. Since the advent of role-playing video games, the Final Fantasy series has endured in a genre where many other games seem to blend together. It marks a standard in the world of role-playing games in much the same way The Lord of the Rings marks a standard in fantasy literature. This essay shall examine these two epic adventures and show some of the ways in which Final Fantasy VIII draws upon elements from The Lord of the Rings.
At the center of Tolkien's The Lord of the Rings is the basic struggle between good and evil, manifested through the battle over the One Ring. The story draws upon traditional Christian theology and ideas about good and evil, right and wrong. Goodness in The Lord of the Rings is represented by selflessness and an interest in the good of all, with a willingness to give of oneself for the good of the whole. However, the border between good and evil is not always clear, and characters are not necessarily completely good or completely evil. Selfishness, greed, and hunger for individual power are destructive forces for evil within individual characters, and characters must use their own moral compass to choose whether to strive for good or give in to the temptation of evil. Even...
... middle of paper ...
...Merry and Pippin or Zell Dincht. Perhaps it is the vulnerability in characters like Frodo Baggins or Squall Leonheart; seemingly 'regular guys' who are thrust into extraordinary situations and who persevere for the forces of good in the world. Regardless, both The Lord of the Rings and the Final Fantasy series are works that have managed to grow beyond the narrow bounds of their genre, and both will likely remain influential standards by which other works are judged.
WORKS CITED
Final Fantasy VIII. SquareSoft/Electronic Arts. 1999.
Final Fantasy: Worlds Apart. Final Fantasy VIII home page. <http://www.ffnet.net/ff8/index.html>
Tolkein, J.R.R. The Fellowship of the Ring. New York: Ballantine Books, 1954.
---. The Return of the King. New York: Ballantine Books, 1955.
---. The Two Towers. New York: Ballantine Books, 1954.
Good vs. Evil is portrayed in The Hobbit through many different events and characters throughout the novel. Showing us that what we may think, may not always be want it really is. Bilbo had no doubt in his mind they would fail on their mission. Yet with all odds against them they won, good defeated evil, just like in the Bible God watches out for his children and protects them from evil, but they have to make the right choices, and work for his respect and honor.
The lines that define good and evil are not written in black and white; these lines tend to blur allowing good and evil to intermingle with each another in a single human being.
Ethics is a wide field of philosophical study to which the core of every question within falls to one side of a blurred line. On the right, is good; the value which is popularly believed to be the correct alignment for which a person should live their life according to. On the left, is evil; that which is the cause of most human misery, and prevents peace on earth. In John Gardner’s book Grendel, the retelling of the ages old story Beowulf, further blurs the line between good and evil. Circumstance and perhaps a confused view of reality allow the monster, Grendel, to conceivably defend his evil beliefs. In order to better understand evil, using Grendel as a guide, I intend to attempt to justify it.
Has anyone ever heard of Odysseus being a hero? However it's hard to believe he his he has many pros and cons in being a hero but he does a lot to save his crew from these magical seraphic woman in a deserted island singing a deadly song. Although it was hard for him he had faith in his crew to never stop believing.
These theoretical concepts developed by Dr. Jung are what caused the hypothesis and negativity of my original consideration of him to be replaced by a deep respect and, in fact, an almost gleeful fascination with his work. I am discovering that quite a few people find that Jung has a great deal to say to them. This tends to include writers, artists, musicians, film makers, theologians, clergy of all denominations, students of mythology, and of course, and many psychologists
A timeless topic--fate and free will--still captivates society today. Fortune cookies, physics, and horoscopes all contribute to the obsession people have with this controversial debate over who manipulates life; fate or free will. No one is sure who really pulls the strings, but everyone has an opinion on the matter. Many famous plays center on this topic, and one such play that features characters’ views on fate and free will is Romeo and Juliet. This legendary play, written by William Shakespeare, has been beloved by people for centuries, as they contemplate who is the guiding force in life? The play discusses just this, while depicting the lives of Romeo and Juliet: two desperate teenagers each trapped in their own worlds, seeking love and freedom. The two “star-crossed lovers” are from feuding households, and each has their own distinct problems. Romeo jumps from girl to girl, never finding anyone to reciprocate his feelings until he meets Juliet. She is hidden from the world, and with every decision being made for her, she wants to control her own life, which she does with marrying Romeo. Although fate and free will are both undeniably found in the lives of Juliet and Romeo, it is ultimately fate and the way it manipulates the events, time, and the characters that brings about the untimely death of the two iconic teen lovers.
James’ focus on the mystic experiences that religion entails was characterized by four circumstances. These four circumstances were ineffability, a noetic quality, mystical states are transient, and people can’t control when the experiences come and go. For ineffability, the experience must be had by a person and cannot be transferred to another. By noetic quality he was stating that the mystical state came as a state of knowledge to the individual. James goes on to ask if these states are “windows through which the mind looks out upon a more extensive and inclusive world” (Varieties, 428).
