Deliverance is defined as the action of being rescued or being freed. In civilization, many would believe that communities and the government keep civilians safe, but civilization may possibly trap or contain humans’ primal instincts. The film Deliverance is the movie adaptation of the novel by the same name written by James Dickey and directed by John Boorman. The film is about four men, Ed, a blue-eyed blonde, suburban man, Lewis, a muscular, arrogant, wild man, Bobby, and unfit, husky pervert and Drew, a law abiding family man, that go on a canoeing trip on the Cahulawassee River before the government sends the electric company to dam the entire river. Little did the men know that the river and the inhabitants around the river were soon …show more content…
going to reveal the unknown side of America that is a danger to civilization in American culture. Ed, the protagonist was delivered to his primal instincts and rescued from civilization’s moral limitations in order to survive the wild, untamed side of America by witnessing and experiencing dominance, violence, and murder. In order for Ed to survive in the wilderness, the suburban man had to break away from American civilization and get in touch with the primal instincts that would lead to Ed becoming dominant.
Ed first witnessed an act of violence in the town where Drew and the mentally ill boy were playing a song together. In the movie, Drew and the mentally ill town boy were both playing a song; Drew was playing on his guitar and the boy was playing his banjo. As their musical “performance” ended, Drew reached out to shake the boy’s hand in which the boy turned his head away from Drew. The banjo represents the wild, uncivilized side of America that in which the boy asserts dominance over Drew, the civilized, law abiding American citizen. Not only did Ed see dominance from the ill boy, but he saw dominance from the mountain man that Ed and Bobby encountered. As Ed arrived to land with Bobby, a husky, perverted insurance salesman, both men encountered two hillbillies, the mountain man and the toothless man. Both hillbillies were defensive about the land and did not like the idea that Ed and Drew were roaming the land. As the toothless hillbilly had Ed held at gunpoint, the mountain man forced Bobby to get naked, and the hillbilly proceeded to rape Bobby. The mountain man raping Bobby represents the power and dominance of the untamed wilderness and human nature over regulated civilization in the sense that there are no laws that will stop both hillbillies from committing immoral acts of rape and possible
murder.
The Giver and Matched are both futuristic societies with a lot of rules. In The Giver the Elders choose their match as well as their children. Jonas starts loving Fiona but isn’t allowed and stops taking the pill. In Matched the officials choose their match but they can have their own children. Cassia is matched with Xander but also loves Ky and doesn't know what to do. In both story they all get jobs for the rest of their lives but in Matched they just call it vocations. Jonas gets the Receiver of memory and Cassia is supposed to be the sorter.
In the world of Appalachia, stereotypes are abundant. There are stories told of mountaineers as lazy, bewildered, backward, and yet happy and complacent people. Mountain women are seen as diligent, strong, hard willed, and overall sturdy and weathered, bearing the burden of their male counterparts. These ideas of mountain life did not come out of thin air; they are the direct product of sensational nineteenth century media including print journalism and illustrative art that has continuously mislead and wrongfully represented the people of Appalachia. These stories, written and told by outsiders, served very little purpose to Appalachian natives other than means of humiliation and degradation. They served mostly to convince readers of the need for so-called civilized people and companies to take over the land and industry of the region, in particular the need for mineral rights, railroads, and logging as the mountain folk were wasting those valuable resources necessary for the common good.
Jim Burden’s early years follows the structure of the idealized childhood of the American West, one where he can run freely in the country and is surrounded by the natural world. However, prejudices are still prevalent in his community, and have a noticeable effect on its inhabitants as they mature. From a young age, members of the Black Hawk, Nebraska community are instilled with the idea that daughters
...sed in the first scene; the white family appear more superior over the aboriginal family, music, such as the Celtic music used in early scenes to foreground the idea of white settlement and the reluctantcy to incorporate any values or ways of life that the original inhabitants had. Her powerful dialogue seen in ‘this land is mine’ scene, which significantly empowers to audience to question whether the white settlers have failed to incorporate any of the ways of life and values of the Indigenous people. Finally, Perkins’ fine editing skills allows audiences to physically see the contrasts of the two families and their beliefs, values and ways of life. From the film, audiences can learn, and also forces them to question whether they have failed to learn from the original habitants of the land they live in today.
While reading different stories, you can find many similarities between the texts. For example, Romeo and Juliet and Pyramus and Thisbe are two stories that have many similarities. Throughout the story, the characters have many of the same traits. Similar events take place in the two stories. All these events lead both stories to a tragic ending. Stories can be similar in many ways. The characters, the setting, and the story line itself. Stories can also be very different. One may talk about an event that will break your heart, while another might bring a smile to your face. The two stories The Man to Send Rain Clouds and Old Man at the Temple have many similarities and differences in their settings due to the place, time, and culture.
