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The beginning of rap and hip hop
The history of hip hop and its influence on america
Emergence of Hip Hop
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Djs were the central focuses in the early phases of Hip jump filled in as the establishment and binding together components of hip bounce culture. In rap music Djs were essential for recognizing rapping from verse recitation. Djs utilized different procedures to consolidate vitality and feel of a live execution.
Grandmaster Flash is credited with advancement of hip jump as music, craftsmanship, talked word, and move. Kool Herc was perceived for his sound framework with bass substantial enormous speakers, Jamaican legacy, and turntable style. Grandmaster Flash consolidated his preparation in hardware with his enthusiasm for music and presented the electronic percussion framework known as the beat box. Afrika Bambaataa is prominent for discharging a progression of sort characterizing electro tracks in the 1980s that impacted the improvement of hip bounce culture. Coke La Rock (otherwise known as Coco La Rock) is an old school New York City rapper who is regularly credited just like the main MC in the history of hip-hop.
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His playing of hard funk records of the sort embodied by James Brown was an option both to the vicious group culture of the Bronx and to the incipient ubiquity of disco in the 1970s. Campbell started to confine the instrumental part of the record, which underscored the drum beat the "break" and change starting with one break then onto the next. He utilized a similar two turntable set-up of disco DJs; Campbell utilized two duplicates of a similar record to prolong the
Motown paved the way for future artists to explore themselves. It helped created the grounds of a great music and cultural integration in the 1970’s to now and hopefully forever. Hip Hop’s arrival was credit to Motown triumphs in the musical world. Through the mixing of percussion and the rhythm of the drumbeats of funk and disco, hip hop revealed the opposition to social inequality and discrimination
Underground hip-hop is filled with groups such as The Pharcyde, The Roots, Jigmastas, and Jurassic 5 who use live instruments to not only enhance their lyrical talents, but also to give audiences a great show. All four of these groups are dedicated to preserving hip-hop culture. Emcees battle to prove they are iller, Djs do the same thing, and breakers, break dancers, poppers, whatever you want to call them, continue the tradition of mixing their dance art form of popping, locking and spinning using the music to help create different techniques.
Hip Hop has been around for decades. Due to positive perceptions behind the idea, many DJs and artist started to come about. Hip Hop solely originated in New York city where DJ Kool Herc is the founding father of Hip Hop. The main components within hip hop was Break Dancing, Rap, Beat Boxing, and Graffiti. These components originated from the Ghettos of New York city. Hip Hop culture formed in the 1970s during many block parties and gatherings in New York, where DJs from all over Manhattan and the Bronx came and created mixes and breaks on the turn tables. Alongside Kool Herc is GrandMaster Flash and Afrika Bambaataa who created Universal Zulu Nation, which was music to decrease violence, drugs and get kids involved. Around this time funk,
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
Despite having absolutely nothing to do with the four elements of Hip-Hop as defined by Afrika Bambaataa, the most influential person in the creati...
Hip-hop contains of a stylized rhythmic music normally goes along with rapping, a rhythmic and rhyming speech that is sung. In 1970, the Last Poets released their eponymous debut album; this was the first hip-hop to ever be released to the public. Their music was mixed with funk and aggressive, socially-conscious spoken words that became a primary brick in the foundation of what would come to be hip-hop. The 70’s also played a big part in the evolution of this funky music, which became the new sensation. Bringing forth dozens of excellent new releases, the future was looking bright for hip-hop. Unfortunately, the growing popularity of funk coincided with the rise of disco, the bland Ritchie Family/ Donna Surnmer School of dance music, where string sections, thudding drum machine beats and sentimental vocals replaced percussion, horn sections and urban funk.
Hip-hop started out in the Bronx in New York City with DJ Clive “Cool Herc” Campbell. A man of Jamaica, he essentially birthed the new genre of music by carrying over the Jamaican tradition of Toasting, which “is boastful poetry or over a melody provided by a deejay.” (ROOTS ‘n’ RAP, rice.edu) Its creation can be accredited to the record spinning DJ’s of the clubs of the 1970s. From this, the Master of Ceremonies (MC) was created. He would come up with creative rhymed phrases that could be delivered over a beat or acapella at dance clubs. They consisted of boasts, insults, “uptown throw downs”, and political commentary. From there, hip-hop only grew more and more popular. Being that it was created in a dominantly African American neighborhood, it became a tool for blacks to express their problems with society and be heard by the rest of the country. Though it was a microphone for African Americans to express themselves to the rest of the country, there were some other things that happened within the black community through hip-hop as well. One of these things was a diss track.
