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Dover Beach analysis essay
Imagery and symbolism in dover beach
Summary on dover beach for assignment
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In the poem "Dover Beach",witten in 1867 Matthew Arnold creates the mood of the poem through the usage of different types of imagery. He uses a dramatic plot in the form of a soliloquy. Arnold also uses descriptive adjectives, similes and metaphors to create the mood. Through the use of these literary elements, Arnold portrays the man standing before the window pondering the sound of the pebbles tossing in the waves as representation of human suffering. The man arrives at the vision of humanity being helpless against nature. Arnold creates the mood by suggesting mental pictures, actions, sights and sounds the man sees. Some examples are "folds of a bright girdle furled", "lie before us like a land of dreams" and "moon-blanched land". Arnold's use of different types of imagery and descriptive adjectives to induce sensory impressions of the setting, create the fluctuating mood of the poem, which is the eternal struggle of nature over man.
In "Dover Beach", Matthew Arnold uses detailed adjectives and sensory imagery to describe the setting and portray the beginning mood, which begins with the illusion of natural beauty and ends with tragic human experience. The poem begins two-part stanzas, the first which is promising and hopeful; the second replaces optimism with a reality which is grim. Arnold uses contrast when he appeals to the sense of sight in the first section and to hearing in the second. Arnold starts with the descriptions of the "calm sea", "fair tide" and the "vast" cliffs which create a calming, innocent appearance. This sets the mood of peace and contentment which the speaker feels when he gazes out upon the sea. "Come to the window, sweet is the night-air", gives the reader the impression of a cool, summer night. The mood begins to be soothing and calming to the reader. Arnold then however, begins to change the tone. Arnold describes, "The grating roar of pebbles, Of the pebbles which the waves draw back", with "a tremulous cadence". This portrays the image of an imaginary battle on the land of Dover. Arnold writes of the horrible sound of the pebbles beating away at the land. The pebbles are eroding the land away, which the speaker thrives off of and adores. Arnold illustrates the man's internal battle with the land destroying his home...
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...t". This metaphor ties together how the speaker's battle is very similar to a soldier's battle. The speaker's battle however, is futile to fight, because he knows he will never win.
All in all, the fluctuating mood and usage of descriptive adjectives to illustrate the setting, tie the poem together and create the mood Arnold was looking to achieve. The image of the tides battling with the land when they meet, is merged with the consequent destiny of humanity to battle fruitless fights with nature. Arnold's method of illustrating the setting is different than the other two poems because he uses detailed imagery almost completely to reveal the mood of the story. He also uses a fluctuating plot that goes back and forth from human defeat to contentment. Jown Cowper, writer of "Suspended Judgements", critiqued Maupassant on "Dover Beach". Cowper said "Maupassant develops the mood by dividing the poem into three stanza to represent the speaker' s fluctuation from peace of mind to despair. This proves to be very effective, by showing the indecisiveness of the speaker. Maupassant also uses images of the setting to create the mood" (Cowper, 1919, 43).
Published in 1944, the poem itself is an elegy, addressing the melancholy and sorrow of wartime death, as indicated by the title ‘Beach Burial’. This title gives clear meaning to the sombre nature of the work, and the enigmatic nature of it holds the attention of the audience. The entirety of the poem is strewn with poetic devices, such as personification of dead sailors as “…they sway and wander in the waters far under”, the words inscribed on their crosses being choked, and the “sob and clubbing of the gunfire” (Slessor). Alliteration is used to great effect in lines such as that describing the soldiers being “bur[ied]…in burrows” and simile in the likening of the epitaph of each seaman to the blue of drowned men’s lips and onomatopoeia is shown in the “purple drips” (Slessor). The predominant mood of the work is ephemeral, with various references to the transient nature of humanity. The ethereal adjectives used to describe and characterise objects within the poem allow a more abstract interpretation of what would normally be concrete in meaning. The rhythm of this piece is markedly similar to the prevalent concept of tidal ebb and flow, with lines falling into an ABCB rhyme scheme and concepts
where a person knows that he is going to lose and still continues to fight.
One of the ways Fahrenheit 451 can be related to Arnold’s Dover Beach is by connecting the absense of true love in both of them. Throughout the book, Montag slowly realizes that he does not truly love his wife Mildred. In the beginning, Montag believes that he truly loves Mildred. However, as the book goes on, he meets Clarisse, and begins to change his way of thought. He slowly begins to wake up from the dream world that he is living in. As he begins to know Clarisse, he slowly realizes that Mildred does not share the same deep passion for life that he does. At the beginning of the Sieve and the Sand, Montag frantically reads books to gain more knowledge. Mildred complains and kicks the books around, showing that her and her husband are growing apart. At the end of the book, Montag is talking to Granger, and says "... Even if she dies, I realized a moment ago, I don't think I'll feel sad (155)". This shows that Montag does not care for his wife as much as he thought he did before. In the poem, Arnold states "…a land of dreams ...hath really neither joy, nor love, nor light". The world in Arnold’s poem is a land of dreaming. While people are dreaming of true love and joy, there is none in the real world that you live in once you wake up from the dream. Once the “confused alarms of struggle and flight” wake you up, you realize that the world is really void of love and happiness. The world in Arnold's poem is a world parallel to that of Bradbury's: Both are worlds that do not contain love or light, as much as people in them would like to believe otherwise.
