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Representation of women in Shakespeare
Analysis of shakespeares twelfth night
Representation of women in Shakespeare
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Shakespeare’s play Twelfth Night is set in a kingdom in Illyria, an imaginary place. Illyria is representing a place on the Adriatic coast, a place Elizabethans knew nothing about and this is also a place you would never find most Londoners. This setting is mysterious and not only that the fact that they are in a foreign place makes this the ideal setting for Shakespeare. Illyria resembles hollywood in many ways, for example there are a lot of rich wealthy people living in one town, with their love affairs being aired like television soap operas. Shakespeare develops a theme of foolishness through the character Malvolio, whose arrogant fantasies and self-centered adjustments show that narcissism can overpower common sense. Malvolio’s arrogant …show more content…
During the disagreement between Viola and Orsino, Orsino recalls “There is no woman’s sides Can bide the beating of so strong a passion as love doth give my heart; no woman’s heart So big, to hold so much; they lack retention.” This remark by Orsino conveys his narcissism. He is so full himself he believes his love is one that cannot compare to some woman’s. Orsino concludes that a woman can not physically take changes of emotion, that they are too weak. This senseless thought connects to the theme of foolishness throughout the passage. Orsino is so foolish and egocentric he fails to see that a woman can love just like a man. Shakespeare uses dramatic irony to display that Orsino’s beliefs are stereotypical and that love has no strength among gender. Cesario gives hints throughout the story that he is a woman and that she loves Orsino, however, Orsino’s stupidity leaves him blind to see that. Orsino is oblivious to his of his admiration which creates irony. Orsino’s blindness connects to the foolishness that is displayed for the duration of the novel. He is too stuck on Olivia to realize that he has an admirer of his on. Viola’s remark shows that a woman can love a man with strong emotion, as she loves Orsino. Although Orsino’s foolishness holds him back from seeing …show more content…
In Olivia’s encounter of Viola/Cesario, Olivia admitted her love for Viola, Olivia knows that Viola/Cesario does not love her and she is accepting the fact that she cannot have “him.” Though Olivia is accepting that Viola/Cesario does not love her, she still tries the flatter him. Olivia tries to ingratiate herself with Viola by telling “him” that he is handsome and that whoever his wife shall be will be lucky. This blandishment not only displays that Olivia loves Viola and Viola doesn’t love her back, but it also shows the resentment Olivia has in believing it. Viola uses enemy to show that Olivia is really her competition for Orsino. Viola believes that pity is not to care for someone so she infers that she does not care for Olivia. Viola seeing Olivia as an enemy shows the bitterness she has about Orsino’s love for Olivia. Viola’s yearning for Orsino’s love created an enmity between Viola and Olivia. Viola will not accept the fact that Orsino does not love
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by almost everyone in the play. He doesn’t act the same way that any of the other characters act, in that he doesn’t participate in any of their activities, he enforces rules that the others could care less about, and he is just overall a socially awkward guy. Malvolio not only claims to adhere to the rules of the household himself, but uses his relations with Olivia to try and help make the others follow the rules as well. This upsets certain characters more than others. For instance Sir Toby, Sir Andrew and Maria find his behavior particularly detestable. But Malvolio’s strict coherence to the rules allows him to have a rather high position in Olivia’s household. While Malvolio may be considered a social outcast to most of the characters in the play, Olivia considers Malvolio to be a very trusted steward of her household. For these reasons Malvolio is not only a social outcast, but an outcast that Shakespeare uses to keep people interested in his play.
Twelfth Night was written in 1601 by William Shakespeare. Another meaning to Twelfth Night was the coming of Wise Men. This also called “Epiphany”. Epiphany means sudden stroke of insight, a sudden understanding of the “reality of things.” A seeing beyond appearances. Often consider moments of Epiphany to be crucial events in our intellectual, spiritual lives. At Epiphany of Christ, first who saw the powers that child stood for. For centuries Twelfth Night had been celebrated with plays; one of the most theatrical nights of the year. Audience would become involved in action, plays would spill over into streets, halls of houses where performance taking place.
The play opens with Orsino, the Duke of Illyria, expressing his deep love for the Countess Olivia. Meanwhile, the shipwrecked Viola disguises herself as a man and endeavors to enter the Duke’s service. Although she has rejected his suit, the Duke then employs Viola, who takes the name of Cesario, to woo Olivia for him. As the play continues, Cesario falls in love with the Duke, and Olivia falls in love with Cesario, who is really Viola disguised. Maria, Olivia’s servant woman, desires to seek revenge on Malvolio, Olivia’s steward. “To the delight of Sir Toby, Olivia’s uncle, and his friend Sir Andrew, Maria comes up with a plot to drop love letters supposedly written by Olivia in Malvolio’s path. When she does, they observe him, along with Fabian, another servant, as Malvolio falls for the bait. Believing that Olivia loves him, he makes a fool of himself” (Napierkowski 3).
