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The love song of j. alfred prufrock poem
Symbolism in the love song of j alfred prufrock
The love song of j. alfred prufrock poem
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Discuss Eliot’s treatment of the theme of the modern city in
Preludes. Also refer to The Love Song of J. Alfred Prufrock if you
wish.
In both ‘Preludes’ and ‘The love song of J. Alfred Prufrock’, the
modern city is one of the main themes. Eliot’s fascination with the
modern city could stem from the fact that he was an American, and so
when he moved to England in 1915, the modern city was a part of
England of which he was in awe. Eliot was also influenced by the
French poet, Charles Baudelaire who explored the poetic possibilities
of “the more sordid aspects of the modern metropolis.” I believe that
this is what Eliot is doing in Preludes; I believe he is exploring the
poetic possibilities of the city.
In ‘Preludes’, Eliot begins the poem with “The winter evening settles
down / With smell of steaks in passageways / Six o’clock.” Here, Eliot
has personified the weather and made wide use of sibilance. By using
sibilance, he makes the “passageways” seem eerie and mysterious. Eliot
then continues with “The burnt-out ends of smoky days / And now a
gusty shower wraps.” These two lines suggest endings, as life is
firstly compared to a cigarette, where it burns away to nothing and
then the line “And now a gusty shower wraps” makes use of pathetic
fallacy, as the turbulent day in the city is over, just like the “gusty
shower” has finished. The last two lines of the stanza create the
impression of a city atmosphere which is dingy and dark; “And at the
corner of the street / A lonely cab horse steams and stamps.” The cab
horse could mirror people in the city, as many of them are lonely, and
“at the corner of the street” suggests isolation and dinginess mixed
with a familiar city image.
In the second stanza, El...
... middle of paper ...
... mirroring the harsh world which the city is. “The worlds revolve…”
suggests that in cities people are living in their own different
worlds, behind “masquerades”, which is a theme also present in ‘The
Love Song of J. Alfred Prufrock’ with the line “To prepare a face to
meet the faces that you meet.”
In ‘Preludes’ and ‘The Love Song of J. Alfred Prufrock’, Eliot
illuminates the modern city in a very harsh light. Eliot seems to
focus on the negative points of the city such as its darkness,
loneliness and how threatening it can be. This could be due to the
fact that Eliot was writing about these city themes after Darwinism,
and just before World War One, when the city and civilisation were
seen as the things which would eventually destroy man. Eliot
discusses the theme of the modern city truthfully and writes about it
in the stark way in which he views it.
The Character of the City Boston in J Anthony Lukas' Common Ground and Richard Broadman's Mission Hill and the Miracle of Boston
In A Tale of Two Cities, Charles Dickens’ choice of sentimental expression had an excellent effect on the readers’ responses to the characters. The use of exaggerated sentimentality helped create a clear picture of the story’s issues in the readers’ minds; it gave a feel for the spirit of the times, and made it easier to understand the characters’ points of view. It was this very sentimentality that Dickens strived to achieve.
In A Tale of Two Cities, Dickens explores the concept of rebirth (physically, spiritually, mentally, and emotionally) through the exploits of Doctor Manette, Charles Darnay, and Sydney Carton. Some major keys in his ideas of being resurrected are physical and mental recovery, escaping an unworthy past for a worthy cause, and the nobility of sacrifice.
Throughout A Tale of Two Cities, Charles Dickens repeats a number of symbols and motifs. By employing these two literary devices throughout the duration of the story, Dickens is working to emphasize the importance of these specific components of the story. Motifs and symbols represent repeating ideas that help the reader to understand, as well as highlight the author’s central idea. Dickens employs the usage of symbols and motifs, such that by using both he adds a layer of significance and deeper meaning to actions, people, as well as objects. Additionally, by using symbols and motifs, Dickens is able to create a story in which both the characters, and the plot are interwoven.
A Tale of Two Cities Essay Throughout history, the powers of love and hate have constantly been engaged in a battle for superiority. Time and time again, love has proven to be stronger than hate, and has been able to overcome all of the obstacles that have stood in the way of it reaching its goal. On certain occasions, though, hate has been a viable foe and defeated love when they clash. In the novel A Tale of Two Cities, Charles Dickens presents several different power struggles between love and hate.
The French Revolution can best be described by Dickens in the opening phrase of his novel A Tale of Two Cities: “It was the best of times, it was the worst of times” (Dickens 1). A Tale of Two Cities, written by Charles Dickens in 1859, takes place in London and Paris during the French Revolution. The book tells the story of a circle of people living and fighting during this dangerous time. These characters include Dr. Manette, a doctor and prisoner of the Bastille for eighteen years who is just reunited with his lovable daughter, Lucie, for the first time since his imprisonment. Mr. Lorry is a banker and family friend of the Manette’s and Charles Darnay is a kind, generous man with a corrupt, noble family who marries Lucie. The Defarges are a married couple who lead the peasants’ revolt in the Revolution, and Sydney Carton is a lawyer’s assistant with a seemingly wasted life, but finds his life’s worth in the end. From these characters and this story, the theme of sacrifice is well displayed, especially the sacrifice for loved ones. The book shows us that love overcomes evil every time through the sacrifices of Miss Pross, Dr. Manette, and Sydney Carton.
