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James joyce dubliners and religion
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Effects of Religious Education on Theme and Style of James Joyce's The Portrait of the Artist as a Young Man
Although Joyce rejected Catholic beliefs, the influence of his early training and education is pervasive in his work. The parallels between Biblical text and The Portrait of the Artist as a Young Man are abundant. As Cranly says to Stephen, "It is a curious thing, do you know, how your mind is supersaturated with the religion in which you say you disbelieve" (232).
The novel progresses in a way that seems Biblical in nature; thematically it compares with the creation and fall of man and/or Lucifer. In addition, the style is at times similar to Biblical text, using familiar rhythm, repetition, phrasing and imagery.
As with the Bible, Joyce begins his novel with the importance of the word. He then relates sensual impressions, as if a newly formed creature were experiencing the physical world. Then, as the center of his universe, Stephen also learns the meaning of words and the power of words. He is like Adam bringing order to things by giving them names. But Stephen's knowledge comes not only from the material world, he learns through a sudden-knowing, similar to spiritual understanding, a process Joyce calls intuitive or epiphany. His thirst for knowledge both intellectual and sensual brings him in conflict with his father (Jesuit and heavenly). He falls from grace and experiences hell (through the power of word and his very vivid imagination). Because of his terror of hell he responds at first with repentance, but after reflection, with defiance. At the end of the novel he leaves his homeland, his place of origin, and prepares to begin a new life in a new land.
THE WORD
In the beginning was the word. Throu...
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...because of what has happened to him, but because of his response to those events. He was not the only young Irish boy to have a self-sacrificing saintly mother and an irresponsible drunkard father. He was one of hundreds if not thousands of boys to be indoctrinated and trained by the Jesuits. What made him different was his response and that response was unique to him, and that uniqueness was born in him. So, the ultimate conclusion of the novel is that the artist is born, not made by human ways, but created by the powers of nature and/or God.
Works Cited:
Joyce, James. The Portrait of the Artist as a Young Man. New York: The Viking Press, Inc., 1958.
Joyce, Stanislaus. My Brother's Keeper James Joyce's Early Years. New York: The Viking Press, 1993.
Levin, Harry. James Joyce, A Critical Introduction. New York: New Directions Publishing Corporation, 1960.
Professor Thomas Slaughter has provided a most thorough overview of the Whiskey Rebellion, which he asserts had by the time this book was conceived nearly two centuries after the episode transpired, had become a largely forgotten chapter of our nation's history since the time of the Civil War. He cites as direct evidence of this fact the almost complete absence of any mention of the event in many contemporary textbooks of the conservative era of the 1980's, which this reviewer can attest to as well, having been a high school student in the late 1970's, who never heard of the Whiskey Rebellion until years later. Building off of his own dissertation on the topic, the author convincingly shows that the Whiskey Rebellion was in fact an event of tremendous importance for the future of the fledgling United States of America, which was spawned by the head-long collision of a variety of far-reaching forces and factors in the still quite primitive environs of western Pennsylvania that summer and fall. Slaughter contends that one must place the frontier at the center of the great political debates of the era and fully explore the ideological, social, political, and personal contexts surrounding the episode in order to fully understand the importance of its place in American history. In doing so the author has produced a very readable work that may be enjoyed by casual readers, who will likely find the individual vignettes which open each chapter particularly fascinating, and a highly useful basis of further research by future scholars into the importance of the frontier region as it relates to events on a national scale in those early days of the republic.
How Cohen’s perspective of the social responsibility of business aligns with the perspective of Drucker.
Joyce, James. A Portrait of the Artist as a Young Man. The Viking Press, New York: 1964.
Benjamin Franklin is known for conducting lots of experiments dealing with electricity. His most famous being the kite experiment. He became fascinated with electricity when he was accidently shocked in 1746. Benjamin wondered if there was a way to protect buildings and the people inside of them from lightning. He thought that this could benefit people in the
Fairhall, James. James Joyce and the Question of History. Cambridge University Press. New York, New York: 1993.
