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The Scientific Nature Of Psychology
The Scientific Nature Of Psychology
Shakespeare twelfth night analysis
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Love always has a way of telling a story and displaying the chase and the dramatic turn of events during the story. In Twelfth Night Olivia, the main two characters are Duke and Olivia. The question arises then which was more important was the relationship itself or was it the pursuit of the relationship. Duke shows that chasing the relationship is more important than the relationship itself. Even in the end Duke wouldn’t mind marrying Viola instead of his dream girl, Olivia. Duke has fell in love and he elaborates that he has fallen in love with Olivia. He explains how it’s a very good feeling to find a soulmate and true love. A valid person in someone’s life is what duke visons. Duke also explains that the pursuit of Olivia is far more important to the fact of having a relationship with Olivia. Olivia and duke display an act of “hunting “, a term they refer to as winning Olivia’s heart rather than doing physical harm to a heart. Kristian …show more content…
In lines 22-23 he demonstrates his persistence to keep pursuing her even if she doesn’t want a relationship. Duke does not care about normal human feelings and emotions and will not stop until he is satisfied. The fascination that Duke has with the experience of chasing a girl instead of the actual relationship itself, sets apart this piece of literature from others because of how unique the story is. In another article by Joshua Eferighe he claims that the chase is way more interesting than the relationship itself. The relationship expert, Damon Jacobs, emphasizes, “In the early stages of falling for someone, your brain is releasing certain chemicals, including dopamine.” That’s what clearly Duke felt that since he prefers the pursuit of chasing the relationship. Duke felt that he was insanely in love with Olivia because of the dopamine. Science backs it up that Duke felt that chasing the relationship itself was way better than the actual
The themes of love triangles and deception are important ideas in Shakespeare’s Twelfth Night. There are layers of deception going on in this work that play into the two themes. Of course in a Shakespeare play love cannot just occur without a hitch and there is always a challenge the characters must overcome. In A Midsummer Night’s Dream, Helena loves Demetrius, but Demetrius is too in love with Hermia to even bother pursuing Helena. This situation is similar in Twelfth Night. Orsino is trying to court Olivia and sends his page Cesario, who really is a girl in disguise, to talk to Olivia. Of course this deception causes problems because Olivia falls in love with Cesario, creating a love triangle.
When Olivia's transformation concludes, she no longer has the same ideals about love that she had previously. She is now lovesick over Cesario. In her dialogue, Shakespeare uses figurative language to show how she obsesses over wanting Cesario to love her. Olivia’s obsession causes her to act in a manner she normally wouldn’t, “Give me leave, beseech you. I did send, / After the last enchantment you did here, / A ring in chase of you. So did I abuse / Myself, my servant, and, I fear me, you: / Under your hard construction must I sit, / To force that on you, in a shameful cunning / Which you knew none of yours. What might you think?” (3.1.102-1-8). With this, Olivia compares meeting Cesario to having an enchantment put upon her, stating that
As Viola (Cesario) goes to the house to meet Olivia, Duke Orsino begins to like her after 3 days in his service. She became a favorite of him. Olivia begans to also like him, he is the only guy she seems to be able to talk and agree with. Orsino favors his new servant, he is insist on picking Cesario to go on his most, important errand- to carry his messages of love to Lady Olivia. Viola tries out for the soccer team in She’s A Man and makes it. Her new roommate is Duke Orsino, which is her brother roommate. Duke Orsino has a crush on Olivia. He wants to make a deal with Viola, if she convinces Olivia to go out with him in their class, he will help her on becoming a better soccer player.
Naturally, one of the most reoccurring themes in Shakespeare is romantic love. It is perhaps not a coincidence that he put so much emphasis on this elusive and enigmatic emotion. In the Elizabethan age when he was writing, the arts were being explored more fervently, and thus raw human emotions began to surface in the mainstream culture. In Twelfth Night, love is a confusing and fickle thing, as demonstrated in the relationships between Duke Orsino and Olivia; Olivia and Viola/Curio; Malvolio and Olivia (she certainly has an effect on men doesn't she?); Duke Orsino and Viola/Curio. However, the characters seem to have a love-hate relationship with Cupid. Within the first line of the play, it is glorified: "If music be the food of love, play on..." (Duke Orsino, I:I). And while Olivia is annoyed with Orsino's affection, she craves Curio's.
She flirts with every man that came around. The Duke loved her but she did not show any love towards him. She showed love towards other men. She never showed any sign of loyalty. A good relationship matters with commitment , she does not show any. His jealousy doesn’t have to be romantic attention it can be just any attention that’s why he’s jealous because he does not get any at all. He is to the point where is so jealous he can't even talk to her about the way he feels or the way she is
Duke's love for Olivia in Act 1 Scene 5. At the start of the scene
Although he is a man of supposed purity and self-denial in practice, his aspirations are such that he becomes hypocritical. In turn he makes his character one of further malevolence. He secretly longs for the life of a man higher in social status and fancies that through the love of Olivia, he could become such a person “having come from my day bed, where I have left Olivia sleeping ”. At the same time he has great, worldly ambitions, which are strictly against the puritan philosophy. This longing for new superiority and strong belief that he will gain it, causes him to be open for trickery and thus provides the starting point of the punishment and humiliation through which he later suffers.
