A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin... ... middle of paper ... ...atching MTV music shows or any music channel on television. As we continue to watch these programs, we will then notice that almost all the rap and hip-hop artists being shown are African-Americans. It is the particular lifestyle, and behaviour that is connected to what particular artists chose to vocalize about. This usually can harm the image of African-Americans due to the fact that many artists aid in the misconceptions of their particular race such as the example provided with 50 Cent’s song entitled P.I.M.P. These lyrics and song titles simply reinforce the negative image some individuals may have of both Caucasian’s and people of colour. Rap and hip-hop is one of the most intimate, personal, legitimate and important art form. Instead of perpetuating injustice, and prejudice artists should be addressing these different issues in a different matter.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
Conversation about hip hop has contributed to its current state of crisis. Rose writes about how over-generalized criticisms in conversations about hip hop lead to ugly stereotypes and disdain for young black people. Hip hop has become a sort of scapegoat for people
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
In his book Hip Hop America, Nelson George states, “Hip hop culture is just another name for black ghetto culture.” Is this statement really true? If one examines the origins and subject matter of early hip hop, one will find that George’s words are, in fact, true. Hip hop of the 1980s and 1990s highlights issues faced in Black ghettos, such as drug problems, violence, and poverty. With this music, hip hop artists of the eighties and nineties bring Black issues to the forefront by incorporating important messages with simple beats; not only that, but hip hop also gives these issues a great deal of recognition.
Rap started as a social movement during the mid-1970’s, once the 80’s arrived it started expanding dramatically, and became popular among white suburban youth. During the late 1980s and early 1990s rap became overtly political with its messages, which expanded its popularity further. Unfortunately, political rap lost its popularity in the mid-1990s; regardless of this artists and their voices have been marginalized because of corporate control. Although there does not seem to be a direct connection between rap music and its whitening, the author claims that it is not coincidental. Despite the political messages within the genre, rap has been viewed through a racist
This article is titled “Rap music is harmful to African American communities” and is written by E. Faye Williams. Williams is a chairwoman of the National Congress of Black Women (NCBW). The national congress of black women is a non-profit organization dedicated to the educational, political, economic, and cultural development of African American women and their families. Williams’s article “Rap music is harmful to African American communities” makes her qualified and a credible source to be writing on this question: If rap music and other media is harming the African American community? In her article, she states her side of the argument of how rap music and media are indeed harming the African American community, using the context, and reasoning,
Hip hop has become one of the most commercially promoted and financially successful forms of media in recent years. But as its profits have risen it has become a scapegoat for the many of the public criticisms of young black people. These topic have been discussed in Tricia Rose’s novel “The Hip Hop Wars What We Talk About - And Why It Matters”. The state of hip hop has fallen because the trinity of commercial hip hop has become main topic and caused a lot of controversy. This book is appealing to a person who want to know how hip hop has changed in the past decade and it points out many different attitudes toward hip hop in the Unites States.
Rap is about giving voice to a black community otherwise underrepresented, if not silent, in the mass media. It has always been and remains … directly connected to the streets from which it came. (144)
Hip-hop began in the undergrounds in Bronx New York in the early 1970s and has gradually grown to become mainstream music. According to Lori Selke a professional writer for Global post, “hip-hop is the term that refers to more than just a musical genre; it includes culture, dance, art, and even fashion” (Selke). Since it originated in the 1970’s, hip-hop has had profound influence on society, and has grown into the lives of listeners worldwide; hip-hop’s influential power is astonishing. Within the last decade, hip-hop artist like Jay-Z, Nas, and Young Jeezy helped to increase voting in the 2008 presidential campaign by informing a hip hop audience consisting of a majority of African Americans on soon to be 44th President of the United States, by using their voice and lyrics as their tool to encouraging people to stand up for a change by voting. According to Emmett Price in his book Hip Hop Culture (2006), “in the early years prior to the rise of recorded rap music via Sugar Hill Gang’s controversial “Rapper’s Delight” (1979) hip-hop was a growing culture driven by self-determination, a love for life, and a desire to have fun [through entertaining fans and expressing themself].” (Price) Although artists today accomplish the same things, the focus of the lyrics has changed consisting of “extolling violence, drug and alcohol use, and detailing sexual exploits” (Selke). If one were to observe the most popular music from artist in the 80’s until now, they would notice a definitive change in its overall message. If hip-hop continues on its current route it will become a musical genre known solely for its references to sex, drugs, and violence.
The most popular new music to emerge from the ‘80’s was rap music. It first developed in the mid ‘70’s in New York City, and soon in other urban areas, primarily amongst African-American teen-agers. It became very popular with the urban public that it soon began to spread throughout the United States and much of the world. It replaced rock music as the creative force in music of the ‘80’s and ‘90’s. However, as popular as it was then and it is now, the lyrics of many rap songs have caused controversy. Many believe and have charged that these lyrics promote racism and violence and show contempt for women.
Hip-Hop has come a long way in our generation. From time to time an artist or a video gives a positive or negative message to our viewers. There have been many controversial issues that focus’s on what the rapper is trying to put out. Some people may look at the same song or video, but have a different opinion on it.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Rap is becoming more popular than ever, soon most of the world will have some type of knowledge of rap music. Rachel Sullivan from the University of Connecticut stated “White respondents in this survey had difficulty naming three rap artists, which indicated that they did not have a high level of commitment to the music.” This statement was produced in 2003, also seemed to be very one dimensional. Recently, rap music has been surging through the masses no matter the race. Furthermore, rap is becoming very prevalent especially in the youth of this era. Many trends, commercials, social media, etc. are revolving around rap music.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .