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William Blake as a social critic
William Blake as a social critic
William Blake as a social critic
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Love comes in every way, shape and form, whether it be living under cattle’s feet or living in a beautiful creek. The theme of “The Clod and the Pebble” by William Blake is portrayed through very unique imagery, awesome word choice, and extraordinary relationships. This eccentric poem by William Blake talks about the different lives of a very simple clod and a pebble in which live in two opposite worlds. The way he starts this poem can be very misleading until the second stanza, in here it starts to tell us what it’s really about. William Blake then explains to us the two lives of these two very different souls. The theme of “The Clod and the Pebble” is to accept your life no matter where you live or travel and to not be that person who has a great life, but is always complaining. The theme is portrayed through very unique imagery with the extremely exhilarating word choice this poet carefully chose to make this whole poem flow like a brook in mid-summer with an unbelievable number of trout in the glistening blue water. When he introduces us to this Clod of Clay that is living a horrible, but in it all he finds a silver lining through it all. This little Clod of Clay lives under cattle’s feet and gets stomped on all the time and although he is getting trampled on ninety percent of his life he finds what the silver lining through it all is. He says, “ Trodden with the cattle’s feet” which would be one of the worst things to happen in the world to anything and yet this Clod of Clay manages to find the best out of his life under cow’s feet. Considering this the first stanza sort of gives you a summary of what is going to be told about the Clod of Clay. Just explaining what William Blake said in the first stanza is that love doesn’... ... middle of paper ... ...four stanzas in this poem with four lines in each stanza. This helps with the theme because they tell us the two people in life and it teaches us to be a happy go lucky and not an old grump. When you read this we hope that you will see the difference in these two characters, because some of them didn’t. When reading this essay we hope you kept everything in mind because we sure will. Love comes in every way, shape and form, whether it be living under cattle’s feet or living in a beautiful creek. This has nothing to do with how great you can live your life while living in the worst conditions or living in the best conditions. It means how awesome your attitude about it is despite the conditions we’re in or even when just simply going to school, because say there’s a teacher that you don’t like be a happy go lucky and do what they ask, then you will truly like them.
We are all part of a society where justice and respect must be followed if we want to have a nice image of ourselves and be accepted by others. In the short story, Sonny’s Blues by James Baldwin, two brothers are struggling to accept each other. Until the brother listened to Sonny and accepted what he wanted to do in life and who he was as an individual, the brother was in the darkness with his brother and himself. Through flashbacks and the characters, we were able to see how their life was before their mother and father died and what actually forced Sonny to take drugs. This story showed that without acceptance, people have difficulties to continue their life in happiness, so they stay in the darkness until they accept themselves and the people surrounding them.
Therefore, Oliver’s incorporation of imagery, setting, and mood to control the perspective of her own poem, as well as to further build the contrast she establishes through the speaker, serves a critical role in creating the lesson of the work. Oliver’s poem essentially gives the poet an ultimatum; either he can go to the “cave behind all that / jubilation” (10-11) produced by a waterfall to “drip with despair” (14) without disturbing the world with his misery, or, instead, he can mimic the thrush who sings its poetry from a “green branch” (15) on which the “passing foil of the water” (16) gently brushes its feathers. The contrast between these two images is quite pronounced, and the intention of such description is to persuade the audience by setting their mood towards the two poets to match that of the speaker. The most apparent difference between these two depictions is the gracelessness of the first versus the gracefulness of the second. Within the poem’s content, the setting has been skillfully intertwined with both imagery and mood to create an understanding of the two poets, whose surroundings characterize them. The poet stands alone in a cave “to cry aloud for [his] / mistakes” while the thrush shares its beautiful and lovely music with the world (1-2). As such, the overall function of these three elements within the poem is to portray the
Harper begins the poem by detailing the start of the speaker’s relationship with a man, developing it through the use of metaphor and concrete diction. From the first few lines of the poem, the reader learns that the relationship was destined to be futile through Harper’s use of metaphor: “If when standing all alone/ I cried for bread a careless world/ pressed
The poem itself in structured into thirteen stanzas with each stanza containing eight lines. Patterson uses imagery as one of the main techniques to capture the audience’s imagination, with lines like “a stripling on a small and weedy beast” and “where mountain ash and Kurrajong grew wide” giving a description of the character in the first instance and the landscape in the second. The poem is set to a rhythm that is fast pace and builds anticipation throughout using metaphors like “And he raced him down the mountain like a torrent down its bed” and personification such as “the stock whips woke their echoes and they fiercely answered
The poem opens with an introduction of the speaker: “When my mother died I was very young, / And my father sold me while yet my tongue / Could scarcely cry ’weep! ‘weep! ‘weep! ‘weep!” (ll. 1-3). The speaker’s pathetic circumstance is stressed here, and he quickly wins the sympathy of the reader; Blake makes this possible by quickly relating some but doubtfully all the previous sorrow that the speaker has endured. First, his mother died when he, and perhaps she, too, was quite young, a common occurrence in Industrial Age England, given the dismal shape of the inner city, which was host to such problems as over-crowding, poor hygienic practices and sub-par means of sanitation—all of which ultimately led to the deaths of thousands. Second, his father apparently sold him, or, more likely, forced him to work to supplement the family’s income. Child Labor laws had yet to be enacted in England in 1789, s...
