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Literary devices english12
Literary techniques
Literary elements and techniques
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George Sand once said, “There is only one happiness in this life, to love and be loved.” Many people struggle to find the love of their life, and once they find it, they end out feeling much happier. Edmond Rostand’s “Cyrano de Bergerac” and Alfred Lord Tennyson’s “O Were I Loved as I Desire to be” both tell how love takes a lot of effort, but it is always worth the hard work, but they tell the reader about this in different ways. Edmond Rostand uses symbolism and stage directions, and Alfred Lord Tennyson uses imagery and personification to lead the reader to the theme.
Both works have a theme telling how love takes a lot of work, but it is always worth it in the end. A fitting example of this would be from Cyrano’s conversation with Christian. Christian told Cyrano that he wanted his wit, and Cyrano said “Borrow it, then! Your beautiful young manhood-lend me that, and we two will make one hero of romance”(Rostand, 99). This line from “Cyrano de Bergerac” clearly shows that love isn’t always obtainable without help, because Christian gains Roxane’s love by using Cyrano’s poetic style. Two lines from “O’ Were I loved as I Desire to be” also contributes to the theme very well. These lines say, “Apart upon a mountain,
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through the surge of some deluge from a thousand hills”(Tennyson, lines 11 and 12). These lines show that no distance or obstacle can stop love in its path. “Cyrano de Bergerac” leads the reader to the theme in a different way than a poem. The play uses symbolism and stage directions to state their message. One of the most significant examples of symbolism is Cyrano’s outstanding nose. A lot of people in “Cyrano de Bergerac” would make fun of Cyrano’s nose behind his back. Ragueneau, one of Cyrano’s friends, says “Such a nose! My lords, there is no nose such as that nose.” This line from Ragueneau shows that if you might have an “unfavorable” trait, you still can achieve love as long as you keep trying. Another way that the playwright leads the reader to the theme is through the stage directions in the balcony scene. Christian tries to recite the words that Cyrano whispers to him from under the balcony, but Christian keeps stuttering. Cyrano says that it is much too difficult for him to say this, so Cyrano pulls Christian back and begins to speak “In a low tone, imitating Christian”(Rostand 123). The stage directions given in this scene shows how willing Cyrano is to help Christian gain Roxane’s love. It states that friends will always help others when trying to achieve love. “O’ Were I Loved as I Desire to be” brings the reader to its message by using imagery and personification instead of symbolism and stage directions used by the play.
He says, “Flung leagues of roaring foam into the gorge below us, as far as eye could see”(Tennyson, lines 13 and 14). These last lines of the poem show the potential danger that can come up if the speaker tries to reach the one he loves. It represents how love can conquer any obstacle. The poet also uses personification by saying that “Clear love would pierce and cleave, if thou wert mine”(Tennyson, line 6). Personification is used in this poem to show how powerful true love can be. Both stories expertly show how difficult it can be to achieve love, but how powerful it is once
obtained. Both works use different methods to reach the same theme. “Cyrano de Bergerac” uses symbolism and stage directions, and “O’ Were I Loved as I Desire to be” uses imagery and personification to state their theme. Both of these works of literature show love is always obtainable as long as you try.
Things like imagery, metaphor, and diction allow poetry to have the effect on the reader that the poet desires. Without these complex and abstract methods, poetry would not be the art form that it is. In Alan Dugan’s poem “Love Song: I and Thou”, he uses extended metaphor and line breaks to create tone and meaning in this chaotic piece.
At the beginning of the poem, the speaker starts by telling the reader the place, time and activity he is doing, stating that he saw something that he will always remember. His description of his view is explained through simile for example “Ripe apples were caught like red fish in the nets of their branches” (Updike), captivating the reader’s attention
There are multiple examples of visual imagery in this poem. An example of a simile is “curled like a possum within the hollow trunk”. The effect this has is the way it creates an image for the reader to see how the man is sleeping. An example of personification is, “yet both belonged to the bush, and now are one”. The result this has is how it creates an emotion for the reader to feel
In this tragic love story about two men who struggle to win over one woman’s heart, working together seemed like the only option for both of them to get what they wanted. Cyrano is the most admirable character in this play because of all of his acts of kindness and helpfulness and also with his bravery and loyalty to his friends. Sometimes, fate can be unfair, and the greatest person can end up having the worst things, while the worst person can end up receiving the best things. In Cyrano de Bergerac by Edmond Rostand, Cyrano is a great man, who is noble and brave, but ends up being very poor and dies sadly. Cyrano has proved the readers that he is a admirable person with his loyalty, and has the characteristics and qualities of a gentlemen but his shockingly large nose changes his appearance, and he considers himself ugly throughout the whole book.