T.S. Eliot has been one of the most daring innovators of twentieth-century poetry. His poem“The Love Song of J. Alfred Prufrock”, is different and unusual. He rejects the logic connection, thus, his poems lack logic interpretation. He himself justifies himself by saying: he wrote it to want it to be difficult. The dissociation of sensibility, on the contrary, arouses the emotion of readers immediately. This poem contains Prufrock’ s love affairs. But it is more than that. It is actually only the narration of Prufrock, a middle-aged man, and a romantic aesthete , who is bored with his meaningless life and driven to despair because he wished but
For Eliot, poetic representation of a powerful female presence created difficulty in embodying the male. In order to do so, Eliot avoids envisioning the female, indeed, avoids attaching gender to bodies. We can see this process clearly in "The Love Song of J. Prufrock." The poem circles around not only an unarticulated question, as all readers agree, but also an unenvisioned center, the "one" whom Prufrock addresses. The poem never visualizes the woman with whom Prufrock imagines an encounter except in fragments and in plurals -- eyes, arms, skirts - synecdoches we might well imagine as fetishistic replacements. But even these synecdochic replacements are not clearly engendered. The braceleted arms and the skirts are specifically feminine, but the faces, the hands, the voices, the eyes are not. As if to displace the central human object it does not visualize, the poem projects images of the body onto the landscape (the sky, the streets, the fog), but these images, for all their marked intimation of sexuality, also avoid the designation of gender (the muttering retreats of restless nights, the fog that rubs, licks, and lingers). The most visually precise images in the poem are those of Prufrock himself, a Prufrock carefully composed – "My morning coat, my collar mounting firmly to the chin, / My necktie rich and modest, but asserted by a simple pin" -- only to be decomposed by the watching eyes of another into thin arms and legs, a balding head brought in upon a platter. Moreover, the images associated with Prufrock are themselves, as Pinkney observes, terrifyingly unstable, attributes constituting the identity of the subject at one moment only to be wielded by the objective the next, like the pin that centers his necktie and then pinions him to the wall or the arms that metamorphose into Prufrock's claws. The poem, in these
The poem “The Love Song of J. Alfred Prufrock” written by T.S. Eliot is a depiction of sadness and a disillusioned narrator. While reading this poem, one senses that the narrator is disturbed and has maybe given up hope, and that he feels he is just an actor in a tedious drama At the very beginning of the poem, Eliot uses a quote from Dante’s “Inferno”, preparing the poem’s reader to expect a vision of hell. This device seems to ask the reader to accept that what they are about to be told by the poem’s narrator was not supposed to be revealed to the living world, as Dante was exposed to horrors in the Inferno that were not supposed to be revealed to the world of the living. This comparison is frightening and intriguing, and casts a shadow on the poem and its narrator before it has even begun. J. Alfred Prufrock is anxious, self-concsious, and depressed.
Dickens is often held to be among the greatest writers of the Victorian Age. Nonetheless, why are his works still relevant nearly two centuries later? One reason for this is clearly shown in Dickens’ A Tale of Two Cities. In the novel, he uses imagery to sway the readers’ sympathies. He may kindle empathy for the revolutionary peasants one moment and inspire feeling for the imprisoned aristocrats the next, making the book a more multi-sided work. Dickens uses imagery throughout the novel to manipulate the reader’s compassion in the peasants’ favor, in the nobles defense, and even for the book’s main villainess, Madame Defarge.
Both Browning and Eliot seek to improve upon the nature of the dramatic monologue. Browning emphasizes structure and a separation between the poet and the character which is reiterated by Eliot’s poem. Browning’s influence on Eliot can be seen by the form and structure of “The Love Song of J. Alfred Prufrock” adding working intrinsically with the theme and subject of the work. However, Eliot deviates slightly from Browning by the portrayal of his characters, and the amount of information that he is willing to share with the reader. The intended message of Browning’s poem is much more apparent than Eliot’s who creates an open ended poem that can be interpreted differently by each reader.
Kenner, Hugh. T.S. Eliot: A Collection of Critical Essays. Englewood Cliffs, NJ: Prentice Hall, 1962.
History has not only been important in our lives today, but it has also impacted the classic literature that we read. Charles Dickens has used history as an element of success in many of his works. This has been one of the keys to achievement in his career. Even though it may seem like it, Phillip Allingham lets us know that A Tale of Two Cities is not a history of the French Revolution. This is because no actual people from the time appear in the book (Allingham). Dickens has many different reasons for using the component of history in his novel. John Forster, a historian, tells us that one of these reasons is to advance the plot and to strengthen our understanding of the novel (27). Charles Dickens understood these strategies and could use them to his advantage.
T.S. Eliot, a notable twentieth century poet, wrote often about the modern man and his incapacity to make decisive movements. In his work entitled, 'The Love Song of J. Alfred Prufrock'; he continues this theme allowing the reader to view the world as he sees it, a world of isolation and fear strangling the will of the modern man. The poem opens with a quoted passage from Dante's Inferno, an allusion to Dante's character who speaks from Hell only because he believes that the listener can not return to earth and thereby is impotent to act on the knowledge of his conversation. In his work, Eliot uses this quotation to foreshadow the idea that his character, Prufrock, is also trapped in a world he can not escape, the world where his own thoughts and feelings incapacitate and isolate him.
T.S. Eliot’s The Waste Land is an elaborate and mysterious montage of lines from other works, fleeting observations, conversations, scenery, and even languages. Though this approach seems to render the poem needlessly oblique, this style allows the poem to achieve multi-layered significance impossible in a more straightforward poetic style. Eliot’s use of fragmentation in The Waste Land operates on three levels: first, to parallel the broken society and relationships the poem portrays; second, to deconstruct the reader’s familiar context, creating an individualized sense of disconnection; and third, to challenge the reader to seek meaning in mere fragments, in this enigmatic poem as well as in a fractious world.