The US stands as the world's renowned melting pot. There has always been a sense of diversity in the US. The US has always proclaimed the protection of all people. But does the US defend the people? Or do the people have to defend the US? In the 21st century, many people have noticed the discrimination towards African American individuals in the US even after the unforgiving history of discrimination in the US. There have been many forms of speaking out against discrimination, including protests and speeches, but, one of them sticks out in an unsuspecting way: the music industry, or more specifically, the hip-hop industry. The hip-hop industry is one of the most extensive scenes in this day and time and Donald Glover -- better known as Childish …show more content…
This style of singing often conjures images of South African choral singing, yet at the 52-second mark, the music is interrupted. Gambino poses, then shoots at a man sitting in a chair. However, this stance bears an uncanny resemblance to that of Mr. T Rice as Jim Crow, a character emblematic of the harrowing era of Jim Crow segregation that reflected the distorted perceptions held by white society towards African Americans. Glover's use of symbolism, grand yet minuscule, has a large impact on the audience who notices it. Does the reference have a specific meaning? Or is the meaning meant to be up for interpretation? By leaving the pose open to interpretation, a can of worms can be opened to get more and more people talking. Glover's ingenious choice to make the subtle reference sparks an eternal fire, as the Jim Crow symbol refuses to let the discussion come to a …show more content…
Making sure the audience can see the brutality forms strong emotional feelings of resentment towards the violence. This resentment fuels their drive to seek comprehension of the unfamiliar; with a further understanding of violence in America the viewers can elevate the awareness of the un-spoken brutality. Later in the music video, the video momentarily shifts back to a choir singing, vastly different than trap music. The return to choral singing leaves the audience with a feeling of uncertainty. At this time, the choir is singing “Tell Somebody”. You go tell somebody,” serving as a compelling call to action against the persistence of racial inequality and gun violence. However, seconds later, the whole choir is shot by Glover, juxtaposing the violence and peace in America. To add, this shooting likely alludes to a horrific shooting that occurred not too long before the song was released: the Charleston Church Shooting, which claimed the lives of nine African American individuals during a Bible study at a Church in Charleston, South
In his documentary Classified X, Martin Van Peebles describes three areas where African-Americans could be receive some sanctuary from the racism that pervaded almost all Hollywood films. These three places were: the Hollywood version of an all-Black film, the church, and entertainment. Black culture and music is prominent in mainstream society, but the people behind this culture don’t always receive recognition and respect for their creations. Mainstream White pop culture excitedly consumes and appropriates Black culture, but disrespects the source.
Andreanna Clay and her book: The Hip-Hop Generation Fights Back expresses many views, ideologies, and upbringings of today’s youth of color. The book goes on to discuss many key factors some of which are youth violence, to the impact of high stakes biased and blatantly racist educational testing, to social media rewording youth of color in a negative light, to even the moral failures of hip-hop culture. Young people of color are often portrayed and stereotyped as gang affiliated, simply troubled or, ultimately, dangerous, and not safe to be around. This book looks at and examines how youth activism has come about recently to address the persistent inequalities and injustices that affect these urban youths of color. Clay provides an over encompassing
Conversation about hip hop has contributed to its current state of crisis. Rose writes about how over-generalized criticisms in conversations about hip hop lead to ugly stereotypes and disdain for young black people. Hip hop has become a sort of scapegoat for people
In one of the chapters, ‘Where Did Our Love Go?’ the author reveals how blacks in America use the music to express their anger and commitment to emerge as great people in an unfair community. Most songs are written to educate the society on the negative effects of racism. They encourage the society to love one another and embrace unity. The human nature is founded through a social platform where philosophers claim that people were created to love one another and live with peace and unity. Through this book, it is clear that the blacks in the hip-hop generation are money minded. However, this is expected in a world where the economy is tough. The author claims that the youth are the people who are majorly affected by racism. Many of them have been arrested for pity mistakes which are magnified in the courts due to the impression that the society has on the black people. They engage in dirty activities like drug dealings that that put them on the wrong side of the
Dramatic Irony is when an author allows the reader to know more than his/her characters in the story. This technique is used by the authors to add suspense to their literature. Edgar Allen Poe created many suspenseful stories using dramatic irony for the purpose of creating themes about human nature. In the short story “The Cask Of Amontillado,” Edgar Allen Poe uses dramatic irony to develop the theme that one should be careful about insulting another because he/she will seek revenge.
