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Recommended: Essays on chaos
Order and chaos are two events that inhabit the world that surrounds us. Natural events, such as gravity, create order where our world has laws and principles. One the other hand, war, fighting, and disasters make up the chaotic aspect of our world. How both are found in this world we live in, the same two ideas of order and chaos, are found in Eamon Grennan’s “One Morning.”
In this poem, the speaker is talks about his experiences in one significant morning. The poem introduces a beach environment where the speaker talks about collecting rocks, while seeing a dead otter, an oyster fisher, and a bird trying to find its prey. He recalls that this morning is the morning after contemplating of dying, but in the second stanza he has a change of feeling. Instead of seeing disturbances, he sees things that symbolize piece and serenity – butterflies, a couple, the sun. Taking into account all these literal events make the story far too normal. However, what makes this poem noteworthy is its two-sided arguments for the natural order of the world – chaotic in nature or underlying order.
In the first stanza, we do notice the total chaos in this experience. Although the first phrase might imply a peaceful event, the subject matter is about something quite chaotic in nature – the dead other. This image ruins the idea of a peaceful morning, strolling on the beach while looking for rocks. The death of an animal is, in fact, natural. However, it’s rotting and its “scent of savage/valediction,” (line 2-3) both accentuate how chaotic its death is to the peacefulness of this experience.
Following that first image, more instances of chaos are found. A walk on the beach sparks up an image of a quiet stroll, but sounds can easily disrupt that. Cha...
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...otter, disturbing high pitched sounf of the oystercatcher, the cormorant, and the heron all connote the idea of an overwhelming chaotic nature of the world. The first two lines of the second stanza justify this view because we find that the speaker has gone through a personal experience of facing death. However, in the majority of the second stanza, the speaker finds a more peaceful underlying order in the next few images he sees. The butterfly, a couple quietly speaking, and the soothing warmth of nature all appeal to an underlying order, filled with peacefulness and serenity. From the different perspectives of a single experience of the speaker, the author is able to create a world where although chaos can be present through personal experience, the underlying order is still intact, as long as one is able to look at it from a more calm and peaceful vantage point.
The diction surrounding this alteration enhances the change in attitude from self-loath to outer-disgust, such as in lines 8 through 13, which read, “The sky/ was dramatic with great straggling V’s/ of geese streaming south, mare’s tails above them./ Their trumpeting made us look up and around./ The course sloped into salt marshes,/ and this seemed to cause the abundance of birds.” No longer does he use nature as symbolism of himself; instead he spills blame upon it and deters it from himself. The diction in the lines detailing the new birds he witnesses places nature once more outside of his correlation, as lines 14 through 18 read, “As if out of the Bible/ or science fiction,/ a cloud appeared, a cloud of dots/ like iron filings, which a magnet/ underneath the paper
Therefore, Oliver’s incorporation of imagery, setting, and mood to control the perspective of her own poem, as well as to further build the contrast she establishes through the speaker, serves a critical role in creating the lesson of the work. Oliver’s poem essentially gives the poet an ultimatum; either he can go to the “cave behind all that / jubilation” (10-11) produced by a waterfall to “drip with despair” (14) without disturbing the world with his misery, or, instead, he can mimic the thrush who sings its poetry from a “green branch” (15) on which the “passing foil of the water” (16) gently brushes its feathers. The contrast between these two images is quite pronounced, and the intention of such description is to persuade the audience by setting their mood towards the two poets to match that of the speaker. The most apparent difference between these two depictions is the gracelessness of the first versus the gracefulness of the second. Within the poem’s content, the setting has been skillfully intertwined with both imagery and mood to create an understanding of the two poets, whose surroundings characterize them. The poet stands alone in a cave “to cry aloud for [his] / mistakes” while the thrush shares its beautiful and lovely music with the world (1-2). As such, the overall function of these three elements within the poem is to portray the
In the stanzas of Elizabeth Bishop’s poem, the speaker very honestly observes the scenes from outside her apartment. From her point of view, she sees a both a bird and a dog in the process of sleeping. The speaker views these animals as having simple lives unbothered by endless questions or worries. Instead, the two live peaceful, uninterrupted existences, rising every morning knowing that “everything is answered” (ln. 22). However, the speaker lives in contrast to this statement instead anxiously awaiting the next day where uncertainty is a likely possibility. Unlike the dog and the bird, the speaker cannot sit passively by as the world continues in its cycle and she carries a variety of emotions, such as a sense of shame. It is evident here that the speaker has gone through or is currently undergoing some sort of struggle. When she states that “Yesterday brought to today so lightly!” she does so in longing for the world to recognize her for her issues by viewing the earth’s graces as so light of actions, and in doing so, she fails to recognize that she can no longer comprehend the beauty of nature that it offers her. In viewing the light hitting the trees as “gray light streaking each bare branch” (ln. 11), she only sees the monotony of the morning and condescends it to merely “another tree” (ln. 13.) To her, the morning is something
This gives the effect that although there is mass devastation, there is always a light at the end of the tunnel, in this case for the eagle, the leftover remains of a carcass. However, as seen throughout the poem this isn’t the case for everyone and everything as the dead or dying clearly outnumber those prospering from the drought. This further adds to the miserable and discouraging mood of the poem. Other poetic devices are also used during the course of the
... in order to affect the world. Chaos becomes, by the end of the novel, nearly
Abstract: I will show how chaos is can be found in art, specifically in literature, and analyze John Hawkes's Travesty to show the similarities between literature and chaos.
