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The Effects of Hip hop Music on Today’s Youth
Does hip-hop music effect today’s youth in a positive or negative way? The effects of hip-hop music has been disputable following the time when its rise into the social standard in the late twentieth century, but Hip- hop music is not just one sided but can be both positive and negative on today’s youth.
What is hip-hop? Assuming that you address hip-hop fans, the term alludes to more than simply a musical type - it incorporates an entire society, including dance structures, graffiti symbolization, and fashion (Selke INT). Hip-hop music is portrayed by an entertainer rapping over a track that regularly comprises of loops or specimens of other music woven together (Selke INT). Hip-hop appeared originally in the Bronx around the 1970s and steadily turned into the predominant mainstream music structure by the 1990s, representing a multi- billion dollar industry today (Selke INT).
Hip-hop music can additionally have some positive impacts. For example its verbal imagination can motivate audience members to play with dialect, and acknowledge musicality and rhyme (Selke INT). Just like poetry, hip-hop can be a way of expressing oneself.
Not only is hip-hop a way of expressing ones feelings or views, but is a part of the urban culture and can be used as a communication tool. Slang originally came from hip-hop music and has become a very popular use in today’s society, especially the urban parts.
Hip- hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).
In order for people to understand hip-hop they hav...
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... just positive, just negative, or simply irrelevant. Do not know or have not looked into both the positive and the negative lessons that the hip-hop culture teaches.
Work Cited
Feminist. ‘’How Hip-Hop Degrades Our Women’’. August 2013. Feminist.com 15 March 2014.Feminist.com
Hicks, Jeffrey National Center.org December 2013.national center.org 15 March 2014 National Center.org
Idolator.com/ hip-hop master rankers 15 March 2014. Idolator.com
Meara, Paul.Complex.com. June 2012 Complex.com 15 March 2014 Complex.com
Dave,Miranda. Springer:‘’ Rap and Hip-Hop Genres Today’’ April 2004. 15 March 2014 Springer.com.
Riley. Springer:’’ Rap and Hip-Hop Genre Today’’. April 2004 15 March 2014 Springer.com
Ruiz, Jonathan. Cross-Cultural Rhetoric. December 2010. 15 March 2014. Cross-cultural.com
Selke, Lori’’ EverydayLife’’.GlobalPost.com 15 March 2014.GlobalPost.com
Hip Hop’s according to James McBride article “Hip Hop Planet” is a singular and different form of music that brings with it a message that only those who pay close attention to it understand it. Many who dislike this form of music would state that it is one “without melody, sensibility, instruments, verse, or harmony and doesn’t even seem to be music” (McBride, pg. 1). Though Hip Hop has proven why it deserves to be called music. In going into depth on its values and origins one understands why it is so popular among young people and why it has kept on evolving among the years instead of dying. Many of Hip Hop values that make it unique and different from other forms of music would be that it makes “visible the inner culture of Americas greatest social problem, its legacy of slavery, has taken the dream deferred to a global scale” (McBride, pg. 8). Hip Hop also “is a music that defies definition, yet defines our collective societies in immeasurable ways” (McBride, pg. 2). The
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
Certains ideals such as hyper sexuality, material possesions, and hegemonic masculinity found in hip hop certainly highlights some of its negative aspects. Hip-hop in a sense at times can promote feminism in the sense of sexual freedom (at least in the lyrics provided) where certain songs condemn women for the same freedoms. It is suggested that many young people especially young black people begin to monitor and interrupt some of the messages and ideals that are taken in /followed. Personally the ideals in much of hip-hop do not reflect my own values or views on femininity or masculinity although I do listen to most of the music. Being an educated young black man I in a sense can see through most of the gimmicks and fads that of the music portrays and keep to my personal values more times than not. That said there are times that I do find myself reciting lyrics or enacting the same negative ideals that I personally do not believe because I may like a song. This is where education and awareness comes in and I am able to recognize and correct my behavior which is something I would like to see become more popular amongst my
Hip-hop can demolish citizen. For instance violence in some songs cause the youth to starts fights and also kill citizens. On the other hand, gangs and street thugs are a few examples. However teenagers kills, steals, vandalize, and etc. Therefore, hip hop has produce an negative impact in the world today. It has promoted an unhealthy lifestyle. This is due to attitudes and behaviors of American Youth. In addition, it teaches African American youth to use profanity. Furthermore, american youth does not have no role model when listening to hip-hop.
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
Hip hop is both a culture and a lifestyle. As a musical genre it is characterized by its hard hitting beats and rhythms and expressive spoken word lyrics that address topics ranging from economic disparity and inequality, to gun violence and gang affiliated activity. Though the genre emerged with greater popularity in the 1970’s, the musical elements involved and utilized have been around for many years. In this paper, we will cover the history and
Negus, Keith. "The Business of Rap: Between the Street and the Executive Suite." Rpt. in That’s the Joint!: The Hip-Hop Studies Reader. Ed. Murray Forman and Mark Anthony Neal. New York, NY: Routledge, 2004. 525-540. Print.
Hip-Hop is a cultural movement that emerged from the dilapidated South Bronx, New York in the early 1970’s. The area’s mostly African American and Puerto Rican residents originated this uniquely American musical genre and culture that over the past four decades has developed into a global sensation impacting the formation of youth culture around the world. The South Bronx was a whirlpool of political, social, and economic upheaval in the years leading up to the inception of Hip-Hop. The early part of the 1970’s found many African American and Hispanic communities desperately seeking relief from the poverty, drug, and crime epidemics engulfing the gang dominated neighborhoods. Hip-Hop proved to be successful as both a creative outlet for expressing the struggles of life amidst the prevailing crime and violence as well as an enjoyable and cheap form of recreation.
Hip hop culture is known for its negative reputation. It is often thought as an entrance way into gangs, illegal drug activity, and malicious behavior. In today’s culture it is important to lead kids toward a positive direction in life but the hip hop culture of today is not steering youth in that direction. This is because hip-hop has moved away from what it was supposed to be used for. This genre of music was supposed to be used to for personal expression and growth not to create negative images for the youth and encourage them to change their behaviors and beliefs. Hip hop was supposed to give hope to the youth. Give them a reason to pursue their dreams and give them a positive outlook on life. Are there artists who keep it “old school?” Yes there is, but it is never heard on mainstream radio. Hip hop culture has the potential to help the youth follow their dreams and become better people. It just needs to go back to its roots and bring those morals back up again.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
In today’s culture where rap music has become increasingly popular, many teens aren’t realizing what they are listening to. A lot of teens would argue that the music they listen to has no effect on them, but they are wrong. Rap music, especially, has had a major impact on teenagers in today’s society. The lyrics of many rap songs encourage violent and aggressive thoughts in teenagers.
Hip Hop is defined as: “subculture especially of inner-city youths who are typically devotees of Rap music, graffiti, break dancing, and DJing”. If one asks a fan of Hip Hop what the definition is to them, then one might get something deeper. Some fans define Hip Hop as a culture that consist of many of its own subculture and its knowledge of the history and principles of Hip Hop. Hip Hop can also be defined as an expression of the relationship between urban ...
With each passing year, technology has become highly involved in our lives, and continues to at a rapidly increasing rate. Technology, in many ways, was designed to help people in various fields of work. However, it has also achieved the reciprocal. Where does music lie? Has technology hurt or helped the field of music, specifically hip-hop? What do these advancements mean for the genre?