The setting of the essay is Los Angeles in the 1800’s during the Wild West era, and the protagonist of the story is the brave Don Antonio. One example of LA’s Wild West portrayal is that LA has “soft, rolling, treeless hills and valleys, between which the Los Angeles River now takes its shilly-shallying course seaward, were forest slopes and meadows, with lakes great and small. This abundance of trees, with shining waters playing among them, added to the limitless bloom of the plains and the splendor of the snow-topped mountains, must have made the whole region indeed a paradise” (Jackson 2). In the 1800’s, LA is not the same developed city as today. LA is an undeveloped land with impressive scenery that provides Wild West imagery. One characteristic of the Wild West is the sheer commotion and imagery of this is provided on “the first breaking out of hostilities between California and the United States, Don Antonio took command of a company of Los Angeles volunteers to repel the intruders” (15). This sheer commotion is one of methods of Wild West imagery Jackson
Greed is a large part of the American culture whether we realize it as a society or not. Many countries around the world view the United States as a selfish country that does what it wants on a global scale, and does not share or allocate its predominate wealth. I am very thankful and proud to be a citizen of this country. Even though I would risk my life to protect our country and its freedom, there are aspects about our civilization that I wish could be different. Black Elk, “a holy man and a warrior of the Lakota Nation Indians,” was a member of the Oglala Sioux tribe during the most horrific period for Native Americans in the Western part of the United States. In excerpts from the novel of his life story Black Elk Speaks, he is able to relate the differences in the ways of life from his people and the white settlers. Although he lived in the late 1800s, he is able to make reference to issues that are relevant to us today. His observations display issues such as human bonds, ethics, economics, and politics. He describes how the excessive acquisitiveness of one society led to the cultural displacement of another.
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
Watson utilises the two motifs to effectively depict that 'Montana 1948' is a tale about the struggle between truth and justice in a racist society. During the tragic events which take place in the 'Wild West' town of Bentrock, misuse of power and reputation is seen through the tyrannical characters of Julian and Frank Hayden (study mode, 2013). However, despite the persona of his father and brother, Wesley Hayden contradicts his family name, and acts honestly and with strong moral beliefs (study mode, 2013).The motif of silence emphasizes the theme of injustice when Wes and Julian Hayden are having a conversation about Frank’s indiscretions with Indian girls and David notes ‘The silence was so sudden and complete I thought at first that they saw me’ (p 72). David is surprised Julian hasn’t done anything about it yet. The motif is used to accentuate the injustice in the society.
...ith money on the floor and tell the blacks to get the money. The blacks dive on the rug, only to find that it is electrified. The whites push the blacks onto the rug so that the whites can laugh at the black people’s pain and suffering. This demonstrates the stereotype of whites in charge of blacks and blacks being submissive to the whites. The white people are forcing the blacks to do something for the whites’ entertainment. The narrator wants to overcome these stereotypes and have his own individual identity.
Throughout the history of the world, there has been many societies. All these societies had similar structures and ideas, but they all are different by their own special traditions and ways of life. Similarly, both our society and the society in The Giver share similar ideas, but they are different in certain areas. For example, they both celebrate birthdays and have family units, but they have their own way of doing so. Based on the celebration of birthdays and the formation of family units, our society is better than the society in The Giver by Lois Lowry.
The destructive nature of cultural collision is symbolized when Emily’s lover, Rose, kills herself because of “how fuckin’ hard it is to be an Indian in this country” (Highway 97). The suicide of Rose, which happened when Rose “went head-on” into a “big 18-wheeler...like a fly splat against a windshield” shows the brutality of cultural collision (Highway 97). The rape of Zhaboonigan is an indicator of the violence inflicted on Natives (especially Native women), and functions as a metaphor for the “intrusive, destructive impact of one society on another” (Nothof 2). Cultural collision results in a fragmented society, where the subdued struggle with their identity as a result of the violent colonization of the dominant
The story in The Giver by Lois Lowry takes place in a community that is not normal. People cannot see color, it is an offense for somebody to touch others, and the community assigns people jobs and children. This unnamed community shown through Jonas’ eye, the main character in this novel, is a perfect society. There is no war, crime, and hunger. Most readers might take it for granted that the community in The Giver differs from the real society. However, there are several affinities between the society in present day and that in this fiction: estrangement of elderly people, suffering of surrogate mothers, and wanting of euthanasia.
Vicious battles between the rich and the poor have always managed to make their way into literature. The same conflict exists in Louis Berney’s “100 Foreskins.” After Lyman Mays realizes that Bill Eagle intends to marry his daughter, he becomes furious. He despises the idea of his beautiful daughter marrying a poor Indian who slaughters cattle for a living. While both seeking a similar goal of defeating each other, Berney’s creative juxtaposition of the two also demonstrates their differences.
Few Hollywood film makers have captured America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and plot. They tell the story of a sheriff and three of his deputies, as they stand alone against adversity in the name of the law. Western movies like these two have forever left a memorable and lasting impressions in the memory of every viewer, with its gunfighters, action filled saloons and sardonic showdowns all in the name of masculinity, revenge and unlawful aggressive behavior. Featuring some of the most famous backdrops in the world ranging from the rustic Red Rock Mountains of Monument Valley in Utah, to the jagged snow capped Mountain tops of the Teton Range in Wyoming, gun-slinging cowboys out in search of mischief and most often at their own misfortune traveled far and wide, seeking one dangerous encounter after another, and unfortunately, ending in their own demise.