Before delving any deeper into this poem and its meaning, a few basic questions must be answered first. I believe the speaker to be William Blake himself. I am able to infer this from the repeated use of the pronoun “I.” Thought the course of the poem, the speaker’s temperament changes. At the start of the poem the speaker ...
In relation to structure and style, the poem contains six stanzas of varying lengths. The first, second, and fourth stanzas
The poet uses examples of imagery in this poem. The poet uses a simile in the first line of the first stanza to start off the poem. The simile she uses is ''the skin cracks like a pod''. The opening of the poem gives a clear message that something is severely wrong. A pod cracks with barely any resistance so the comparison to the skin is a unreserved statement outlining how easily the skin is. There is obviously a drought or a vast undersupply of water. The opening surprises the reader and gives an indication of what is to come. The poet uses a short and abrupt line which is effective
if the minor details were not taken into consideration. The literary device ; connotation and imagery supports the figurative meaning of the poem very well. However, this poem could be considered as an irony in today's world. The theme; feelings are more important than wisdom in life is just another way of saying the thoughts are less important than the feeling that are being produced. The wisdom is just a minor detail and if we consider it, the feeling that are produced will be ignored. The poem literally talks about a man expressing his love to his beloved women. This poem is in a stanzaic form with a total number of 16 lines. It is a wonderful poem that makes the readers think about the life they are living.
She defines her idea of what is right in a relationship by describing how hard and painful it is for her to stray from that ideal in this instance. As the poem evolves, one can begin to see the author having a conflict with values, while simultaneously expressing which values are hers and which are unnatural to her. She accomplishes this accounting of values by personalizing her position in a somewhat unsettling way throughout the poem.
William Blake was born in London on November 28, 1757 to James and Catherine Blake. His father, James was a hosier (seller of legwear) in London. Blake had four brothers, James, John, Richard and Robert; and a sister named Catherine (Harris 5). Blake got along best with his younger brother, Robert as they shared an interest in art (Clarke 1). As a young boy, Blake claimed to have had visions of God, spirits, prophets and angels. When he was four he is claimed to have seen God’s head in his window. In his most famous vision, he saw the prophet Ezekiel under a tree and a tree of angels when he was nine (“Early Years”). Though his parents believed he was lying, they took into consideration that their son was “different” and did not believe he would succeed in a traditional school setting (“Poets”). So Blake was home schooled by his mother until he was ten years old. Blake was constantly by himself as a boy “…to seek a world of the imagination without fear of recrimination by others” (Harris 21).
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.
William Blake's Songs of Innocence, “The Shepherd,” “The Echoing Green,” The Little Black Boy,” “The Blossom,” and “Laughing Song.”
The third stanza uses hyperboles to describe the depths of love between the two people and the line “He was my North, my South, my East and West” leads the reader to believe that the person who died set a course and now the speaker does not know what direction to take. The deceased was the speaker’s whole world. The disappointment the speaker is experiencing is conveyed when he says, “I thought that love would last fo...
One piece of the poem hints towards imagery involving slavery, this occurs when the speaker talks about the “charter’d street….charter’d Thames” and later on mentioning “The mind-forg’d manacles”. The street and Thames being described as charter’d shows the power of the government having the control of parts of the city such as a river and the streets. The use of “the mind-forg’d manacles” is symbolic by showing that their brains or minds are being controlled and limited by the government and is a symbol of enslavement. The poem seems to express a lot of imagery about death and sadness, terms such as cry, curse, plagues and hearse are used. The use of such words tells the reader that the soldiers are being forced by the government to kill. Therefore, causing the soldiers despair. Another portion of the poem uses phrases such as “in very infants cry of fear” and “how the chimney sweepers cry” to show an image of child labor. The term “appalls” is used to describe the “blackning Church” to allow the audience to realize that the church is horrified of the child labor. The chimney sweepers are a specific example of child labor. And the use of the word “blackning” suggests that a sin such as child labor is occurring. Lastly, imagery is used in the last stanza to show the horrifying cycle of living in London, England. “How the youthful Harlots curse, blasts the new-born Infants tear” describes how prostitutes are