In the play for example, Cyrano, a very ugly, old, yet intellectual man who loved Roxane, his cousin, with all his heart and soul, was unable to profess his love for fear that she would have rejected him because of his looks. Enter Christian in the story, a young, average, yet handsome individual who also loves Roxane. The two made a pact with each other to create Roxane’s image of a perfect romantic hero—one that was breath-takingly handsome and, at the same token, smart in a fun and interesting way. Together they charmed Roxane and she ultimately fell in love with Cyrano’s enchanting personality and Christian’s captivating appearance.
Love is something that is so beautiful it brings people together, but at the same time it can be the most destructive thing and it can tear people apart. Edmond Rostand's play, Cyrano de Bergerac, is a tale of a love triangle between Cyrano, Christian, and Roxane. In the play, Cyrano helps Christian make a false identity about himself for Roxane to fall in love for. Christian had the looks while Cyrano had the personality, together they could make the perfect man. Throughout the play, you see similarities and differences between Christian and Cyrano’s personality, looks, and who they love.
While reading Cyrano de Bergerac, I found myself often wondering whether or not Cyrano had led a happy life. Actually, I never once wondered that, but that is irrelevant, because Cyrano’s happiness is the focus of this essay. Was he happy? Truth be told, I cannot say for sure. If we look upon his life, it would seem that he was a bit of a martyr, always sacrificing his happiness for the sake of others. This is probably the case, but I do not believe that he led his life with his happiness as any sort of goal. That will be a defining case in my argument. What I really believe is that he simply did not care about his happiness. In that sense, he did not so much sacrifice it, as he annexed and divided it when he saw fit. To a further extent, this apathy towards himself probably came from a low self-worth, almost certainly spawned not from his elephantine nose, but the fair maiden Roxanne. Finally, the nose itself, the very icon of de Bergerac, was probably not the problem that Cyrano believed it to be. All of this, however obscure it may seem, is crucial to the question posed of me now.
Throughout Edmond Rostand’s classic play, Cyrano de Bergerac, the title character, Cyrano, is a passionate writer whose complex and rich personal qualities are the foundation of his peerless eloquence. Cyrano’s unrivaled sense of humor is a defense against those who humiliate him for his outlandish appearance. For example, during the “nose” speech, Cyrano challenges Valvert with twenty stunningly varied and complex alternative suggestions, one more stinging than the next, to replace Valvert’s banal attempt at insult. Cyrano's retaliation against Valvert's feeble attempt at embarrassment backfires as Cyrano destroys his opponent with a tirade of ingenious examples of how better to insult "the nose": “It’s a rock, a peak, a cape! No, more than a cape: a peninsula!” (41). In addition to Cyrano’s wit, his language is deeply thought-out and rich with poetic imagination. Cyrano amplifies upon a single word by using concrete words to spin a simple concept into a memorable poetic experience. Cyrano illustrates the value of Christian’s need for a kiss from Roxane: “After all, what is a kiss? A vow made at closer range, a more precise promise, a confession that contains its own proof, a seal placed on a pact that has already been signed; it’s a secret told to the mouth rather than to the ear, a fleeting moment filled with the hush of eternity…” (126). Furthermore, it is in compensation for Cyrano’s great suffering that his verbal style is so sensitive and brilliant. He will always love in vain:
The story begins at the Hotel de Bourgogne in the year 1640. Christian de Neuvillette attends the theater with a man called Ligniere in hopes that this man can identify the woman he has fallen in love with. Ligniere identifies the beautiful lady as Roxane, cousin to Cyrano de Bergerac. Christian also finds out from Ligniere that Count de Guiche is in love with her as well. Ligniere told Christian that he made a song that told of de Guiche’s scheme to get Roxane and that de Guiche probably hated him for it. Ligniere leaves and heads out to a tavern while Cristian stares up at Roxane. In the mean time, a thief had been approaching Christian to make an attempt at stealing from him. When Christian reaches into his pocket he finds a hand. The thief makes a deal with Christian and tells him that Ligniere was going to die that night because he insulted a powerful person with a song. The thief told Christian that a hundred men were posted. Chrisian rushes off to every tavern in town to leave a message for his friend.
