Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The influence of Hollywood
Hollywood influence on global culture case study
The influence of Hollywood
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The influence of Hollywood
Many people involve themselves in forms of fandom, cultural capital, and social media, but how far can you take it before it completely consumes you? When does it, or does it even, change from just being a source of enjoyment to a source of happiness and self-worth? I will be responding against the comment “cults of celebrity, fandom, the accumulation of cultural capital, and abuse of social media are all examples of people turning to others for happiness and self-worth” and arguing that only cults of celebrity, fandom, and abuse of social media are examples of people turning to others. Many people within many cultures have celebrities that they follow and most often this can be completely normal and doesn’t affect someone’s life. However …show more content…
In Holts article, he states that cultural capital “consists of a set of socially rare and distinctive tastes, skills, knowledge, and practices.” While he explains that there are two different groups of people within cultures, the low cultural capital people and the high cultural capital people, these groups are involved in cultural capital to enrich their lives, not as an alternative to their lives. Many people involve themselves in the enjoyment of artwork, literature, and hobbies but instead of revolving their lives around such cultural capital in order to acquire a sense self-worth, they use it to increase their happiness within their overall life. However, it can get to the point where people dedicate their time to explain to people that there is only one way they can participate in a form of cultural capital. This can be seen in the video shown in class that is essentially hating on modern art and asking people to no longer support it, for reasons the speaker personally believes are true. This is also evident in the book “The Painted Word” by Tom Wolfe because his whole book is written to explain how only the cultural capital he appreciates should be appreciated, and the rest is not good or aloud. When it gets to the point that it consumes you so much, your self-worth is placed upon you making sure everyone is involved in that cultural capital as
Celebrity worship is a term given to those who obsess over one or more celebrity. Jake Halpern's "The Popular Crowd," discusses how loneliness increases the likelihood of someone worshiping celebrities. Worshiping of celebrities is not necessarily bad, it can be helpful for those who have a social need that they need satisfied. However, this worshiping can sometimes lead to stalking and violence towards celebrities. Once this happens celebrities are put in danger. Some celebrities receive phone calls, letters, emails, and more from stalkers. They might not feel like this is a sign of danger, but it is. In order for celebrities to remain safe, they need to be educated about dangers that come with having fans.
The Forms of Capital (1986) written by Bourdieu address the concepts of cultural and social capital. From his point of view, he believes that cultural capital is something that is equipped by oneself and, as a result, reproduces economic capital. The two capitals are directly proportion to each
A fan in today’s world is usually characterized as the result of the “star system” portrayed in society due to mass media where media figures’ lives are constantly emphasized on a day to day basis. The internet and society are obsessed with news concerning celebrities, and knowing about their personal life. Today’s social media keeps fans constantly updated about celebrities, giving fans the illusion that they know everything about that celebrity and that they are connected somehow. This type of mass media has made the difference between appropriate behavior and inappropriate behavior of fans less noticeable (Lewis 11). These types of fans, the pathological fans, are also classified as the “o...
To fully understand why social, economic, and cultural capital could lead to success or failure, it is essential to know the difference between the three. Social capital is defined by the Organization for Economic Co-Operation and Development as “the links, shared values, and understandings in society that enable individuals and groups to trust each other and to work together” (OECD, 2015). Social capital can be multiple things including family members, colleagues, and strangers who have the
Adorno and Horkheimer (1975) used the expression ‘culture industry’ to describe the monopolisation of culture. “The entire practice of the culture industry transfers the profit motive naked onto cultural forms” (Adorno, 2001, P.99). Adorno and Horkheimer believed that Capitalism was mass-producing popular culture which was fuelling consumerist ideologies. It was demolishing the aesthetic values of art and art was no longer ‘arts for art’s sake’ and ‘purposelessness purposes’ prevailed (Held, 1980, P.93). Adorno (2001) argued that popular culture and art in capitalist societies were used for distraction and escapist purposes. The ‘Culture Industry’ was seen to assemble masses to participate in it’s ideology, which has profound social impacts. The monopolisation of culture exploits and manipulates mass population for social control and p...
Cultural capital has great power through the control and maintenance of traditions, expected and accepted roles and behaviours, notably gender roles, important artefacts, language, institutions and services (Navarro, 2006). Of these, two essential contributors being educational facilities and religious institutions (Navarro, 2006). Finally, economic capital holds power through property and literal financial capital or monetary resources, this empowers individuals to have some degree of agency and autonomy (Navarro, 2006). This gives power to individuals to interact with higher classes, or form part of such, to purchase and interact with goods and services that are valued by the society and in turn receive respect and enhances social status (Navarro,
The deception of media consumers allows for the abuse of economic infrastructures of society. An obsession with celebrities’ lives passifies ordinary people in accepting the stratification of the elite businesses and the ordinary citizens. Though pseudo-events and celebrity worship may not be exactly complementary, the similarities of both leaves the public to be utterly vulnerable unless they begin to critically think for themselves.
Class is something that is often defined by ones income, job, and family background, the area in which they live or indeed the schools or universities they have chosen to attended. This criteria is used to label people as a certain class and is something that can be seen in education through the likes of theories such as cultural capital. In this essay I am going to compare and contrast differences between middle and working class experiences of education focusing on two main theories; Cultural capital and social reproduction. I am going to concentrate upon the primary sector in oppose to secondary or higher education due to the fact I believe that primary school is where most children develop their personalities which they carry with them in further life and it is their first academic experience; therefore it is where social class first becomes clearly noticeable. In relation to these theories I am going to research into the argument that parents have a strong influence on their child’s education from this young age.