The play opens with the Duke preparing for a hasty yet deliberately ambiguous departure. Appointing morally impeccable Angelo as his replacement, the Duke passes over ice, a wise old judge named Escalus. But in a the obvious choice, play preoccupied with tests of character, it is appropriate that the city's most self righteous official undergoes the severest validation of his integrity. What follows is a drama of seduction. Angelo is tempted by the sins he condemns most harshly, sins, that release, him from the custody of his repressed desires. The Duke, who travels undercover to observe the effects of his lax rule, cautions Angelo in a manner suggesting his suspicion of the seductive power of authority. He is clearly interested in whether power will alter Angelo. Having failed himself to enforce the law, the Duke would, nevertheless, have Angelo be wary of the terrible power of judgment. He - advises his surrogate to fuse his personal values - what he believes in his heart with his public judg...
Angelo and the Duke are similar in the following respects: they both initially claim immunity to love and later come to be affected by it; to achieve ends they desire, both manipulate others into situations those others would not willingly choose to be in; both have sought to maintain a particular reputation; they both spend much of the play seeming other than what they appear; both think themselves to be other than what they are in the beginning; and both claim to value a life removed.
In the Shakespeare’s Twelfth Night, the play emphasizes how there is not one way to show love, whether this is showing love to others or to oneself. Each character tends to explicitly show love towards another person whereas; Maria shows her love in a different manner. In the first act we are able to see how Orsino shows love to Olivia by sending Cesario as a messager to wooe Olivia for Orsino. And because Olivia interacts with Cesario, Olivia falls in love with Cesario instead of Orisno. She shows her love towards him by giving him the materialism in a way of buying his love. In addition, Cesario falls deeply in love with her master Orsino that she knows that she is not able to have, but only imagine having. While Antonio
As prescient and insightful as this evaluation may seem after considering the outcome of Twelfth Night’s romantic pairings, it reads as a very shallow perspective rather than any sort of wisdom – to the Duke, love is never permanent, lasting, or constant (just like the nature of the tides, it always changes). Duke Orsino has no concern whatsoever for Olivia’s feelings of grief after the loss of her brother – she is merely an object of his desires at the moment, and as his eventual courtship with Viola proves, he is extremely fickle in his affections. (Even before Viola’s disguise became apparent, Orsino showed some signs of attraction to the male Cesario – this raises a few questions about exactly how far his romantic indecisiveness
In Twelfth Night the relationships are anything but romantic. Shakespeare writes from the male point of view which implies an un-easy split between love and physical charm. In Twelfth night the romance is falsely produced by selfish desire. Duke Orsino and Viola stand out from the other relationships. By questioning the relationships between the other couples, Shakespeare highlights the true love between Viola and Orsino and the fake relationship of Malvolio and Olivia which is truly based on Malvolio’s desire of a higher status , despite his status and his personality , Malvolio tries to impress Olivia by dressing up in ridiculous clothes , which does far from his aim , and repulses Olivia.
This monologue as spoken by the Duke represents many definitive traits that the Duke encompasses in his character. The manner in which he views his deceased Duchess demonstrates his egotistical view of himself. His selfish, jealous, protective, greedy, paranoid persona is displayed by his act of killing his wife. He could not control his Duchess as he wanted so his arrogance and his shallowness got the better of him until he could no longer do anything except kill her. The painting represents a wife that he can control until the day he died. His repeated manipulative habits continued as he influences the envoy to view the circumstances of this future marriage as being solely for the purposes of companionship. This is not the case; the Dukes greed is his only concern, a wife to dominate as he wishes and sufficient dowry to amplify his wealth. The character of the Duke is established as one of a man who believes he is the center of the universe. This man does not accept anything less than being seen as exactly that, the center of the universe.
In Olivia’s encounter of Viola/Cesario, Olivia admitted her love for Viola, Olivia knows that Viola/Cesario does not love her and she is accepting the fact that she cannot have “him.” Though Olivia is accepting that Viola/Cesario does not love her, she still tries the flatter him. Olivia tries to ingratiate herself with Viola by telling “him” that he is handsome and that whoever his wife shall be will be lucky. This blandishment not only displays that Olivia loves Viola and Viola doesn’t love her back, but it also shows the resentment Olivia has in believing it. Viola uses enemy to show that Olivia is really her competition for Orsino. Viola believes that pity is not to care for someone so she infers that she does not care for Olivia. Viola seeing Olivia as an enemy shows the bitterness she has about Orsino’s love for Olivia. Viola’s yearning for Orsino’s love created an enmity between Viola and Olivia. Viola will not accept the fact that Orsino does not love
Love however, is the source of much confusion and complication in another of Shakespeare’s comedies, Twelfth Night. Men and women were seen as very different from each other at the time the play was written, they were therefore also treated in very different ways. Because of this Viola conceals her identity and adopts the role of a man, in order to better her safety whilst being alone on the island, and to get a job at Count Orsino’s court. In the play Shakespeare uses the gender confusion he has created from obscuring characters identities to explore the limits of female power and control within courtship, and their dominance within society. Violas frustration surrounding her inability to express her feelings to the Count because she is a woman is an example of the limiting rules of courtship which were upheld at the time. (Aside) ‘yet, a barful strife! Whoe'er I woo, myself would be his wife.’ Here she is already expressing her anxiety and emotion at being a woman, and having to keep her emotions hidden from those around her. She longs to be able to express her love as a man could, and in her disguise as Cesario she finds an opportunity to vent her feelings for the Count, but concealed as his words and towards Olivia. Viola is unaware of how her words may sound to Olivia because she is aware of their gender boundaries however Olivia isn’t and soon falls for Cesario. Because Olivia is a Lady and head of the household, and especially how she lacks a father figure, she has a lot more freedom in courtship. Duisinberre comments on this saying, ‘...Viola and Beatrice are women set free from their fathers, and their voice is that of the adult world.’ This is seen when Olivia immediately takes the dominant role in her and Cesarios relat...