2.National Parent Information Network. “Teens, Sleep, and School.” Parent News Vol. 4 Number 8 (8/1998) http://npin.org/pnews/1998.
Kumar, Udaya. The Joycean Labyrinth: Repetition, Time, and Tradition in Ulysses. Oxford: Clarendon P, 1991.
...near the earthly warmth and materialistic passions and to coagulate and fall if near the heavenly chill and spiritual abstinence. By repeatedly manipulating this image pattern of the clouds as the medium between heaven and earth, Joyce tirelessly illustrate the nature of artistry as the compromise between the abstemious religion and the materialistic agnosticism.
At the heart of James Joyce’s A Portrait of the Artist as a Young Man lies Stephen Dedalus, a sensitive young man concerned with discovering his purpose in life. Convinced that his lack of kinship or community with others is a shortcoming that he must correct, Stephen, who is modeled after Joyce, endeavors to fully realize himself by attempting to create a forced kinship with others. He tries many methods in hopes of achieving this sense of belonging, including the visiting of prostitutes and nearly joining the clergy. However, it is not until Stephen realizes, as Joyce did, that his true calling is that of the artist that he becomes free of his unrelenting, self-imposed pressure to force connections with others and embraces the fact that he, as an artist, is fully realized only when he is alone.
Harding, Anne. “How Lack of Sleep Hurts Your Health.” The Huffington Post, Inc. 8 January 2014.
Foragers, the people who live in hunter-gatherer societies, have no artists. It is only when society becomes complex enough to support a division of labor do artists emerge-first as shamans, then as the painters, singers, writers, etc., that we usually think of today. Society, then, creates the artist, but it can also destroy him. In A Portrait of the Artist as A Young Man, James Joyce describes the particular development of Stephan Dedalus that led to his becoming an artist. Pink's development in Pink Floyd's The Wall, mirrors that of Stephen yet concludes in the destruction of the artist.
James Joyce's fragment of a novel, Stephen Hero, leaves the reader little room to interpret the text for themselves. The work lacks the narrative distance that Joyce achieves in his later works. Dubliners, a work Joyce was writing concurrently, seemingly employs a drastically different voice. A voice which leaves the reader room to make judgments of their own. Yet it is curious that Joyce could produce these two works at the same time, one that controls the reader so directly, telling not showing , while the other, Dubliners, seems to give the reader the power of final interpretation over the characters it portrays.
The first discussion question posed was, “How does Dr. Friedman characterize discussions on the “social responsibilities of business”? Why (Jennings, 2009, p. 79)? Friedman (1970) characterized the discussions on social responsibilities as one hundred percent unadulterated socialism. Friedman (1970) characterized these discussions in that manner because he felt that a corporate executive should focus solely on making profits and not on social aspects. He mentioned how people who conduct and express themselves in this fashion are positively reinforcing and supporting the actions of individuals that have been weakening the foundational blocks of free society. Friedman (1970) posed a question which was the crux of his 1970 article “The Social Responsibility of Business is to Increase its Profits” where he investigated the true contextual meaning of what responsibilities mean to businesses. Friedman describes how businesses cann...
... of stories Dubliners, James Joyce leads the reader to the conclusion that the Catholic Church took the role of a governing body, and that modernist movement was inhibited by the outdated ideas of the Catholic Church. The story “The Boarding House” provides the reader with excellent examples of a priest who overextended his role in society, and it has been shown that such an occurrence has negative effects of the society as a whole. The Catholic church as a burdensome entity is very well shown in Joyce’s’ the “The sisters”. The story also provides us with a good explanation of the social connotations of religion within the modernist movement. In the stories of Dubliners the legal system is replaced by the institute of religion, and it is the presence and social context of the Catholic Church which prevents the Irish community from advancement.
Levin, Harry. "The Artist." James Joyce, A Portrait of the Artist as a Young Man: Text, Criticism, and Notes. Ed. Chester G. Anderson. New York: Penguin, 1968. 399-415.