Although Viola might be able to relate to Olivia's grief at first, her love for Orsino is so great that she cannot understand why Olivia would deny him. When Olivia expresses affectio...
In Twelfth Night, the character Viola, who cross-dresses as a man named Cesario, is used to show how true love is capable of breaking gender barriers. Viola is an amiable character who has no severe faults. The audience can clearly detect that Viola's love is the purest because unlike Orsino and Olivia, her character's love is not narcissistic and does not jump from one person to the next. In other words, her actions are motivated by deep and abiding passion rather than whimsical choices. Viola's main problem, however, throughout the play is one of identity. Because of her costume, she must be both herself and Cesario. Thi...
As prescient and insightful as this evaluation may seem after considering the outcome of Twelfth Night’s romantic pairings, it reads as a very shallow perspective rather than any sort of wisdom – to the Duke, love is never permanent, lasting, or constant (just like the nature of the tides, it always changes). Duke Orsino has no concern whatsoever for Olivia’s feelings of grief after the loss of her brother – she is merely an object of his desires at the moment, and as his eventual courtship with Viola proves, he is extremely fickle in his affections. (Even before Viola’s disguise became apparent, Orsino showed some signs of attraction to the male Cesario – this raises a few questions about exactly how far his romantic indecisiveness
Finally, Olivia officially tells Viola (Caesario) that she loves him after Viola delivers another message to Olivia. Olivia tells Caesario that she has been in love with him ever since she first saw him, and that she cannot hold it anymore. She cares not about what her society would think about her for falling in love with a person not from her class. The reader knows that Viola is not interested at all in Olivia since she is in love with Orsino. Lady Olivia’s love for Caesario illustrates a universal truth about life that when someone is in love, he/she will do whatever it takes to show the other person that they love them. They are willing to sacrifice everything they’ve got for their love. In this case, Olivia is sacrificing her social status and reputation.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
that Olivia has emotional power of nobleman Orsino when in Act I Scene I he declares, "O, she
Because of this confusing love triangle, some of the characters seem to view love as a curse. They also claim to suffer painfully from being in love or from the “pangs” of unrequited love. In Act 1 scene 5, Olivia describes love as a “plague” from which she suffers terribly. In Act 1 scene 1, Orsino depicts love dolefully as an “appetite” that he wants to satisfy and cannot. Another example of the characters not “liking” love is in Act 2 scene 2 when Viola says “My state is desperate for my master’s love.” This quote relates to the violence in Act 5 scene 1 when Orsino threatens to kill Cesario because he thin...
We see this exaggerated one-sided love play out in many forms throughout the play. Viola, for example, says in this line, “I’ll do my best To woo your lady: Aside. Yet a barful strife! Whoe 'er I woo, myself would be his wife.” (1.4.44-46) This tells us that Viola, having just met Orsino a few days ago, has a desire to be wed to Orsino. This kind of desire that Viola has for Orsino can only be conjured up from a fairytale due to the sheer passion and irrationality of falling in love with an acquaintance. Shakespeare also uses diction in deceptive forms. This is evident when Orsino uses the word “violets” (1.1.6) in his speech and to display the deception that is played out in the play. The word “violets” comes from the comes from the latin word viola. Some readers would be deceived, as many might not even notice the hint that Orsino gives in his own speech. We know this deception to be true in the form of Viola when she disguises herself as a eunuch to Orsino in his own courts as evidence in this line, “For such disguise as haply shall become The form of my intent. I 'll serve this duke: Thou shall present me as an eunuch to him”
Referring to the last night of Christmastide celebrations, the title of Twelfth Night in itself deems in its opening scenes Illyria as a world of privilege and leisure. According to Goddard “Illyria is a counterfeit Elysium”(302) where enjoyment evokes pleasure but not happiness and attraction invokes lust but not love. Illyria acts as a playground for revelry and limitless self in... ... middle of paper ... ... House Pub, 1987.
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Critics call Twelfth Night one of William Shakespeare’s most poetic and musical plays. Shakespeare writes poetic lines for the major characters, Viola, Orsino, and Olivia, and gives the Fool, and other minor characters, songs to sing throughout the play. The particularly romantic lines of the play make it seem as if the characters are professional poets themselves. Shakespeare also uses the music and poetry in Twelfth Night to foreshadow what is going to happen for the rest of the performance and to reveal major themes in the play. Music and poetry become major characters in the play themselves.
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.