Typically when we immediately think about modern hip hop and rap, we immediately de-fine it as a creative mode of expression laden with influences from its African-American roots. Of course, generally speaking, that much of it is true; although the true origin of Hip Hop isn't precisely known, according to Dr. Renford Reese and Becky Blanchard, Hip Hop scholars col-lectively hail the South Bronx in 1970's New York as the birthplace of Hip Hop. Over time, Hip Hop became a cultural phenomenon. As abrasive, succinct, and diverse as each form of expres-sion (emceeing, breakdance, graffiti, and more synonymously, rap music) gets, however, Hip Hop emanates such a contemporary appeal amongst the masses. Ultimately, Hip Hop culture embodies the inextinguishable
Rap music was first a cross-cultural product. Most of its important early practitioners, Kool Herc, DJ Hollywood, and Afrika Bambaataa, were either first- or second-generation Americans of Caribbean background. Kool Herc and DJ Hollywood are given credit for introducing the Jamaican style of cutting and mixing into the musical culture of the South Bronx. Herc was the first DJ to buy two copies of the same record for just a 15-second break (instrumental segment) in the middle. By mixing back and forth between the two copies he was able to double, triple, or endlessly extend the break.
In Jamaica during the 1970s and 1980s reggae developed out of the Ghetto’s of Trench town and expressed the social unrest of the poor and the need to overcome the oppressors. The 1980’s brought the newest development in social and political music, the emergence of hip-hop and rap. This urban musical art form that was developed in New York City has now taken over the mainstream, but originated as an empowering art form for urban youth and emerging working class. Musically, hip-hop spawned the age of DJ’s. With strong influences from Reggae, hip-hop has developed into an empowering form for the expression of ideas, power, revolution and change.
Hip hop culture has been around since the 1970s. Multiple sources all come down to the South Bronx in New York City, as the origin of hip hop culture. The culture began to take its shape within the African American, Afro-Caribbean, and Latino communities. The father of the start of this culture was a Jamaican-born DJ named Clive Campbell but also known as DJ Kool Herc. He brought forth a new sound system and the Jamaican style of “toasting.” Toasting was when Jamaicans would talk or rap over the music they played. This whole new style soon brought what is now known as DJs, B-Boys, MC’s, and graffiti artists (Kaminski).
In 1926, Jelly Roll Morton founded a group called The Red Hot Peppers . This group consists a standard New Orleans instruments, which included cornet, trombone, clarinets, banjos, double bass, drums, and featured piano as a solo instrument in this particular group. The instrumentation of his group was strongly influenced by The Original Dixieland Jass Band. Grandpa’s Spells, Black Bottom Stomp, and The Pearls are examples of his famous works with The Red Hot Peppers. These famous works showed Jelly Roll Morton’s maturity in composing as a composer, his advance concept of the solo writing and the ensemble as an arranger, and his talent as a pianist.
About fifteen years ago a culture was born. In Europe a new type of music was being created. Something new, something fresh. A music fueled by throbbing beats over rattling bass. This is electronic music. The mastermind behind this whole up and coming culture was and is the DJ. In the past five years have become more and more popular everyday. Some people who are not aware of this music or this culture might argue that being a DJ is not a serious profession for various reasons. Throughout this paper I will prove these notions false. As support I will provide the history of the DJ, what exactly it is, insight from various DJ's and much more.
The club culture-hundreds of thousands of young people across the country, covered in sweat and rhythmically throbbing to a beat- has long been filled with stigmas and stereotypes; the idea that hip-hop music is only for people of African descent, or solely for the "impoverished youth" as Dale Kleinschmidt, an ex-DJ and amateur break dancer from Dallas, puts it, has been a common view associated with the hip-hop scene by the masses. Dale got interested in break dancing because, as he says, "he wanted to look cool." In the beginning, the idea of being able to break dance was funny to him- he had already been involved in the dance scene, but he had never been a b-boy, he just DJed. A lot of Dale's interest in the dance aspect of the clubs came from his DJing experiences.
Hip-hop music is portrayed by an entertainer rapping over a track that regularly comprises of loops or specimens of other music woven together (Selke INT). Hip-hop originally appeared in the Bronx around the 1970s and steadily turned into the predominant mainstream music structure by the 1990s, representing a multi-billion dollar industry today (Selke INT). Hip-hop music can additionally have some positive impacts. For example, its verbal imagination can motivate audience members to play with dialect, and acknowledge musicality and rhyme (Selke INT). Just like poetry, hip-hop can be a way of expressing oneself.