The poem is notable for Hayden's characteristically accurate evocation of imagery. Just like his other poems, Hayden’s imagery in this poem is very vivid. The reader is able to imagine or see these images in their inner minds. Thus, the diver “sank through easeful/azure/swiftly descended/free falling, weightless/plunged” he described the diver’s carefree attitude and relaxed attitude as he dove into the sea. Thrilled and enchanted by what he sees in the wrecked ship, he lingers for more than intended. When he was brought to the reality of the danger he was in, he, “...in languid/frenzy strove/began the measured
Why did Ray Bradbury choose the poem “Dover Beach” by Matthew Arnold? Ray Bradbury chose the poem “Dover Beach” by Matthew Arnold, because at the time when Guy Montag reads it, he is questioning his faith similarly to Matthew Arnold. Also, the poem “Dover Beach” expresses Fahrenheit 451 Guy Montag’s sadness and unhappiness with the world. Lastly, this poem represents the loss of love, and hopelessness that Montag feels.
The Chesapeake Bay is a large bay that stretches from Maryland to Virginia, fed by many rivers and streams that run from as far north as New York to Virginia and West Virginia.5 It is home to a plethora of plants and fish species, many of which the people of the area fish for food and supplies. The pollution present in the Chesapeake Bay is affecting the livelihood of both the fishermen and the fish – the less the fishermen haul due to the death of the species they catch, the less they get paid – and as consumers of these fish, we are consuming the toxins as well.
In this poem, the speaker is talks about his experiences in one significant morning. The poem introduces a beach environment where the speaker talks about collecting rocks, while seeing a dead otter, an oyster fisher, and a bird trying to find its prey. He recalls that this morning is the morning after contemplating of dying, but in the second stanza he has a change of feeling. Instead of seeing disturbances, he sees things that symbolize piece and serenity – butterflies, a couple, the sun. Taking into account all these literal events make the story far too normal. However, what makes this poem noteworthy is its two-sided arguments for the natural order of the world – chaotic in nature or underlying order.
The poems “Sea Rose” by H.D and “Vague Poem” by Elizabeth Bishop were both written by two women who took over the Victorian era. H.D’s works of writing were best known as experimental reflecting the themes of feminism and modernism from 1911-1961. While Bishop’s works possessed themes of longing to belong and grief. Both poems use imagery, which helps to make the poem more concrete for the reader. Using imagery helps to paint a picture with specific images, so we can understand it better and analyze it more. The poems “Sea Rose” and “Vague Poem” both use the metaphor of a rose to represent something that can harm you, even though it has beauty.
Relief,” Millay used a similar form of imagery to describe the rain that resulted in the remembrance of the persona’s love: “…I miss him in the weeping of the rain…” (Millay, 3). This description of the rain not only helped better visualize the rain itself, but also emphasized the sorrowful and desolate undertone of the poem. Another exemplification of visual imagery utilized in Millay’s poem was used to illustrate the tides: “…I want him at the shrinking of the tide…” (Millay, 4). The retreating of the tides was easily concei...
...not theirs to fight. It is essential that the Tragic Hero accepts his necessary doom. It completes the hero. “I know my hour is come...Farewell to thee...I shall have glory by this losing day” (205).
Dickinson begins the first line of her poem by writing in iambic tetrameter. In the second line she switches to iambic trimeter and proceeds to alternate between the two. This rhyme scheme proves to be particularly effective in complimenting the subject of the poem-- the ocean. When a reader looks at the poem it is easy to see the lines lengthening then shortening, almost in the same fashion that the tide of the ocean flows and ebbs.
"One is left with the horrible feeling now that war settles nothing. That to win a war is as disastrous as to lose one."
The theme is portrayed through very unique imagery with the extremely exhilarating word choice this poet carefully chose to make this whole poem flow like a brook in mid-summer with an unbelievable number of trout in the glistening blue water. When he introduces us to this Clod of Clay that is living a horrible, but in it all he finds a silver lining through it all. This little Clod of Clay lives under cattle’s feet and gets stomped on all the time and although he is getting trampled on ninety percent of his life he finds what the silver lining through it all is. He says, “
Robert Browning's poem "Meeting at Night" is essentially a narrative of a man who is journeying to meet his lover. The man recounts his journey as he undertakes it, mentioning or observing different portions of the trip, each in turn. One by one, he briefly describes his surroundings as he passes by them, merely noting them as if they bear only fleeting significance to him. However, although his descriptions are unpretentious and abruptly forgotten as he continues onward toward his goal, each line of the poem contains striking imagery. In fact, it should be noted that this poem consists entirely of imagery. Every line depicts a scene of the landscape that Browning's narrator encounters; that is, at least, until he finally reaches his destination, when his focus is diverted to his lover. Throughout the entire poem he offers no personal insight or reflection on his situation, and he instead is content to merely report his perceptions and observations as they come and go. Although each of these little vignettes is of seemingly small consequence in itself, these individual images are each portrayed with remarkable style and feeling, and Browning skillfully strings these images together to elicit specific feelings and reactions from his readers. His masterful application of imagery, mood, and dynamic movement serve to shape the poem's emotion in such a way that the reader can tap into a plentiful well of information pertaining to the state of the speaker and his emotions -- information that initially goes unnoticed from a strictly literal observation.
John Keats employs word choices and word order to illustrate his contemplative and sympathetic tone. The tone could be interpreted as pessimistic and depressing because the majority of the poem focuses on Keats’ fear of death. However, if the reader views the last two lines of the poem in light which brings redemption, one might see that Keats merely wants to express the importance of this dominant fear in his life. He does not desire for his audience to focus on death, but to realize that man does not have control of when it comes. The poet uses poetic diction, a popular technique of the early nineteenth century. The poem also demonstrates formal diction that Keats is often known for. Although Keats meant for most of his words to interpret with denotative meanings, he does present a few examples of allusion and connotation. His connotations include “teeming,” defined as plen...