Helen Keller once wrote, “The best and most beautiful things in the world cannot be seen or even touched - they must be felt with the heart.” Beauty usually defines a person’s physical appearance which is what everyone on the outside sees , whereas inner beauty is not as recognized, but is still considered as “true” beauty because it “cannot be seen or even touched.” This corresponds to Cyrano’s physical insecurity versus his soulful inner thoughts. True love and beauty comes straight from the heart which is how Cyrano was able to gain Roxane’s love, but he was never acknowledged for his affectionate deeds. The battle between inner and outer beauty illustrates a deeper meaning to a person’s life especially throughout Edmond Rostand's play,
It is said that simplicity and complexity need each other. This saying corresponds with Edmond Rostand’s play Cyrano de Bergerac, in which Cyrano de Bergerac, a swashbuckling poet, and Baron Christian de Neuvillette, a dumbfounded romantic, in loving the same fair maiden, display contrasting characteristics. This foiling of characters highlights distinctive attributes of both men. The astounding wit and courage yet grotesque appearance Cyrano possesses oppose the exquisite physique yet floundering tongue and inept actions Christian offers; however, despite their differences, both figures ultimately find love with their beloved, Roxane.
It was a statement by Rostand on the superficial society that he lives in. This play started as a classic tale of love and the battle of two opposites, but then it evolved into a beautiful performance with an impactful moral. You could tell just by reading the play that Rostand’s goal was to change the audience’s views on the importance of beauty. It makes sense why Cyrano de Bergerac was such a critically acclaimed and controversial play when it first came out. Christian and Cyrano are both symbols for the values of inner and outer beauty. Roxane represents society. When Roxane chooses Christian, it shows how Rostand’s society values outer beauty while inner beauty hides. In the end, when Roxane figures out it was Cyrano who she loves, it shows how Rostand wishes society would acknowledge inner beauty instead of only focusing on outer beauty. The play was an original statement about Rostand’s opinion on the importance of both inner and outer beauty. He uses beautiful metaphors, similes, and sense imagery to convince the audience that his opinion is right. Which is better to have, inner or outer beauty? Rostand leaves that up to the audience members, but in the very end, he clearly tells them his final
In the first selection, imagery is used beautifully with a lot of similes to create a gorgeous description of the plot. A wonderful scene is laid out before you and rather than having bright and distinct descriptions, it seems calmer, tired, and almost surreal. In lines one through four of the poem, it said, “Sokoya, I said, looking through the net of wrinkles into wise black pools of her eyes.” Her eyes can be seen sparkling still even with the burden of leaving being upon her. You could almost see the kindness in her fa...
Love has been expressed since the beginning of time; since Adam and Eve. Each culture expresses its love in its own special way. Though out history, though, it’s aspect has always been the same. Love has been a major characteristic of literature also. One of the most famous works in literary history is, Romeo and Juliet by William Shakespeare. This story deals with the love of a man and a woman who’s families have been sworn enemies. There love surpassed the hatred in which the families endured for generations. In the end they both ended up killing their selves, for one could not live without the other. This story is a perfect example of true love.
Through alliteration and imagery, Coleridge turns the words of the poem into a system of symbols that become unfixed to the reader. Coleridge uses alliteration throughout the poem, in which the reader “hovers” between imagination and reality. As the reader moves through the poem, they feel as if they are traveling along a river, “five miles meandering with a mazy motion” (25). The words become a symbol of a slow moving river and as the reader travels along the river, they are also traveling through each stanza. This creates a scene that the viewer can turn words into symbols while in reality they are just reading text. Coleridge is also able to illustrate a suspension of the mind through imagery; done so by producing images that are unfixed to the r...