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William blake chimney sweepers essay
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In William Blake’s poem “The Chimney Sweeper,” the speaker, a young boy, introduces himself and relays a common story among all lower-class individuals of the late-eighteenth and early- to mid-nineteenth centuries—that story being a life of woe and untimely death. Blake relays the plight of these victims of the Industrial Revolution in England by using the speaker, a chimney-sweep himself, to retell a story that his young friend told him—one taken from a dream, which, given its subject matter, strangely comforts the dreamer. And this boy, Tom, who is all but born into sorrow, takes solace in the thought of dying, of leaving his earthly toils behind for another, better life with God in heaven. In this poem, Blake essentially takes issue with two powerful forces in eighteenth-century England: a blind government and a pacifist religion.
The poem opens with an introduction of the speaker: “When my mother died I was very young, / And my father sold me while yet my tongue / Could scarcely cry ’weep! ‘weep! ‘weep! ‘weep!” (ll. 1-3). The speaker’s pathetic circumstance is stressed here, and he quickly wins the sympathy of the reader; Blake makes this possible by quickly relating some but doubtfully all the previous sorrow that the speaker has endured. First, his mother died when he, and perhaps she, too, was quite young, a common occurrence in Industrial Age England, given the dismal shape of the inner city, which was host to such problems as over-crowding, poor hygienic practices and sub-par means of sanitation—all of which ultimately led to the deaths of thousands. Second, his father apparently sold him, or, more likely, forced him to work to supplement the family’s income. Child Labor laws had yet to be enacted in England in 1789, s...
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... exclusive to that as chimney-sweeps—as deplorable violations of those human liberties. Furthermore, his detestation of organized religion is weaved throughout the poem. Why is Tom so content upon waking from the dream? The answer, of course, is because the angel gave him conditions on which to live his life, i.e., do your duty and go to heaven, or don’t and suffer even more in the afterlife. The duty to which he is to devote himself to, then, is two-fold: a duty to the law, complemented by a duty to God and the Church. Therefore, Blake’s message in this poem is one against both the living and working conditions of the poor—which he believes to be ignored by the state—and against what Karl Marx called “the opiate of the masses,” or religion. Perhaps while writing “The Chimney Sweeper,” Blake was contemplating an English Revolution something like the one in France.
Blake's View on Oppression of Children by Adults Blake was a poet who wrote in the Romantic period. He had idealistic views about life, and believed that the traditional country way of life was the best way to live. He despised the industry that was establishing itself in England because it was the opposite of the ideal country lifestyle that Blake idealised. The idea that Blake believed that children were oppressed is an interesting one, because, there are a number of poems which suggest different ideas about this topic.
Many Romantic works come from both the poet’s individual perceptions as well as the social consciousness of that era. “The Garden of Love” is no exception. This poem functions to brutally satirize both the oppression of the Church, which had a societal impact, and the urbanization of Lambeth, which had a personal impact on Blake’s life. As Blake has been known to do, he utilizes contrast to make the decay of his world blatant to the reader. Such contrasting is visible when the image of a life-giving garden decays into an image of death. This parallels the events that took place in Blake’s own life, when his rural home became swallowed up by urban sprawl.
Blake also uses sound to deliver the meaning to the poem. The poem starts off with "My mother groaned! my father wept." You can hear the sounds that the parents make when their child has entered this world. Instead of joyful sounds like cheer or cries of joy, Blake chooses words that give a meaning that it is not such a good thing that this baby was brought into this world. The mother may groan because of the pain of delivery, but she also groans because she knows about horrible things in this world that the child will have to go through. The father also weeps for the same reason, he knows that the child is no longer in the safety of the womb, but now is in the world to face many trials and tribulations.
The theme of the suffering innocent person, dying and being diseased, throws a dark light onto the London seen through the eyes of William Blake. He shows us his experiences, fears and hopes with passionate images and metaphors creating a sensibility against oppression hypocrisy. His words come alive and ask for changes in society, government and church. But they remind us also that the continued renewal of society begins with new ideas, imagination and new works in every area of human experience.
Finally, Blake reverses "marriage hearse" (16) and "infants tear" (15) in his second version of London. "Blasts the new-born Infant's tear" (15) refers to a baby born to a "youthful harlot" (14) is born blind due to syphilis. "Marriage hearse" refers to a marriage or union that is plagued with a disease that kills, syphilis. By ending the poem with this language makes the poem dramatic.
“London”, by William Blake, allows us to eavesdrop on the thoughts of a midnight wanderer who stalks the streets of London laying judgment to all he sees. As part of his book of poetry, written in 1789, “London” was included in the section named “Songs of Experience” (as opposed to “Songs of Innocence”). Every poem of the book has an “experienced” and an “innocent” counterpart, save this one. The mind of Blake's wanderer is the mind of a sociopath. The narrator of the piece is disgusted with all around him and all that London represents. He seems to hold the babies, the soldiers, the whores and the church accountable for the state of the city. He displays the abnormal tendencies of what would be considered, in modern psychology, an antisocial personality. Perhaps there is no innocent counterpart to this poem for the man in this poem has lost his innocence. There is no complement to the mind of a person who, for all intents and purposes, has lost touch with the his fellow man.