The death of the two lovers in William Shakespeare’s Romeo and Juliet seems preventable. Misinformed characters spur a series of unfortunate and ill-timed events that lead to Romeo and Juliet taking their own lives. The audience is constantly aware of Romeo and Juliet’s looming death and always hold knowledge that the characters do not. Shakespeare incorporates this dramatic irony in numerous places in the play which keeps the audience on edge and gives the same sense of fate that the characters experience
Frodo is looked upon as an archetype hero because he is the one that must defeat or ruin the plans of the Dark Lord. He has a task to do, just like we all do and despite it being forced upon him, he accepted the challenge. He is looked upon as the protagonist in the film while the Dark Lord is the antagonist. At first Frodo is doubtful and is uneasy about the task and it is his decision if he wants to risk his life for this good deed not just for himself but for the people. Frodo is looked as a hero because he takes the challenge or task and knows what must be done. Despite the challenge being tough, Frodo still decides to go through with it. Destroying the dark ring and foiling the plans of the Dark Lord is not an easy feat but Frodo, like the hero he is, shows in the movie that he will accept the task. Choosing to risk his own life to take down the Dark Lord shows that he truly is a hero.
...ith the help of sorrowful experiences. Odysseus had to face the sight of watching his dog, Argos, die. This made Odysseus take things into perspective, and appreciate things more. Also, Odysseus lost some of his hubris when he found out what had been happening to his wife. She has been taken advantage of my the suitors, and almost got remarried. This also made Odysseus realize how good he had it before his whole journey occurred.
J.R.R. Tolkien Research Paper As many have grown up during this generation, they have been dazzled by the work of J.R.R. Tolkien as well as the artistic interpretation of this trilogy by Peter Jackson. This movement started when Tolkien created The Hobbit and then later the Lord of the Rings trilogy in the 1930’s, 1940’s and 1950’s. However, there are those who have criticized both the books and the cinema for being sexist and/or racist. Tolkien is not sexist because he develops his female characters by revealing their individualism and dynamic features, and is also not a racist because much of the criticism comes from Peter Jackson’s interpretations and because racism is harshly looked upon more in this generation than it was back in the 1940’s.
For many years, the idea of what it means to have a “religious experience” has been greatly debated. Philosophers and great thinkers alike have grappled with many questions, such as what constituted a “religious experience” and the difference between that and a mystical experience. Part of this great debate involves two philosophers from a similar time period, William James and C.D Broad, who each saw these experiences, despite some similarities, as having different epistemic values. Broad offers that these religious experiences can provide strong validation of a higher existence, while James take more of a perennialist view, in which all of the religious traditions of the world have on common belief about the world; therefore, his idea of mystical experiences don’t truly support the idea of a supreme being. I believe that neither James nor Broad are completely correct and rather the epistemic value of religious experiences lies somewhere in between their views.
Jung's analytical psychology can be divided into two parts: theory and practice. The focus of this prose will be on the former, which pertains to the structure of the psyche and the laws of psychic processes and phenomena and includes his theories of archetypes and the unconscious (Jacobi, 1942; Jung, von Franz, 1964). His practice involved the inclusion of his theory in therapy and consisted of four methods: association method, symptom analysis, anamnestic analysis, and analysis of the unconscious (Jacobi, 1942). The goal of all four of these methods was to reveal the patient's unconscious to themselves as well as the therapist. Jung found that one of the easiest and most effective ways of revealing a patient's unconscious was through the actions of archetypes in the patient's dreams (Jacobi, 1942). However, Carl Jung's idea of archetypes was not an entirely original one. Literature suggests Plato’s Forms, Kant’s Categories, Schopenhauer’s Prototypes, as well as Greek mythology and symbolism heavily influenced Jung.
Stevens, A. (2006). The Archetypes. In R.K. Papadopoulos (Eds.), The Handbook of Jungian Psychology: Theory, Practice and Applications. New York, NY: Routledge.
A fantasy is an imaginary world where all things imaginable can be brought to life. J.R.R Tolkien portrayed fantasy through his use of skilled craftsmanship and a vivid imagination, which was presented in each piece of literature he wrote. In Tolkien's two stories The Hobbit and The Lord of the Rings we see the theme of fantasy brought to life through three essential elements, heroism, magic and retribution. Heroism is shown through the character's courage and bravery in situations where conflict arises and this enables them to be seen in a new light. Magic is a form of extraordinary power seemingly through a supernatural force; it is used in a combination of combat and mystical items to aid the companions on their journey. Retribution is paid to the evil forces for the wrongs society had to endure while they were allowed to dominate. This system allows opportunity for physical and mental development in the characters and the aspect of fantasy to come to life.