When Bourdieu discusses cultural capital he is referring to knowing; for instance, what to talk about in a certain context. Capital means resources, so someone with large cultural capital has a lot of experiences in the world and are perceived as knowledgeable and able to converse about an array of diverse topics. Cultural capital can be learned, which is why education for Bourdieu is the first determent, over and above class origins. People who are not from a higher class, but have been immersed in education, can conduct one’s self in a manner where someone cannot distinguish their economic and social origins. Culture is not individualized; it is all
Cultural capital is the ideas and knowledge of people who draws upon and joins in social life. Everything from rules of custom, to being able to speak and write successfully can be considered as a cultural capital. Cultural capital is really just what it sounds like and it mostly make sense to me, most people don’t realize that they have it but is part off everybody and sometimes even earn a person social flexibility to be confident in everything that are doing. There are some physiognomies of cultures study to be superior and those who have said characteristics have a greater shot at success within the culture. I would like to observe not only the forms of cultural capital that I possess, but also those of which I do not. I believe that with this countless examples of cultural capital will have a big influence in my life.
In today’s day and age we live in a society obsessed with celebrity culture. This however, is not a new addiction; our society’s fascination with celebrity culture has been around for decades. Through the years, we’ve seen fandom come in various forms, shapes and sizes. From the groupies of the 60s, to the more recent digital-followers, one thing common among all fans is the pedestal on which they’ve put their favorite celebrity. Some people would argue that fans are not only the most important part of a celebrity’s life, but fans are quintessential in their success. Fans admire them, follow their every move: physical or electronic, and purchase anything and everything that might bring them in looking/feeling more like their desired celebrity. Many experts even believe that fan and fan-clubs often resemble religions. One can easily note the similarities between fans and a religious cult; from worshipping to organizing conventions and event recruiting new followers. To some it might even sound like a disorder, and Dr. Lynn McCutcheon after her intense research, was the first one to coin the term: (CWS) Celebrity Worship Syndrome. According to Psychology Today, CWS can be described as a mental-disorder where an individual becomes completely obsessed with the details of the personal life of a celebrity (Griffiths). A celebrity, as defined by Mark Griffiths, can be any person who is present in the ‘public eye’, including Politicians, authors, and journalists, but according to Dr. McCutcheon research they are more likely to be someone from the world of television, film and/or pop music. Continuing on Justin Bieber’s ad campaign, this paper examines the peculiar relationship between consumers and God-like celebrity figures. It showcase...
It is increasingly clear that media and culture today are of central importance to the maintenance and reproduction of contemporary societies. Cultures expose society to different personalities, provide models, which display various forms of societal life and cultivate various ways to introduce people into dominant forms of thought and action. These are the types of activities integrate people into society and create our public sphere. Media and technology surround our society; engrained into the fabric of our existence so much so, that it has become hard to find an aspect of life not influenced by its effects. For this reason, media controllers, wield extreme power and influence over the lives of everyday people. Although, they increasingly continue to feed the audience trash, despite their authority as the creator of our social/cultural interactions, and justify their actions by calling themselves industries. Reducing themselves to just businesses whose sole purpose is to create a profit. This admittance of what they feel to be their true purpose however does not hinder their control and power but instead adds to it. Creating a need for there to be some way to analyze and discuss whether they are using their position and power wisely. Filling this void, scholars have theorized ways for individuals to be critical of the media that they intake. One of these critical theories is the “Culture Industry” theory. Using Cultural Theory, as well as other complementary neo Marxist theories, it is possible to determine how Stacy Peralta, once urban youth culture advocate, became incorporated into the superstructure through media use, thus making him a tool for the continued commoditization of society, and a youth marketer for industries l...
Living in a modern time, our lives can hardly be separated from creativity and culture. Creative industries have increasingly influenced our daily lives, not just the products we use, but also the money we make. According to DCMS (2014), creative industries in Britain are worth more than £70 billion to its economy every year, not to mention creative industries in other countries. In the following, the seven economic properties as stated in Caves (2000) will be applied to the creative industry, ‘New Media’. ‘New Media’ is one of the nine creative industries proposed in the UNCTAD’s
Holmes, Hughes and Julia (2007) defined cultural capital as an understanding and knowledge about culture, power and communication within a society a child lives in. All students will bring a backpack to school which will contain items such as a lunchbox, books, homework and personal belongings. Often education and university experts talk about a different type of backpack that students might bring to school. This backpack is often referred as a “virtual backpack” (Thomson 2002). Throughout Thomson’s (2007) book...
“Culture” is a term that over the years, has taken many forms, served many purposes and has been defined in a variety of contexts. At the rise of the industrial era, inhabitants of rural areas began to migrate to cities, thus starting urbanization. As this new era began to unfold, urbanization, mass production, and modernization became key ingredients in the transformation of culture. As more people became literate and the production of mass media such as magazines, pamphlets, newspapers etc. increased, many had the option and desire to identify collectively – popular culture began to rise. Popular or “mass” culture can be described as a “dynamic, revolutionary force, breaking down the old barriers of class, tradition, taste, and dissolving