An exploited and mistreated society that 's tyrannical monarchy leaves its people without any hope left. To be poor defines being oppressed, this poem shows through the ranks that there is unification among everyone, in the fact that no matter who they are, society is repressed by the government. William Blake, in his poem London, uses rhyme, repetition and imagery paint the picture of social oppression in London.
William Blake’s “The Chimney Sweeper” was mainly about the possibilities of both hope and faith. Although the poem’s connotation is that of a very dark and depressed nature, the religious imagery Blake uses indicates that the sweeps will have a brighter future in eternity.
...tes the idea of social oppression because of the different connotative meanings the word "blackning" implies. Most powerful is the argument that the Church blackens and defames the idea of faith and goodness to promote the continuation of child labor, poverty, and suffering. Walter Minot brings to light the numerous interpretations of the phrase "Marriage hearse" and how they contribute to the idea of an unraveling society. Each denotation of hearse helped create the picture of an unraveling society where promiscuity and sexually transmitted diseases brought about the end of marriage, a very powerful form of faith and rebirth. In conclusion, the metaphors employed by Blake create and reinforce the image of a city that was not full of life and happiness but a city stricken by social oppression, psychological and physical imprisonment, and an unraveling moral society.
He disowns himself from the “maddening crowds ignoble strife” (Gray), preferring instead to pretend he understands the struggles of the lower class. As a classical scholar and professor at Cambridge University, Thomas Gray knew very little about the struggles of the common man. Still, the attempt at establishing a connection between himself and those in the classes below, was not unnoticed as the elegy became his most well-known publication. The year before Elegy Written in a Country Churchyard was published, the European countries suffered several tax revolts from the public, a slave revolt and numerous natural disasters. All factors of a larger distrust separating the commoners and the rich. Gray associating himself with the misfortunes of the Everyman through this work, is a way for him to connect with his own mortality. Gray reflects upon death and how a person is remembered after they are gone. An argument could be made that these considerations are a comparison between Gray’s own achievements and those of the working class. Gray is remembered for his literary achievements, even now, but the plowman whom Gray’s narrator watches leave the churchyard is remembered for nothing but his momentary mention in the elegy. It is this realization that prompts his contemplation of the associations between Gray and the Everyman. Gray could have easily
The theme of authority is possibly the most important theme and the most popular theme concerning William Blake’s poetry. Blake explores authority in a variety of different ways particularly through religion, education and God. Blake was profoundly concerned with the concept of social justice. He was also profoundly a religious man. His dissenting background led him to view the power structures and legalism that surrounded religious establishments with distrust. He saw these as unwarranted controls over the freedom of the individual and contrary to the nature of a God of liberty. Figures such as the school master in the ‘schoolboy’, the parents in the ‘chimney sweeper’ poems, the guardians of the poor in the ‘Holy Thursday’, Ona’s father in ‘A Little girl lost’ and the priestly representatives of organised religion in many of the poems, are for Blake the embodiment of evil restriction.
Blake’s The Chimney Sweeper (Songs of Innocence) is a poem about the life of young chimney sweeps. We are presented with two juxtaposed attitudes in this poem and that would be the hope-filled attitude of the speaker pertaining to his lot in life and the attitude of satire that is displayed by the poet himself. In the end the message that conveyed through these conflicting attitudes is one that basically ensures the speaker will not be able to prosper in this life but surly have a chance to in the one after.
The speaker in William Blake’s “London” experiences firsthand the painful hardships that plague the city of London and conveys this message to readers through the use of symbols, diction, and syntax. He creates a gloomy mood throughout the poem and uses rich language that effectively shows the suffering of all aspects of the city, from the people to the buildings to the monarchy. This poem dismisses any ideas of grandeur that readers may have previously imagined for London and certainly turns the city into a destination that no reader would ever wish to
He disapproved the use of black slaves as he believed that it was immoral to exploit people on the basis of their appearance. Blake was an advanced and modern thinker who did not accept the typical Christian point of view. When we dwell deeper in the poem we realize that it also depicts colonialism, Blake wrote this poem at a time when slavery was persisting in London and many black people were working for English aristocrat families. It wouldn 't be wrong to say that the boy and his mother were also taken away from the “southern wild” presumably Africa to England and the whole poem revolves around their life in England. Blake’s motivation to write this poem was to create awareness among people that they should condemn such activities. He wanted to eliminate the mental block which was persisting among people in the
“The Chimney Sweeper” is a great title for Blake’s poem. The title is a symbol representing the harsh life of a chimney sweeper and his life as a child. He states, “When my mother died I was very young, and my father sold me while yet my tongue”, (ln 1-2). This is saying that his mother died when he was young and his father gave him up. Blake’s unhappiness resembles being mortal in a sense that his unhappiness is like being dead. Blake has two meanings when he says, “So your chimney’s I sweep, and in soot I sleep”, (ln 4). This line denotes that he is an adult now with the responsibility of being a chimney sweeper. Blake is really saying that his childhood was terrible like the work of a chimney sweeper.