Henry Adams states “chaos was the law of nature; order was the dream of man”. This statement is clearly used in the novel Crossing to Safety by Larry Morgan, and how this was his belief. However, the novel of Crossing to Safety is filled with chaotic times that happen in Larry Morgan and his wife’s life. This same chaos also affects his close friends who had their own struggles in their lives. This paper will look at how order would not have better for these couples, and how this chaos caused the couples to lose their dream of order.
"Love Calls Us to the Things of This World" sets up, in the first stanza, the feeling that something otherworldly is going to be in the picture. "The morning air is all awash with angels" brings in the image (or concept) of heaven, which Wilbur refers to again later in the poem. In the 2nd stanza, again the concept of not-of-this-world is brought into play with the mention of the halcyon, which is a mythical bird. One literary device that Wilbur seems to draw upon heavily in this poem is the use of oxymorons, contradictory terms together. The angels are rising together in "calm swells." When I think of swells, calm is not necessarily the word that comes to mind. He also states that the angels are "flying in place...moving/ And staying like white water." Flying implies movement, so "flying in place" is not a phrase that is commonly heard. Later in the poem he uses the term bitter love, and while I understand that this concept does in fact exist, it is still two words which are somewhat contradictory. In the last stanza he mentions the "heaviest nuns" trying hard to keep their "difficult balance." This reminded me of that concept of funambilism that we discussed in class. This work seems to utilize the idea of balance (indirectly) in many aspects. The use of the contradictory terms that I discussed earlier could be thought of as balancing each other out. This poem overall was very well put together, with sentences that caught your attention, and my favorite sentence was "The soul shrinks/ From all that it is about to remember."
The first line in this poem is only taken up by one word, ‘morning’ this may represent a peaceful approach to the day. I came to this conclusion because the poet tells us in the third line ‘sound of the blue surf’ this indicates that the sound of the sea is harmonious and it is the first image that is put into the island mans brain. The word ‘morning’ on its own can make us think that someone is actually saying morning as in good morning. ‘blue surf’ could also mean relaxation however the word ‘blue’ could mean sadness. This choice of wording makes us the readers think that the blue surf is a relaxing thing but it is sad that the island man Is away from it or that the island man Is missing his homeland.
In the beginning, the speaker wants to be free of burdens, numb, and in peace. When speaking of these things, she does so in a very envious and coveting tone. For instance, near the beginning, the speaker says: “Look how white everything is, how quiet, how snowed-in. / I am learning peacefulness, lying by myself quietly…I am nobody; I have nothing to do with explosions” (2-5). The lines have a very soothing, serene sense to it because of all the long vowels the speaker uses and because of all the assonance (of the o, e, and i sound) in it. These vowels cause the line to be read slowly and calmly. Moreover, she is specifically pointing this scene out to the reader by ordering them to “Look” at it (2). Clearly, what it embodies must be something rather important to her as this is the only time she asks the reader to do something. She seems wistful for the...
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.
7). The section also builds the connection through the description of the solitary figure that does not project from the landscape but is pictured as native to it with the violence and rowdiness of the sea showing his deranged mind. Additionally, his hollow eyes are transformed to signify caves along the bottom of the waters while the cold bed shows the seabed. The waves that chide seems to be the proposal of an obsessed delusion, the lunatic appearing to be mentally disturbed by the surrounding. However, line 8 of the poem shows that this obsession has turned out to be a discussion where the lunatic’s ‘murmuring responses’ (l. 8) seem to amass the power to control the ‘dashing surf’ or to converse with it. From this section, the lunatic can be described as someone who has wild and hollow eyes, communicates with a hoarse voice, and can listen to nature. In addition, it is evident that imagery is seen in the use of headland, which can be viewed to represent a privileged position of visual power, which matches the social prominence ascribed to the masculine personality within the natural
Awe of nature is one characteristic of romance that this poem displays. The quotation, "The Tide Rises, the Tide Falls," is said using nature in connection with life. The poem uses waves from the ocean to describe that life happens and there are things in life that happen that cannot be controlled. Life comes and goes and there are
"It has been said that something as small as the flutter of a butterfly’s wing can ultimately cause a typhoon halfway around the world. -Chaos Theory" It mentioned that a little unconscious action at the beginning will cause a big serious affair at last. This always happens even though that it sounds weird and unpredictable. Things are happening every day and how I react to them will be crucial.
Both poets present readers with characters questioning the apparent transience of nature. Whitman's young girl weeps to see the black "burial-clouds that lower victorious soon to devour all," (line 12) just as Stevens' young woman is saddened "when the birds are gone, and their warm fields/Return no more" (lines 49-50). These characters, unable to grasp the entirely of the cycle of mortality, are dismayed by earthly loss they continually observe.