Artists have an interesting perspective about hip hop’s relationship to racism, and racial exploitation. Black and white artists have totally different opinions towards hip hop and its relation to racism. Lots of black artists have come from the poorest situations and made a life for themselves by rapping or singing about hip hop. They rap with passion, courage and energy. Lots of white rappers, who usually come from nice backgrounds, have enough funds to start
Hip-Hop’s criticism of George W. Bush is a good example of hip-hop’s reflection of Black public opinion. The Republican candidate who already had a low approval rating of 57% amongst African-Americans received an even lower approval rating after his lackluster efforts to support Louisiana after Hurricane Katrina in 2005 (Jones, 2003; Cillizza & Sullivan 2013).
This article is titled “Rap music is harmful to African American communities” and is written by E. Faye Williams. Williams is a chairwoman of the National Congress of Black Women (NCBW). The national congress of black women is a non-profit organization dedicated to the educational, political, economic, and cultural development of African American women and their families. Williams’s article “Rap music is harmful to African American communities” makes her qualified and a credible source to be writing on this question: If rap music and other media is harming the African American community? In her article, she states her side of the argument of how rap music and media are indeed harming the African American community, using the context, and reasoning,
Hip hop has become one of the most commercially promoted and financially successful forms of media in recent years. But as its profits have risen it has become a scapegoat for the many of the public criticisms of young black people. These topic have been discussed in Tricia Rose’s novel “The Hip Hop Wars What We Talk About - And Why It Matters”. The state of hip hop has fallen because the trinity of commercial hip hop has become main topic and caused a lot of controversy. This book is appealing to a person who want to know how hip hop has changed in the past decade and it points out many different attitudes toward hip hop in the Unites States.
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
Even when one becomes an artist in the industry, there are many troubles that go along with the tag of being a recording artist in the urban division. One example is seen in the article, “The Business of Rap: Between the Street and the Executive Suite” by Keith Negus, where columnist, J.R. Reynolds, mentions the closing of the urban division at Capitol Records in 1996, calling it “the systematic extermination of black music at Capitol Records”, saying that it did not make any sense because the genre was doing well in the market (528). The black music division is often subject to this kind of cutting compared to others. Negus also states that “despite the influence of rap and hip hop on the aesthetics of music, video, television, film, sport, fashion, dancing and advertising, the potential of this broader cultural formation to make a contribution to music industry business practices is not encouraged” (534). The sad fact of the matter is that this is true. It is almost like the larger companies take from the smaller urban divisions in order to make themselves look better without giving credit where it is due and in turn, because those companies are not seen to be doing well in the market, they are dropped from the label. Ted Swedenburg explains this in the article “Homies in The ‘Hood: Rap’s Commodification of Insubordination”, when he states that “while the major academic rock critics usually acknowledge black musicians’ essential contributions to pop and occasionally write sympathetic a...
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
The music industry’s history is a convoluted mess. There is no real consensus on what the music industry IS and what paths it has taken. Were the Beatles the greatest band to ever exist? Maybe. Is there a hyper objectification of women throughout the “men’s club” that is the music industry? Probably. It’s this hard to define, frankly confusing business that is worth roughly $130 billion dollars today. With it’s flimsy and opaque edges, can the music industry ever be called into question on its wrongdoings? The racist undertone throughout its history may force it to. With the music industry as an ever growing business that seems to change almost every decade, the one thing that has not changed throughout time is an undercurrent of racism that
McWhorter, John. “Rap Music Harms the Black Community.”Popular Culture. Ed. John Woodward. Farmington Hills, MI: Thompson Gale, 2005. 53-59.
Jackson’s argument is related to the statements made in The Freshest Kids because of the construction of whiteness, which discriminates against Black culture, devalues and ignores the true meaning of Hip Hop on the basis that it is a Black movement. Through the gaze and the construction of whiteness, Hip Hop loses its place amongst American society because it is negatively tied to African culture and is seen as worthless. However, even when American society starts to acknowledge the existence of Hip Hop, primarily white Americans only look at the physical aspect and become ignorant towards the true meaning; doing a disservice to Hip Hop and African culture. Jackson’s argument holds true and is relatable to The Freshest Kids